Eduardo Escorel

Personal Info

Known For

Editing

Known Credits

0.4842

Gender

Male

Birthday

NO DOB PROVIDED

Age

NO AGE PROVIDED

Place of Birth

São Paulo, São Paulo, Brazil

Also Known As
  • NO INFO PROVIDED

Eduardo Escorel

Biography

Eduardo Escorel de Morais (born 1945), most known as Eduardo Escorel, is a Brazilian film editor and director. He debuted as an editor on the Joaquim Pedro de Andrade's The Priest and the Girl (1965). With his first feature film, Lição de Amor, he won the Best Director Award at the 1976 Gramado Film Festival. He was also awarded Best Director for his second film, Ato de Violência, this time at the 1980 Brasília Film Festival. He won Best Editing Award for Guerra Conjugal and O Chamado de Deus at the 1974 and 2000 Brasília Film Festival respectively, and for Dois Perdidos numa Noite Suja at the 2002 Gramado Film Festival.


Credits

Depois do Transe Depois do Transe (2006) Character: Self
The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martin Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."
Milagrez Milagrez (2008) Character: Self
Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.
Dib Dib (1997) Character: Self
Documentary that addresses, through the testimony of directors and actors, the work of Dib Lutfi, considered one of the greatest photographers of Brazilian cinema.
Antes e Depois de São Bernardo Antes e Depois de São Bernardo (2008) Character: Self
Extras from the remastered DVD of the film São Bernardo by Leon Hirszman. The process of restoring the film, with testimonials from actors and the film's technical team.
Claves para el Nuevo Cine Latinoamericano, 1: Como Era Gostoso o Meu Francês Claves para el Nuevo Cine Latinoamericano, 1: Como Era Gostoso o Meu Francês (1984) Character: himself
Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.
Claves para el Nuevo Cine Latinoamericano, 2: Volveramos más jóvenes Claves para el Nuevo Cine Latinoamericano, 2: Volveramos más jóvenes (1984) Character: himself
Documentary in four parts on Latin American cinema. Second episode, evoking the border between fiction and documentary. With his film Tire dié (1960), the Argentinian Fernando Birri proposed this manifesto: to create a realistic and critical national cinema, closer to society without falling into populism.
Chico Antônio, o Herói com Caráter Chico Antônio, o Herói com Caráter (1983) Character: N/A
The rescue of a real character from the work of Mario de Andrade. Chico Antônio is a singer and poacher of the interior of Rio Grande do Norte. As he climbed the stems to reach the fruits, he sang and enchanted those who passed by. And Mário de Andrade was one of those spectators, because he loved the warm climate of the equatorial lands
Na Ilha Na Ilha (2019) Character: Self
Immersive documentary in the film editing process. Twenty Brazilian cinema editors expose the nuances of this art, its secrets and processes.
Cabra Marcado Para Morrer Cabra Marcado Para Morrer (1984) Character: Himself
Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.



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