|
De Cabral a George Floyd: Onde Arde o Fogo Sagrado da Liberdade (2020)
Character: Self
Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
|
|
|
Carolina Maria de Jesus (2018)
Character: Self
The documentary tells the story of writer Carolina Maria de Jesus, who became a success in the 60s and, since then, has inspired writers and artists such as Ruth de Souza, Zezé Motta and Conceição Evaristo.
|
|
|
Meu Tempo é Agora (2025)
Character: Self
Filmmaker Sandra Werneck interviews remarkable women such as Marieta Severo, Zezé Motta, Margareth Dalcolmo, Conceição Evaristo, Denise Werneck, and Iole de Freitas for a journey of shared experiences that challenge stereotypes of female aging. From work to love life, from health to sexuality, these women share their stories, reflections, and life lessons, offering inspiration and raising questions about what truly matters when one reaches maturity, while also highlighting the hardships and misfortunes of aging.
|
|
|
Cadernos Negros (2025)
Character: Self
In 1978, young Black people gathered at CECAN in São Paulo and created Cadernos Negros. The publication has featured over 300 authors. In 1980, the group formed the Quilombhoje collective. Since then, the series has alternated between poetry and short stories, expanding the visibility of Black Brazilian literature.
|
|
|
Se Eu Fosse Vivo... Vivia (2026)
Character: Jacira
Gilberto and Jacira promised to grow old together – for better, for worse, for richer, for poorer, in sickness and in health. Till death them do part.
|
|
|
Filhas de Lavadeiras (2019)
Character: herself
Stories of black women who, thanks to the relentless toil of their mothers, were able to attend school and retrace the paths treaded by their ancestors. Their memories, joys and sorrows become present as a possibility for a new fate, transforming the hard work of the washerwomen in a spectacle of life and fulfillment.
|
|
|
A Escrita Delas (2025)
Character: Self
Documentary investigates female authorship in literature and whether writing can be defined by gender.
|
|
|
Medida Provisória (2022)
Character: N/A
In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.
|
|
