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Живой труп (1929)
Character: Pretty lady
The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha.
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Мать (1956)
Character: N/A
Timid old woman Pelageya Nilovna observes the revolutionary activities of her son Pavel Vlasov and gradually comes to realize that his cause is a great and noble one. She involves herself in the movement and finds joy and great courage in her new life as a revolutionary. Based on Gorky's novel, filmed in the silent era by Pudovkin.
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Его призыв (1925)
Character: Varya
The main protagonists of the film are Katya (Varvara Popova), the daughter of a factory worker and Andrey (Ivan Koval-Samborsky), the son of the former owner of the factory who illegally returns to the USSR to find treasures hidden by his father. The film title refers to the Communist party's appeal, after Lenin's death, to enlarge its membership.
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Член правительства (1940)
Character: Александра Соколова
In the 1930s, during Collectivization, we follow Alexandra Sokolova, who having joined a kolkhoz, is promoted by the Party to the management of the farm: she becomes chairman of the kolkhoz, courageously coping with the difficulties of collectivization, the distrust of some fellow villagers, and family conflict.
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Ночной звонок (1970)
Character: Varvara Antonovna
At the heart of the plot - the erroneous message about the death of Varvara Antonovna gathers around her son, daughter-in-law and grandson. They feel a sense of deep guilt, so carelessly treating a loved one for a number of years
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Полюшко-поле (1957)
Character: Lizaveta Uraganova
Agronomist Valya Chernysheva fell in love with the new chief agronomist of the MTS Savitsky, a widower with two small daughters. During the illness of one of the daughters, whom Valya was nursing, he realized that she had become a close person for him. But the girl left to work in another distant collective farm.
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Мировое имя (1930)
Character: Young film actress
About a film studio director, who during the NEP years fights against the director of films designed for petty bourgeois tastes. Considered to be lost.
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Поколение победителей (1936)
Character: Varvara Postnikova
The film covers the events of 1896-1905 - from the first revolutionary gatherings to the armed Moscow uprising of workers at Krasnaya Presnya, later called Bloody Sunday. St. Petersburg students Alexander Mikhailov and Yevgeny Svetlov and a peasant girl Varvara Postnikova arrive in Moscow and follow the complicated path of underground revolutionaries.
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Дон Диего и Пелагея (1928)
Character: Woman in the courtroom
The vain station master of a Russian train station out in the sticks has a quarrel with an old peasant woman and has her thrown in jail. The local party youth organisation finally manage to get her released, after having to cut through lots of red tape.
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Легкая жизнь (1964)
Character: Vasilisa Sergeevna
A chemist by training, Alexandr Bochkin manages a Moscow dry-cleaning operation, but lives a very comfortable life, taking orders on the side for his speculative "private enterprise," run in conjunction with "Queen Margot". But when his old friend from the chemical institute, Yuri Lebedev arrives in Moscow from the Siberian city of Dalnegorsk, along with a traveling companion, Olga, Bochkin becomes uncomfortable with his job title.
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У них есть Родина (1949)
Character: N/A
The Great Patriotic War is over, but Major Sorokin and Colonel Dobrygin still have a lot to do for their homeland. They must go to West Germany in order to find and return the children who were taken out of the Soviet Union by the Nazis and are now kept in atrocious conditions under the supervision of British intelligence. Former allies want to grow real spies out of their children.
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Четыре визита Самюэля Вульфа (1934)
Character: Comrade Olga
Not being able to implement his invention in his home country, engineer Arrowsmith, the author of the patent for ore flotation, goes to the USSR to work at one of the flotation plants, where he soon learns that a group of Soviet engineers is conducting similar work.
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Свадьба (1944)
Character: Змеюкина (акушерка)
According to the eponymous vaudeville by A.P. Chekhov. Petty bourgeois Zhigalovs, whose daughter-in-law Dasha is being extradited, find out to their horror that the official Aplombov, who has been caring for Dasha all summer, has dined every day with them and has proved himself to be his bridegroom, is not going to marry at all.
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Сельская учительница (1947)
Character: Varvara "Varenka" Vasilievna Martinovna
A life-long story of a romantic school teacher who left imperial St. Petersburg for teaching country children. Driven by noble intentions to enlighten people and examples by 1880s revolutionary "People's Will" member teachers, a young woman spent her life in a village and evidenced the changes a Russian village has undergone from pre-revolutionary tsarist times to late 1940s.
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Родина зовёт (1936)
Character: Viewer
This is a film from the series of so-called "defense" films, which presents a hypothetical "scenario" of a future war. The crew of test pilot Sergei Novikov makes a long non-stop flight on an airplane of a new design. Novikov's son, Yurka, a passionate inventor, manages to contact his father using a transmitter he designed himself. Just before landing Novikov felt bad - an old leg wound, received during the Civil War, had opened. But still the pilot managed to land the plane on the airfield of the aircraft factory.
After an editorial article in the newspaper Pravda, the movie was removed from the screens.
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Зори Парижа (1936)
Character: Mother Pinchot
"Paris Commune," 1870-1871. Poor working class in Paris rises up against their oppressors as France is defeated by Germany in the 1870-71 Franco-Prussian war.
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Закройщик из Торжка (1925)
Character: Katya, housemaid
A 1925 Soviet comedy sponsored by the Soviet Finance Ministry, with a plot promoting the new economy. A small-town tailor, Petya Petelkin (Ilyinsky), bought a lottery ticket and handed it to his landlord, widow Shirinkina (Deykun) who wants to marry him. Petya is a hard-working tailor trying to start his own business. He is also in love with Katya (Maretskaya), whom he wants to marry. He has to survive a cascade of funny situations in the unstable Soviet reality, before his romance with Katya comes to a happy ending.
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Дело Артамоновых (1941)
Character: Natalya
Fabrikant, Ilya Artamonov of the former serfs. His desire to strengthen and develop the business knows no obstacles. He is still associated with the peasants and craftsmen, but with his death, this relationship ends. Between Peter Artamonov, his son, who became the owner of the factory, and the workers grows a wall of enmity. The first political speeches are brewing. On the side of the proletariat becomes the heir artemovskogo case Ilya Artamonov, Jr.
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Среди добрых людей (1962)
Character: Михайлина
In the first days of the war, the mother lost her little daughter. Mikhailina found her and took her in, no doubt that she could become her real mother. All subsequent years she lived for the sake of the girl. But as time went on, the real mother continued to look for her child...
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Юрий Завадский (1971)
Character: Self
The film is about Yuri Zavadsky, his work as the chief director of the Moscow Theater. The Moscow City Council and the last performance of the master - "Petersburg Dreams" (based on Dostoevsky's novel "Crime and Punishment").
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Котовский (1943)
Character: The doctor (as V. Maretskaya)
Kotovsky, who went a long revolutionary way and became the recognized military commander of the cavalry troops: commander, brigade commander, commander. Six times he escaped from prison, was sentenced to death, and again escaped to become one of the most ardent warriors of the revolution. His famous equestrian brigade fought with the enemy near Kiev and the Belaya Tserkov, at Nikolaev and Odessa, and did not know defeat anywhere.
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Она защищает Родину (1943)
Character: Pasha
The first day of the war brings tragedy to a peasant woman, Pasha. Her husband and her toddler son die before her eyes. She and the other villagers leave to go into the woods. Pasha leads the villagers to fight some German troops. Coming out victories, the partisans become a feared opponent of the Germans, with the leadership of Comrade P.
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Два-Бульди-два (1929)
Character: Secretary of the revolution committee
Naturally, the circus milieu of 2 Buldy 2 (1929) encourages stunts. A father and son, both clowns, are to perform together for the first time, but the civil war separates them, and the elder Buldy, tempted for a moment to acquiesce to the White forces, casts his lot with the revolution. At the climax Buldy Jr. escapes the Whites thanks to flashy trampoline and trapeze acrobatics; the gaping enemy soldiers forget to shoot.
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Ночь перед Рождеством (1951)
Character: Solokha (voice)
Based on the work of Nikolay Gogol. Handsome blacksmith Vakula who fell in love with village beauty, Oksana, is ready to do anything for her liking. Even to fly on the devil's back to Saint-Petersburg and ask the Empress for the slippers that he can present his sweetheart.
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Дом на Трубной (1928)
Character: Parasha Pitunova
Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.
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Земля в плену (1928)
Character: Prostitute
Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only for a barren, rocky, useless acreage. The pair struggle to make do on this land, but then the Baron demands that Maria leave her husband to serve as wet nurse to his married daughter Anya's new baby, on threat of eviction. While nursing the daughter's baby, Maria receives unwelcome attentions from the daughter's husband, and a scandal erupts, ruining Maria in her husband's eyes. When she escapes from her employers and seeks to return home, the police give her the yellow passport signifying a prostitute, further degrading her. She approaches home, unsure of the reception that awaits her.
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