Peter Zumthor

Personal Info

Known For

Acting

Known Credits

0.4686

Gender

Male

Birthday

26-Apr-1943

Age

(83 years old)

Place of Birth

Basel, Switzerland

Also Known As
  • NO INFO PROVIDED

Peter Zumthor

Biography

NO BIOGRAPHY AVAILABLE


Credits

Das Gelände Das Gelände (2016) Character: Self
A long-term observation of the forgotten former “Gestapo grounds” in Berlin 1986-2013.
Architektur der Unendlichkeit Architektur der Unendlichkeit (2019) Character: Himself
How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.
Wim Wenders: Der ewig Suchende Wim Wenders: Der ewig Suchende (2025) Character: Self
At 80 years old, German director and photographer Wim Wenders talks about his unwavering joy in creating and telling stories. From "Paris, Texas" to "Perfect Days" and "Wings of Desire," this is a tender and luminous portrait of the most European of filmmakers.
From Inside Out - Die Architektur von Peter Zumthor From Inside Out - Die Architektur von Peter Zumthor (2026) Character: Self
We all come from houses in which we live, dream, love and die. This long-term documentary project explores the significance of architecture in our everyday lives and takes its audience on a journey to the most impressive places designed by Swiss architect Peter Zumthor.



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