|
La Raulito (1975)
Character: Celia, la prostituta
The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.
|
|
|
Corps perdus (1990)
Character: Madre de Laura
Set in Buenos Aires. A man is called upon to identify and evaluate an unfinished and enigmatic painting thought to be the work of the famous painter, Bax. Slowly he finds himself enmeshed in the mysteries of its identification leading him slowly to murder, insanity and death.
|
|
|
Los dueños del silencio (1987)
Character: Madre de Plaza de Mayo
A Swedish journalist in Buenos Aires is about to reveal the circumstances surrounding the young Swedish-Argentine woman Lena Melin's disappearance. The military junta of Argentina is threatening to deport him.
|
|
|
Simiente humana (1959)
Character: N/A
Drama that takes place in La Rioja, Argentina, about the story of a young girl wanted by three men.
|
|
|
La ciudad oculta (1989)
Character: N/A
The film tells the true story of the Argentine military dictatorship's decision, during the 1978 World Cup, to eradicate the Manuel Dorrego shantytown, known as the Hidden City, and the resistance of its residents.
|
|
|
Los insomnes (1986)
Character: N/A
Small stories linked by a group of children who at night in Buenos Aires wander through the city and mingle with their families in an abandoned building
|
|
|
El juguete rabioso (1998)
Character: N/A
A 16-year-old young man, is fond of weapons and the manufacture of explosives. He participates in robberies and is persecuted by the Police, so his group of friends dissolves and he goes to live in another neighborhood and starts working in a bookstore. Dissatisfied, without expectations and full of resentment, Silvio tries to set the place on fire and flees through the city
|
|
|
No toquen a la nena (1976)
Character: Haydée
A man becomes overprotective of his daughter as a friend of his son comes to live at the family home.
|
|
|
La balada del regreso (1974)
Character: N/A
A military from Salta returns with unitary troops to his province and must surround the stay of a federal supporter
|
|
|
|
|
Todos a la vez (1969)
Character: N/A
Almendra, La joven guardia, Palito Ortega, Donald, Litto Nebbia all together in this little musical short.
|
|
|
Sin intervalo (2002)
Character: Deborah Martin
A retired movie star decides one day, without explaining why, to reunite with his family, with whom he no longer maintains a close relationship. This experimental film was created through improvisational exercises by the actors, who followed the guidelines for their respective characters provided by the director.
|
|
|
Pinocho (1986)
Character: N/A
An old man named Geppetto creates a wooden puppet named Pinocchio who comes to life
|
|
|
El bote, el río y la gente (1960)
Character: N/A
An old boat is a silent witness of how the lives of the characters on board are fleetingly intertwined on a predetermined day.
|
|
|
En retirada (1984)
Character: Ana
A former Triple A (Argentine anti-communist alliance) is abandoned by his former colleagues after the Argentine dictatorship falls, in the course of his solitude he slowly becomes more insane and falls further into dementia, at the same time as one of the parents of the many children that he murdered and tortured during the dictatorship persecute him for revenge.
|
|
|
Turismo de carretera (1968)
Character: N/A
A young mechanic ventures into motorcycle racing, but then decides to compete in motorsport disciplines.
|
|
|
|
|
|
|
Tres veces Ana (1961)
Character: Ana
Three different love-related stories -all starring María Vaner as different "Anas". In "The Earth," Ana is a young and idealistic woman on the verge of adulthood when her first relationship with a clerk shatters her dreams of a romantic life. In "The Air," Ana is a rebellious, easy-living type among some beach bums whose sexual leanings tend to tip the scale at active promiscuity. In "The Cloud," Ana only exists in the imagination of an introverted man, who dreams of his ideal woman.
|
|
|
|
|
Los jóvenes viejos (1962)
Character: Sonia
The frustrations felt by certain middle-class youth in Argentina during the early sixties.
|
|
|
Darse cuenta (1984)
Character: N/A
The relationship between a doctor and a depressed young patient in a public hospital.
|
|
|
|
Darse cuenta (1984)
Character: Nora
The relationship between a doctor and a depressed young patient in a public hospital.
|
|
|
Primero yo (1963)
Character: N/A
A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake.
|
|
|
Cara de Queso: mi primer gueto (2006)
Character: Chola
It tells the story of four Jewish boys during a few summer days at the country club where their parents take them, on the outskirts of Buenos Aires, in 1993. Within the club, the four define themselves as outsiders, since they do not participate in the sports activities that are practiced there, and therefore do not fit into the logic that governs the place, being permanently bothered and mocked by the rest of the children of their age.
|
|
|
La mujer sin cabeza (2008)
Character: Tia Lala
After running into something with her car, Vero experiences a particular psychological state. She realizes she might have killed someone.
|
|
|
El grito de Celina (1975)
Character: Roberta
The castrating mother confronts the young woman who is going to marry her youngest son.
|
|
|
Heroína (1972)
Character: N/A
A woman who has been traumatized by her brother's accidental death from electrocution in the subways of Buenos Aires learns to readjust.
|
|
|
Sentimientos: Mirta, de Liniers a Estambul (1987)
Character: N/A
Mirta is a university student in Buenos Aires, in the politicized Argentina of 1974. After the 1976 coup d'état, she and her boyfriend are forced into exile in Stockholm. The exile will contribute to the destruction of the couple, and Mirta must then find her own path.
|
|
|
El secuestrador (1958)
Character: Flavia
A group of poor people living on the bare minimum in a slum, trying to survive in a world that seems to have no place for them. With a tone raw and realistic story portrays their daily tragedies, and their struggle to survive.
|
|
|
|
|
En la ardiente oscuridad (1959)
Character: Elisa
In an institution for the blind, a man rails against his misfortune, his energy and thinking distorted by a need to fight his blindness. Unhappy and unable to come to grips with his condition, he stirs a sympathetic chord in another blind inmate. She in turn, slowly enters into a relationship with him that starts to transform the ways he perceives himself and his blindness.
|
|
|
Una mujer... (1975)
Character: Mónica
After seven years in jail, a woman is released and has to re-enter society.
|
|
|
Adiós, Roberto (1985)
Character: N/A
Roberto separates from his wife and needs a place to stay. When he moves in with gay Marcelo, he is clueless about Marcello's sexuality and the two become close friends. One night after many drinks Roberto has sex with Marcelo and must confront his feelings and the potential ridicule of his family.
|
|
|
Racconto (1963)
Character: Actriz en la película de Mario
The romantic encounter and misunderstanding between an aristocratic model and an actor.
|
|
|
Sombras en el cielo (1964)
Character: N/A
The meeting of a famous star and a mortally ill film director, to shoot his latest movie. During his career he made disasters, but now, incurably ill, he wants to express something worthwhile before dying.
|
|
|
El caradura y la millonaria (1971)
Character: N/A
Rich man suddenly feels compelled to track down his son from his first wife, whom he abandoned in early childhood.An imposter slides into his household on that pretext...
|
|
|
La Malavida (1973)
Character: Rita
Buenos Aires, 1920. The Franco-Argentine and Polish-Argentine mafia begin a war for the control of the traffic of women and prostitution, based on real events about the 1920s Buenos Aires Mafias war.
|
|
|
|
|
Dar la cara (1962)
Character: Marcela Garay (estrella cine)(no acreditada)
Three boys from very different backgrounds who have just finished their military service must face the complex social reality of Argentina.
|
|
