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إلى الأبد (1941)
Character: N/A
The wealthy Mohsen meets his arch rival, Asim, and a verbal argument arises between them, after which Mohsen loses consciousness. The poor nurse, Sania, treats him. He feels grateful to her, and they bond in love, gives her a gift, and decides to marry her. Kawthar Hanem feels jealous and decides to ruin the marriage. Assem helps her by making Mohsen believe that there is a relationship between Assem and Saniya. Disagreements arise between the spouses, and Mohsen believes that she is cheating on him.
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ضحايا المدنيّة (1946)
Character: N/A
Madiha, the wife of police officer Mounir, is bored with country life. She is overjoyed when her husband tells her that he is moving to Cairo. In her new apartment, she pressures her father to sell the jewelry he inherited from her mother to meet her successive demands. She gradually becomes immersed in drug use and buying clothes, and surrenders to Adham's attempts to flirt with her.
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البؤساء (1943)
Character: Sheikh Abdullah
Victor Hugo's classic novel of Jean Valjean, pursued through the years by an unbending foe, the cruel lawman Javert.
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ملاك الرحمة (1946)
Character: N/A
The film revolves around a social drama about a wealthy Circassian (Fouad Bey) who lives with his wife and daughter, and a conspiracy is hatched against him by a con man named (Kazem) and his lover (Al Hasnaa) to seize his wealth. They devise a plan that enables them to get to know the family so that they can begin to separate the family with their malicious tricks. And the events follow.
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هدى (1949)
Character: N/A
Hoda, a student, lives in Port Said with her widowed father, Fathy Al-Mahdawi, the owner of a supply and export company. Naima, an employee in the company, tricks Fathy until he falls in love with her and marries her. Hoda objects because of the difference in class. The stepmother treats her stepdaughter badly, which prompts her to travel to her aunt in Alexandria and join the university there, where she meets the sea captain Shukry, the brother of Samira, her colleague at the college.
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شهداء الغرام (1944)
Character: Yousef al-Sharif
Two teenagers fall in love, but their feuding families and fate itself cause the relationship to end in tragedy.
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عايدة (1942)
Character: N/A
Aida is an Egyptian musical produced in 1942, scripted and directed by Ahmed Badrakhan and the story of Abdul Warth Asr about the opera Aida participated in singing Fathia Ahmed, Abdel Ghani Sayed. Represented by: Umm Kalthoum, Ibrahim Hamouda, Suleiman Najib, Abbas Fares.
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ليلة الحنة (1951)
Character: N/A
A simple girl is seduced by a wealthy young man who leaves her pregnant. She works as a singer but her son dies, then the young man regrets what he did and marries her after many conflicts with the owner of the nightclub where the girl works.
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بين نارين (1945)
Character: Shukry Bey
Dr. Helmy falls in love with a singer called Amina and marries her, but his family opposes the marriage because Amina hails from a poor family. Helmy's mother and her nieve Alia adamantaly try to separate the married couple.
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الستات عفاريت (1948)
Character: N/A
In a light comedy, the film revolves around a couple whose lives change from happiness to daily suffocation and conflict permanently.If the wife dies, the husband decides to marry her friend, and the wife's ghost gets angry.He continues to chase the couple to calm down when she discovers that the new wife loves her daughter and submerges her with affection.
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دهب (1953)
Character: N/A
Anwar Wagdi plays vagabond musician Alfredo, who comes across an abandoned baby in the night. He tries his best to get our heroes someone to take it and raise it. When that fails, he has no choice but to raise it on his own. He names the child, Dabab, after the beautiful woman he's encountered on the street. Years pass and Dahab grows up to be the Faryuz, who is actually cute, talented and far less grating than our Ms. Temple. Many Chaplinesque hijinks ensue as Alfredo and Dahab play music on the streets, try to scam free food wherever they can and convince the owner of a successful nightclub to let Dahab perform.
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أمير الانتقام (1950)
Character: N/A
Henry Barakat directed adaptation of Dumas' Count of Monte Cristo.
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سلامة في خير (1937)
Character: رجل الأعمال الشامي
A courier is sent to deposit a cash amount to the bank but he arrives late. He goes to a hotel to spend the night and keeps the money in the hotel safe, but he gets confused with the Prince of Kandahar and who admires him and insists on keeping this confusion to reveal his enemies.
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دنانير (1940)
Character: عبد الملك بن صالح
A concubine to a ruling family is challenged when the family is overthrown.
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النائب العام (1946)
Character: وكيل نيابة
A tough-on-crime public prosecutor's world is turned upside down when his son is accused of murdering a dancer.
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سلامة (1945)
Character: N/A
The events of the film revolve in the era of the Umayyad dynasty, around the shepherd (Salama), who has a charming voice and has a love relationship with (Abdul Rahman), but her love is hindered by (Ibn Suhail’s) greed for her. She runs away from him out of fear for herself and her love, and (Abdul Rahman) begins his search journey. about her .
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هذا جناه أبي (1945)
Character: N/A
A big lawyer is involved with a girl demanding marriage, but he refuses where his social status does not allow him to be associated with her, and the girl puts her child and calls her Samiha and then she leaves life before the girl grows up to disclose her father, Samiha grows up and works in a worker, and the lawyer grows until he becomes a famous lawyer. Samiha gets to know Samir Bey, who assgresses her and escapes from her to the Levant, but Samiha insists on resorting to the judiciary, and Samir's father assigns the famous lawyer to defend his son.
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