|
Los pistolocos (1960)
Character: N/A
Papa and the butler try to find an acceptable husband for daddy's spoiled little girl.
|
|
|
|
Vivo o muerto (1960)
Character: N/A
Cowboy/western: hero fakes cowardice to trap the bad guys into showing their hands.
|
|
|
|
|
María Pistolas (1963)
Character: N/A
Tomboyish gal becomes a player in the Mexican Revolution. Then: boyfriends.
|
|
|
Un tipo a todo dar (1963)
Character: Rosita
Romanticized version of Javier Solis' biography, from working-class roots to boxer to musician.
|
|
|
|
|
|
|
Las hijas del Zorro (1964)
Character: N/A
Two sisters. They ride horses, they wear black dominos, they carry bullwhips. Their dad was... Third of three movies in unofficial series; the first two didn't explicitly reference Zorro.
|
|
|
|
|
|
|
|
|
|
|
Furias bajo el cielo (1971)
Character: N/A
Five inmates escape Death Row and hole up with their women in the ruins of an abandoned hacienda.
|
|
|
|
|
|
|
Tin Tan y las modelos (1960)
Character: N/A
Ambitious non-starter gets a job as a bill-collector at a beauty-products company and tries to bluff his way into a management position, then tries a couple of other business schemes with minimal success.
|
|
|
Traigo la sangre caliente (1977)
Character: N/A
Footloose roving-gambler type marries a young woman against her father's wishes; she assimilates herself to his rootless, random lifestyle, but her family is working to track them down. Eventually, he decides to settle down and lead a more responsible life, home-and-family style... and then...
|
|
|
La emboscada mortal (1962)
Character: N/A
Third film of a trilogy -- all the secondary tasks have been completed and cowboy-justice-action-hero El Norteno settles the score with those cheating cheaters who deprived the young heiress of her inheritance.
|
|
|
|
|
Venganza Apache (1960)
Character: N/A
Three good guys vs a bad dude who sells weapons to the Apaches and provokes a range war between US Cavalry and a splinter group of tribesmen, breaking the standing treaty between their tribe and the invaders. Sequel to Los Hermanos Diablo.
|
|
|
Viva la parranda (1960)
Character: N/A
Three con-artists chase after the absconded girlfriend of one and butt heads with two female swindlers working the same marks.
|
|
|
|
|
La jorobada (1981)
Character: Linda
A young hunchbacked girl who sells newspapers and sings in the street is discovered by a music producer.
|
|
|
Pandilleras (1994)
Character: N/A
A group of punk chicks living in the sleazy streets of Mexico City. They mess around with a Santa Claus, listen to bands play live, rob people and even kill them.
|
|
|
Hasta que la muerte nos separe (1989)
Character: Tencha
In the XIX century, Griselda is an actress who knows a pianist named Orlando. He takes her to live at the mansion of Eloisa, his mother. Griselda soon discovers that the entire family is completely insane.
|
|
|
Traficante Por Ambición (1989)
Character: Betty
Two friends travel the world in search of adventure, but ambition blinds them and they become involved in illegal business.
|
|
|
Del suelo no paso (1959)
Character: Vecina
Poetic-type dude gets mixed up with gangsters, a millionaire's dog and some stolen jewels.
|
|
|
Nido De Aguilas (1965)
Character: N/A
Driven from their homestead by bandits, three brothers and sisters form an outlaw crew of their own and hide out in the mountains, orchestrating their revenge.
|
|
|
Los hermanos Diablo (1959)
Character: N/A
The three Diablo brothers are effete dandies who love chamber music and afternoon tea... but they also love brawling and whoring and all that wild west stuff. They inherit a ranch, and all hell breaks loose when they go to take ownership of it.
|
|
|
Sangre en Rio Bravo (1966)
Character: Lupe
Foreign mining concern resorts to illegal tactics to buy up land; two brothers are orphaned and dispossessed and they become outlaws in revenge.
|
|
|
Juicio contra un ángel (1964)
Character: N/A
A widower arrives in Puerto Rico with his son Angelito. The father dies and the boy goes to live with his grandfather who plays guitar in the streets. Angelito accompanies him singing and earns good money, but a political uncle accuses the grandfather of exploiting the boy and takes him to an orphanage.
|
|
|
Los fenómenos del fútbol (1964)
Character: N/A
Working class family owns a restaurant: one brother's a rising star in local soccer, one's a priest/semi-pro boxer, sister's an aspiring ranchera singer and the other brother's a waterboy at the stadium.
|
|
|
Las dos galleras (1964)
Character: N/A
Two tough Mexican ladies avenge their father when he is set-up and shot during a cockfight.
|
|
|
|
|
Los dos apóstoles (1966)
Character: N/A
Two boys and two girls hook up at the big festival in a neighboring town. Once they get back home they have to deal with their families' plans for them, which may not include their new sweethearts.
|
|
|
La gran aventura (1969)
Character: N/A
A humorous adventure story about two boys chasing after their dog who was kicked out of the church, and facing all kinds of, some real and some imagined, trouble, both for them and the dog.
|
|
|
El Niño y la Estrella (1976)
Character: N/A
Wanted to fly to the sky ...And one day he got it When a child dares to steal the keys to the orphanage, guarded by a soldier, is exposed to too many dangers. This is the story of that child, freeing his birds, he demanded to life and men, their own freedom. '
|
|
|
Dinastia sangrienta (1988)
Character: N/A
A dying woman tells her son Luis about the time when his father had destroyed the vampire Dracul, but now she fears he will return and Luis must stop him.
|
|
|
Ni hablar del peluquín (1960)
Character: N/A
Some unlucky accidents cause an innocent person to be convicted to jail time, and on release he can only find gainful employ in a criminal gang... but a little girl in a house he breaks into rehabilitates him with her innocence and simplicity. And stuff.
|
|
|
Las chivas rayadas (1964)
Character: N/A
The comical misadventures of two brothers who are part of the local soccer team and their family.
|
|
|
La tigresa (1973)
Character: N/A
Orphan girl grows up to take revenge on the men who killed her parents.
|
|
|
Los Jóvenes (1961)
Character: Amiga de Alicia
A gang member is attracted to a beautiful young woman, but approaching her only causes problems that will be difficult to solve.
|
|
|
En la tormenta (1982)
Character: Pasajera conservadora
In the storm is a Mexican film of the year 1980 directed by Fernando Vallejo. The film is about the time of La Violencia in Colombia. Vallejo wanted to make the film in Colombia, however he found numerous obstacles to film it in the country so he decided to do it in Mexico with Mexican actors and recreating the Colombian landscapes in that country.
|
|
|
Rage (1966)
Character: Maria
Small-town doctor bitten by rabid dog, races the clock to get to the city and receive treatment.
|
|
|
Duelo de pistoleros (1966)
Character: N/A
Four expert marksmen compete in a target shooting competition. Each has a back-story that explains why he really really really needs the prize money.
|
|
|
Un par a todo dar (1961)
Character: Lolita
Comedy about two friends (Viruta and Capulina) who are swindled when they buy a plot of land. It turns out that the land they just purchased is actually the cemetery of a small town. Moreover, the two bumbling stooges cross paths with the local criminal, a masked robber known as "El Esqueleto" (the Skeleton). The film also stars Dacia Gonzalez.
|
|
|
|
Una estrella y dos estrellados (1960)
Character: Secretaria (uncredited)
In his eagerness, to be movie extras, Tin Tan and his carnal Marcelo police get into trouble, among other entanglements.
|
|
|
Mis abuelitas... no más! (1961)
Character: N/A
Bush-league actor allows two adorable grannies to believe he's their long-lost grandson. Then: complications!
|
|
|
Tiburoneros (1963)
Character: Manela
Aurelio is a shark fisherman who works very hard to send money to his family in the city and keep Manela, his young lover on the coast. One day, he decides to move to the big city.
|
|
|
Santo y el águila real (1973)
Character: Alicia
The rich landowner La Tigresa suffers several attacks and seeks help from Santo. The attacks continue but Santo protects and she falls for him.
|
|
|
El Noa Noa (1981)
Character: María
Juan Gabriel became one of the most popular Mexican singer-songwriters, beginning his career in this Ciudad Juárez cabaret. This is his story.
|
|
|
Todo un hombre (1983)
Character: Madre de Joaquín
Unsympathetic portrait of a man who's too macho to display his feelings.
|
|
|
El Albañil (1975)
Character: Enedina
Construction worker falls in love with a handicapped woman who aspires to a career as a singer.
|
|
|
El puma (1959)
Character: N/A
Son of a ranching family returns home after studying in the city for a law degree. He sides with the peons in a labor dispute and his father disowns him; he sets up a law office in another town. First of three movies in a masked-avenger series.
|
|
|
El hombre de papel (1963)
Character: Chica paseante
A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away.
|
|
|
Es mi vida (1982)
Character: María
Alberto Aguilera arrives from Ciudad Juárez to the capital to pursue a career in music, but in the midst of confusion he is accused of stealing and is sent to prison.
|
|
|
Rateros último modelo (1965)
Character: N/A
Singing duo waiting for their big break, committing petty crimes to get by. Adopting a baby and meeting a priest's niece are civilizing influences.
|
|
|
La Casa Del Terror (1960)
Character: Mesera
Casimiro, night watchman at a wax museum of horrors, is even more sleepy than his usual laziness makes him - because his boss, the Professor, is secretly draining blood from him while he dozes to use in experiments in raising the dead. These haven't worked so far, and the bodies have been waxened and placed on display in the museum to cover his crimes. His big chance seems to come, however, when he learns that the mummified body of a modern man has been found in an Egyptian sarcophagus. The professor and his two henchmen steal the body and take it back to his lab - where the experiment flops again.
|
|
|
El carita (1974)
Character: N/A
Door-to-door salesman of beauty products gets involved in comical misadventures and riotous high jinks. Also throwing buckets of water and handfuls of colored goop.
|
|
|
Los desenfrenados (1960)
Character: N/A
Two gormless truckdrivers vs five teenaged girls running away from boarding school.
|
|
|
Sabadazo (1988)
Character: N/A
Realizing that he's out of touch with "the common people," a Mexico City politician spends a weekend slumming among the plebes he's supposed to represent.
|
|
