|
Coléoptère (2024)
Character: Grégoire Samsa
Grégoire Samsa is a solitary young man, a building caretaker, always ready to help everyone, in order to exist. Scorned, even by his adoptive mother, Grégoire will begin an uncontrolled mutation.
|
|
|
Grand amour (2020)
Character: N/A
In collaboration with AIDES, an association fighting against HIV, this feature film brings together over 30 artists to explore the freedom to love beyond stereotypes. Desire, passion, break-ups, Grand Amour or the modern version of the freedom to love. All stories are told across genders and sexualities.
|
|
|
La vie de Galilée (2019)
Character: N/A
Accompanied by a child, the mathematician Galileo observes the firmament with a telescope. Ten years ago, the philosopher Giordano Bruno was burned in Rome for having supported the idea of an infinite and centerless universe, based on the work of Copernicus. By dint of observations and calculations, Galileo seeks proofs for his hypothesis of a cosmic system where the Earth is "an ordinary celestial body, one among thousands". From Padua to Venice, the mathematician shakes certainties by confronting the power of a Church which wishes to maintain its absolute power in the "crystal spheres" where Ptolemy has hitherto locked up the world.
|
|
|
Brecht & Weill: Die Dreigroschenoper Festival d'Aix-en-Provence 2023 (2023)
Character: Macheath
Theater director Thomas Ostermeier stages Bertolt Brecht and Kurt Weill's timelessly magnificent "Threepenny Opera" with the ensemble of the Comédie Française in Aix-en-Provence, based on a new translation of the original text by Alexandre Pateau. In London's underworld district of Soho, the beggar king Jonathan Peachum and the criminal Macheath, known as Mackie Messer, are at war. The latter also seduces the daughter of the shady "businessman". When he finds out that the two have secretly celebrated a wedding, he decides to get rid of his rival. He is aided in his endeavors by Jenny, a cunning whore who betrays her ex-lover to the police. Back to the original: First performed in 1928, the opera parody strings together one biting musical number after another in cabaret style and jazz rhythm, breaking the boundaries of the genre, which until then had been considered bourgeois. Because the "Threepenny Opera" by Bertolt Brecht and Kurt Weill is clearly political!
|
|
|
Le Soulier de Satin (2025)
Character: Le Chinois/Le vice-roi de Naples/Un soldat
Video recording of the stage play "Le Soulier de Satin", played by La Comédie-Française at Paris during the 2024-2025 season, and directed for the stage by Eric Ruf. The play was recorded by Arnaud Desplechin.
|
|
|
La Prière (2018)
Character: N/A
Thomas is a drug addict. In an effort to put an end to his habit, he joins a community of former addicts who live isolated in the mountains and use prayer as a way to cure themselves.
|
|
|
Mercato (2025)
Character: Félix Gassama
Mercato takes us behind the scenes of today's soccer, a global industry with interests running into billions. Driss, a player agent, has seven days to save his skin before the end of the mercato...
|
|
|
Qui brille au combat (2025)
Character: Interne hôpital
Set against the backdrop of a summer on the French Riviera, the Roussier family navigates the severe disability of the youngest daughter, 13-year-old Bertille, while her older sister, 17-year-old Marion, seeks refuge in a relationship with an older boy.
|
|
|
Athena (2022)
Character: Le Négociateur
Hours after the tragic death of their youngest brother in unexplained circumstances, three siblings have their lives thrown into chaos.
|
|
|
In Waves (2026)
Character: Francisco (voice)
In Los Angeles, AJ, a shy teenager, meets Kristen. She lives for surfing; he loves skateboarding and drawing. They fall madly in love, and a happy future seems within reach. But everything changes when Kristen faces a sudden illness. Together, they face adversity, driven by the strength of their love, their friends, and their newly shared passion for surfing and the ocean.
|
|
|
L'Homme fidèle (2018)
Character: N/A
Marianne leaves Abel for Paul, his best friend and the father of her unborn child. Eight years later, Paul dies and Marianne returns to Abel. However, things have changed for the both of them and feelings of jealousy surround their new relationship.
|
|
|
40 (2024)
Character: Self
To celebrate this anniversary, CANAL+ is presenting a special prime-time program titled “40.” It’s an opportunity to defy the passage of time by revisiting some of the defining moments of pop culture in general and CANAL+ in particular. More than sixty—that’s the number of talents, artists, and actors whom the channel has had the privilege of watching emerge, flourish, or grow, and who have reimagined in their own way the films, series, and short-form programs that have shaped our shared history since November 4, 1984. On the stage of the Folies Bergère, Antoine de Caunes gracefully and effortlessly bridges the gap between 1984 and 2024 to host this evening, which alternates between studio segments, pre-recorded footage, and live performances.
|
|
|
La Petite Cuisine de Mehdi (2025)
Character: Ibrahim
Mehdi's life lies on a fragile balance. He plays the role of the perfect Algerian son for his mother Fatima, while hiding his relationship with Léa and his passion for French cuisine and wine, which he pursues as a chef at the bistro where he works. But Léa can no longer tolerate his family secrets and demands to meet Fatima. Cornered, Mehdi comes up with the worst possible solution...
|
|
|
Macbeth (2024)
Character: Soeur Fatale
Three witches predict that Macbeth will ascend to the throne of Scotland. To fulfill this prophecy, Lady Macbeth convinces her husband to murder King Duncan, who has come to spend the night at their home. This crime plunges the new ruler into a macabre spiral that will lead him to sink into guilt and madness... The "Scottish play" is being shown live from the Comédie-Française theater in cinemas for the first time.
|
|
|
Je verrai toujours vos visages (2023)
Character: Issa
Since 2014, France's restorative justice programmes have offered a safe space for supervised dialogue between offenders and victims. Grégoire, Nawelle, and Sabine, victims of heists and violent robberies, agree to join one of these discussion groups alongside offenders Nassim, Issa, and Thomas, all convicted of violent robberies. Meanwhile Chloé, a victim of childhood sexual abuse, prepares for dialogue with her own agressor after learning he has moved back into town.
|
|
