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Frühjahrsparade (1934)
Character: Gräfin Burgstätten
This Hungarian musical comedy (English title: Spring Parade) was produced by Joseph Pasternak, who later remade the picture in Hollywood as a Deanna Durbin vehicle. The original 1934 version stars Franciska Gaal as a Hungarian serving girl who heads to Vienna to visit a relative. Stopping over at an outdoor carnival, Gaal is told by a fortune teller that she will enjoy a happy marriage with a handsome and wealthy stranger. Later on, she finds herself at a fancy dress ball, where a good-looking aristocrat, assuming that our heroine is a countess masquerading as a peasant, falls in love with her. Delighted that the fortune-teller's prophecy seems to be coming true, Gaal finds herself in a dilemma when she falls in love with poverty-stricken soldier Wolf Albach Retty. But things turn out OK when Retty, the regimental drummer, composes a hit song which brings him fame and fortune, thereby neatly fulfilling that prophecy.
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Lucrezia Borgia (1922)
Character: Die Äbtissen
Rodrigo Borgia, Pope Alexander VI, has three adult children: Juan, who is virtuous and has a sweetheart who is a woman of the people, Lucrezia, who is virtuous and wants to marry Alfonso, and Cesare, who is wicked and lusts after Lucrezia, Juan's girlfriend, and probably others. Cesare has vowed to kill any suitor for Lucrezia's love, and he has three thugs to carry out his wishes. Bodies fall into the Tiber, into the Colosseum (with lions prowling), and onto the Vatican floors.
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Walzerparadies (1931)
Character: Eine Klavierlehrerin
Musical comedy about a famous opera star in Vienna.
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Die Tänzerin Navarro (1923)
Character: Mother
The dancer Navarro has lost her husband and son. With her daughter at her side, she returns to her homeland and comes under suspicion of spying when she gets into a relationship with a business friend of her deceased husband. This film is considered lost.
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Die Schmetterlingsschlacht (1924)
Character: N/A
Naive 16 year old Rosi paints butterfly pictures and day-dreams of a better world, abhorring the conducts of Else, Laura, Max and and an immoral cavalier. [16-minute segment survives.]
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Das Mädchen mit der Protektion (1925)
Character: N/A
The Girl with a Patron (German: Das Mädchen mit der Protektion) is a 1925 German silent comedy film directed by Max Mack and starring Ossi Oswalda, Willy Fritsch, and Nora Gregor. It was one of a number of popular comedies released by UFA during the era alongside its more prestigious art films.
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Der Absturz (1923)
Character: Mutter Karsten
Variety star Kaja falls in love with fisherman Peter. But he in a unfortunate situation kills a man and is sentenced to ten years imprisonment. Kaja promises to wait for him, but things go badly for her.
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Fürst Woronzeff (1934)
Character: N/A
Baron Franz von Naydek is constantly being mistaken for Prince Woronzeff, since both look identical. One day, Woronzeff decides that this similarity might come in handy. Since he is very ill and can no longer deal with the intrigues of his relatives, he begs his friend Naydek to play the role of prince for a while. Naydek agrees and everything seems to be going splendidly. Woronzeff’s ex-nag Diane sees through the game, however, but says nothing, since she’s fallen for Naydek. He, in turn, has the hots for Nadja, Woronzeff’s daughter, long thought lost and who has now reappeared. The prince’s relatives fear for their inheritance and so refuse to acknowledge Nadja’s existence. In the interim, Woronzeff dies. Now Naydek is obliged to play the role for a much longer time than he bargained for.
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Friederike (1932)
Character: Madame Schöll
Based on Franz Lehar's operetta, about the first woman whom the great German writer Goethe fell in love with.
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Die große und die kleine Welt (1936)
Character: Grandmother
The taxi driver Fritz gets to know the millionaire-heiress Iris and marries her against the wishes of her family. They live together in a small apartment and are very happy. But Fritz wants to offer Iris more and thus finds a position as a laborer in a large car factory and ends up making a career for himself as a race car driver. But while he is driving from one victory to another, he is getting more and more estranged from his young wife. As his career starts to go downhill, he notices the mistakes he has made and tries to win Iris back.
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Die Geliebte (1927)
Character: Die Großmama
In Vienna, Anna von Ziska is the beautiful daughter of an upper-class family that has lost its wealth. Prince Augusto notices her in a chance encounter and immediately falls in love with her. Anna, however, is unapproachable and would have remained so had it not been for her parents' plight. She at first suspects that the prince sees in her simply another one of his many affairs. Though she will have none of this, she does see in him an opportunity to help her parents. Consequently, she proposes to play the role of the prince's mistress in public for his esteem, but in private to remain platonic.
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Katharina Knie (1929)
Character: Bibo
"Katharina Knie" is a 1929 German silent drama film directed by Karl Grune and starring Eugen Klöpfer, Carmen Boni and Adele Sandrock. It is based on the 1928 play of the same title by Carl Zuckmayer.
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Zigeunerblut (1934)
Character: Fürstin Stauffenstein
Princess Stauffenstein has arranged a marriage for her grandnephew Poldi and orders him to meet his unknown bride Steffi. But he falls for alluring dancer Ilonka while his uncle Leopold, sent to reason with him, is enchanted by Steffi.
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Mary Lou (1928)
Character: Frau Belloni
Mary Lou falls into poverty and has no more remedy than joining a circus, where she has much success with her act. But a dirty guy arrives who wants to leave the circus, and who hopes for a future as a countess.
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Der Fall Brenken (1934)
Character: Die Frau Generalin
Shots fall at night at Gussersee Hotel. Hermann Brenken, general manager of a large company, is attacked. Newspapers hype up the case and offer a reward for its clarification.
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Die schwarze Pantherin (1921)
Character: Art gallery owner
Kornej is a young painter of primitivism. An art agent discover the works of Kornej and buy the whole collection. The art critic Moulin is very excited about Kornejs paintings and style. Kornej marries his childhood sweetheart Rita. They have a child that carries a mystic disease. Allt the money Kornej got from selling his collection is put into the care of the sick child. Rita leaves Kornej.
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Op hoop van zegen (1924)
Character: Kniertje
On the Dutch North Sea coast among fishing families. the wholesaler and ship owner Bos is only interested in profit and, out of pure greed, he risks the lives of his fishermen, who set out to sea to catch herring for him. One of his ships, a veritable coffin, is to set sail once again, and Bos has the rickety vessel patched up as best he can. To avoid losses in the event of a likely shipwreck, he takes out high insurance on the sloop. For old mother Kniertje Vermeer, this is no reason to prevent her sons Geert and Barend from signing on to the ship. An experienced old shipwright warns everyone not to board this "floating coffin," but no one heeds his well-intentioned warning.
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Der tolle Bomberg (1932)
Character: Herzogin Looz von Curswaren
A nobleman gradually falls in love with a woman he was forced by relatives to marry, against his will.
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Die Töchter ihrer Exzellenz (1934)
Character: Virginia Marenzi
A young woman tries to hinder her sister from committing adultery - by wooing the man she thinks is the suitor herself.
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Skandal um Eva (1930)
Character: Oberstudienrätin Vulpius
An engaged woman discovers her fiancé has a four year old son. Pretending to take a cure she travels to the boy's foster-parents to make his acquaintance.
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Da stimmt was nicht (1934)
Character: Baronin von Weinigen, seine Tante
A councilor is tricked by an impostor, whom he believes to be a baron. He gives him money and his marriageable daughter -- but then the real baron shows up and plays the chauffeur.
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Flitterwochen (1936)
Character: Frau van Ternen
A woman discovers after she has just married him, that her husband is abusive, and she tries to get away.
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Der große Bluff (1933)
Character: Frau Timm
During a spectacular break-in at the villa of film star Marion Milner, the jewel thieves fortunately only manage to get their hands on imitations of the valuable jewelry. The police suspect the notorious master thief Silver-Jim, whom they have long been after. The commotion surrounding the break-in comes in quite handy for film producer Otto Pitt, who is currently shooting a crime film, as he hopes it will generate some free publicity for his project.
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Eine Freundin so goldig wie Du (1930)
Character: Aunt Frieda
The lively Anny meets the nice Dr. Jack Braun and throws everything in his life into disarray. As Jack is in the middle of divorce proceedings against his wife Renate, his lawyer and best friend Richard doesn't like the idea of a female being in his vicinity. Then Jack's heiress Frieda comes to visit, and when she finds Anny in Jack's house, she mistakes her for his wife - and finds her extremely charming. When the aunt's parrot dies, the relatives believe that the aunt has died and rush to claim the inheritance. Anny emerges victorious from all this.
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Ich will nicht wissen, wer Du bist (1932)
Character: Emerenzia
An impoverished count has to work as a chauffeur but because of his good looks attracts women, one of them wealthy enough to solve his problem.
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Der Herr Senator (1934)
Character: Johanna Andersen
A senator from Hamburg, frozen in old-fashioned gentility, attempts to consolidate his cigarette factory by marrying off his daughter to the son of his competition. His eccentric, nosy old sister, with no life of her own back in southern Germany, sends him a lawyer to keep an eye on the going-ons in the house.
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Alle Tage ist kein Sonntag (1935)
Character: Frau Faber
After winning the lottery young draftsman Erich decides to quit his job and enjoy his riches on a big scale, thus alienating his bride, his grandmother and his friends. Soon con men try to swindle him out of his money.
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Ein steinreicher Mann (1932)
Character: Adele von Hahnenkamp
A man swallows a diamond - and suddenly all people around him change their attitude towards him.
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Leutnant Bobby, der Teufelskerl (1935)
Character: Herzogin von Norfolk
An Austrian officer traveling to London to meet his newly married sister at a fancy costume party cannot find her but finds another woman instead.
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Rendezvous in Wien (1936)
Character: Frau Hofrat Aigner
Gusti Aigner and Franz Lenhardt are in love, but composer Lenhardt is too shy and bashful to go out and sell his compositions to music publishers. Gusti takes the burden on herself; and while there are complications and humorous situations she runs into.
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Kleines Mädel, großes Glück (1933)
Character: Die Gräfin
A hilarious comedy of errors starring Dolly Haas: Annie, the locksmith's daughter, and Georg, a car salesman, meet at the fair but quickly lose touch. Later, Annie is tasked by her father with delivering new locks to a countess's castle. At the train station, she is mistaken for the countess's niece, whose arrival is imminent. She is taken to the castle in a magnificent carriage and encounters Georg again, who is out for an unauthorized joyride in a stylish car. Each now believes the other to be extremely wealthy. When the real countess arrives at the castle, she enjoys playing along with the charade and poses as her own companion, with whom Count Egon falls in love. After the confusion is resolved, there are two happy couples.
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Keine Feier ohne Meyer (1931)
Character: Mutter Goebel
Siegmund Meyer might be a professional matchmaker, but his own married bliss will not come that easily. In order to impress city councillor Goebel, the father of Meyer's love interest Mary, he tries to pass as an industrial tycoon. But Mary's heart belongs to someone else, and while Meyer continues his risky role-changing, he fails to notice that his loyal secretary Ms. Krause has been secretly in love with him for a long time.
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Ich liebe alle Frauen (1935)
Character: Fürstin Loridowska
Famous 1930's tenor Jan Kiepura doubles as a singing shop-assistant who stands in for a famous but lazy singer, mixing up each others love-lives in the process.
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Die große Sehnsucht (1930)
Character: Herself
This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)
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Der Gefangene des Königs (1935)
Character: Tante Sophie
A comedy loosely based on the life story of Johann Friedrich Böttger, the inventor of Meissen porcelain: In Berlin, the pharmacist Fritz Böttger gains a reputation for being able to make gold and is imprisoned on the orders of the Prussian king. Following in the footsteps of a young lady, he flees to Saxony, but is also imprisoned in Dresden and forced to make gold. Although he does not succeed in this, by chance he discovers how to make porcelain instead. Augustus the Strong appoints him baron and director of the royal porcelain manufactory.
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Der Kampf mit dem Drachen (1935)
Character: Gräfin Drachenstein
Countess von Drachenstein, owner of the traditional Drachenstein Castle Brewery, where the famous Drachenbräu beer has been brewed for 300 years, stubbornly refuses to agree to a merger between the Drachen and Sonnen breweries. Trude, the niece, and Fritz, the son of the manager of the Sonnenbrauerei, try in vain to poach Bachmeier, the master brewer at the Drachenbrauerei. But then Trude falls in love with Bachmeier, and Fritz with Countess Helene, the niece of the Countess von Drachenstein. And so the family businesses end up merging after all.
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Das schöne Abenteuer (1932)
Character: Frau de Trevillac
Helene has agreed to marry a man that she isn't in love with. On the day of her wedding her cousin arrives just in time to rescue her and they run away together. They stay with her aged grandmother who assumes the young man (whom she doesn't know) to be the new husband and has prepared a bridal bed for them.
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Der Himmel auf Erden (1927)
Character: Präsidentin des Sittlichkeitsvereins
Reinhold Schünzel plays the rigid representative Traugott Bellmann, who publicly condemns the low morals of the night life. Although Belmann's stance is supported by his wife, he is strongly opposed by his father-in-law, a champagne manufacturer. But when he inherits 500 000 Marks in cash and the infamous nightclub "Der Himmel auf Erden" ("Heaven on Earth") from his deceased brother, Bellmann really gets himself into trouble: In order to fulfil his brother's will - and to get hold of the money - , he has to be at the club every night at 9 pm.
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Engel mit kleinen Fehlern (1936)
Character: Tante Mary
Mary arrives in Berlin from Canada to visit her nephew Max and meet his twin daughters that she has been amply supporting financially. But Max has cheated: There is only one daughter Inge who has to enact both girls to cover up the mess.
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Seitensprünge (1931)
Character: Hanne
When both husband and wife find romance outside their marriage, it's a shock to everyone. Robert and Annemarie break up to elope with their respective lovers, only to be thrown together again when they show up at the justice of the peace.
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Glückliche Reise (1933)
Character: Tante Henriette
This operetta adaptation centers on two men who return to Hamburg from Brazil: one seeks a woman for love whereas the other seeks a woman who claims to be an heiress.
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Die schwebende Jungfrau (1931)
Character: Tante Malchen
In this theatrical adaptation, a well meaning eccentric tries to patch up a rift between his niece and her fiancé.
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Die Königin einer Nacht (1931)
Character: Countess Markowicz
A navy lieutenant contemplates suicide in his despair but then meets a beautiful stranger, who turns out to be a princess.
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Die Jugend der Königin Luise (1927)
Character: Gräfin Voß
The young Crown Princess Luise of Mecklenburg-Strelitz grows up sheltered in the North German countryside in the late 18th century and develops into a bit of a rebel. She struggles to come to terms with the rules of etiquette at court; her actions are often spontaneous and driven by emotion. Thus, she resists accepting her father’s mistress and future wife. During a ball, she snubs her future stepmother and even has the audacity to ask the orchestra to play a waltz—a dance considered deeply improper at the time.
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Feme (1927)
Character: Mutter
"Assassination" - A far-right political organization called "Fellowship Loyalty" seeks contact with an easily seducable man whom she finds in Joachim Burthe. The leader of this deeply democratizing group, the equally characterless and unscrupulous Gregor of Askanius, whispers to the fanatical student seeking guidance that it is finally time to put the death sentence on the corrupt system and its representatives.
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Die Drei um Edith (1929)
Character: Edith's Aunt
Notorious jewel thief Roger "Tiger" Brown sneaks into the trust of diamond dealer Thomas Morland. Not only does Morland's jewels appeal to him, but also his fiancée, Lady Edith Trent. But when Morland acquires the largest diamond in the world in Amsterdam, Brown decides against Edith and for the diamond, takes it and runs away.
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Die zärtlichen Verwandten (1930)
Character: Frau Stempel
Mr. and Mrs. Linsemann have been happily married for a year. In their chic home, a modern villa financed by a loan and not yet fully paid off, the lady of the house intends to throw a big one-year anniversary party to please her husband. For this reason, she invites all his relatives to a large party, including her wealthy Uncle Adolf, from whom she hopes for a substantial financial boost to help pay off the loan. But this bash soon turns into a disaster, because the guests are quite a handful: there's dear, well-behaved Uncle Emil, who was always under the thumb of his rather unpleasant brother Adolf; the Webers with their teenage son; Cousin Wilhelm and his wife; and Mr. and Mrs. Stempel. A musician, a nanny, and a singer are also in attendance.
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Lady Hamilton (1921)
Character: N/A
The married Lady Emma Hamilton has an ill fated romance with Admiral Horatio Nelson.
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Die Puppenfee (1936)
Character: Konstanze Gräfin Reiffersperg
A girl from a noble family falls in love with a boy in financial difficulties.
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Der Himmel auf Erden (1935)
Character: Adele
A poor composer who should buy a property for his ambitious father-in-law finances with the money, nevertheless, an opera. Together with his friend who must play a husband to his strict rich aunt, he makes to himself a fun from the mistakes which cause her feints.
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Mach mich glücklich (1935)
Character: Die Garderobiere
Make Me Happy (German: Mach' mich glücklich) is a 1935 German musical comedy film directed by Arthur Robison and starring Julia Serda, Albert Lieven and Richard Romanowsky.
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Zirkus Saran (1935)
Character: Seine Großmutter
Knox owns half of the Circus Saran and acts as a clown there. He hides his circus life from his daughter and is very embarrassed when his daughter finds out his true profession. Hans Moser, who plays Knox, performs poorly, because the character he plays is simply not funny. Leo Slezak, who owns the other half of the circus, as well as Pat and Patachon perform better. The only really good thing about this film is its music, composed by Robert Stolz; especially the song "Ein bisschen Sing-Sang und gute Kameradschaft" , which can be heard throughout the movie.
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Alt Heidelberg (1923)
Character: Frau Dorffel
Prince Karl Heinz enjoys his carefree life as a student in Heidelberg. He falls in love with the beautiful Käthe and everything is fine and dandy till his father is reported very ill.
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Die Liebe einer Königin (1923)
Character: N/A
In 1766, the young English princess Caroline Mathilde is sent to Denmark to marry the King Christian VII. The marriage is unhappy and Caroline Mathilde finds herself drawn instead to court physician Johann Friedrich Struensee.
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Eva (1935)
Character: Malvine von Hochheim
A famous racing driver must give up his sport and take over the management of the porcelain factory on incentive of the vigorous grandmother as the last shoot of an old businessman's family. Unrecognized he is regulated as a worker what a love story with a 20-year-old worker arises from, who leads after incidents in the happy end. - After Franz Lehar's operetta produced comedy
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Der Erzieher meiner Tochter (1930)
Character: Countess Rüttow-Mallwitz
An American billionaire's daughter is obsessed with the idea of marrying a count. Her father would prefer her to marry the son of a competitor. So he comes up with the idea of hiring the dashing Heinz to spoil her aristocratic ways. Heinz introduces himself to her as Count Rüttow-Mallwitz and takes her to Europe. There, the two fall in love, but when she finds out about the scam, she indignantly takes the next ship and returns to America. It is only on the crossing that Heinz manages to convince her that he really loves her
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Der Flüchtling aus Chicago (1934)
Character: Fräulein von Zackenthin
Werner Dux, heir of the big car company "Dux-Werke", is a gambler who has just been arrested in Chicago for shooting a cardsharper. While in jail, he learns from his friend Michael Nissen that his father has died recently. That means that the Dux-Werke are without a leader at the moment, for Werner's cousin Steffie, who is his co-heiress, is still too young to run the firm. In this situation, Werner convinces his friend Michael, who is an engineer by profession, to take over the firm as long as he is in jail and to pose as him. Michael agrees and is able to bring the firm up again. He even arranges a reliability test for motorcycles via Istanbul, Rome and Barcelona, which creates a big Turkish order for the company. When the real Werner escapes from jail and arrives in Germany, it looks as if the whole story is up to bust. But Werner needs money, so he convinces Michael to go on as before and hand over all profits of the firm to him.
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Grausige Nächte (1921)
Character: Worrit
The young Evelyne lives with a man, her fiancee Frank, with whom she has a child. But her fiancee is a rundown drunk constantly hanging over the bottle. Evelyne wants to leave Frank.
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Ihre Majestät die Liebe (1933)
Character: Great Aunt Henriette
Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.
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Fräulein Else (1929)
Character: Tante Emma
While staying with her aunt at a fashionable spa, Else receives an unexpected telegram from her mother, begging her to save her father from debtor’s jail. The only way out, it seems, is to approach an elderly acquaintance in order to borrow money from him. Through this telegram, Else is forced into the reality of a world entirely at odds with her romantic imagination – with horrific consequences.
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Die englische Heirat (1934)
Character: Lady Mavis
Georg Alexander plays Douglas Mavis, the son of a rich English family who falls in love with a Berlin girl (Renate Müller) and marries her. However, he doesn't tell his family, and for a reason: the resolute head of the family (played by the inimitable Adele Sandrock) has other designs for her grandson. Further complications arise when the family lawyer (Adolf Wohlbrück) gets to know the Berlin lady without knowing who she is. And meanwhile, Mavis meets an alluring lady from a cabaret (Hilde Hildebrand).
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Morgenrot (1933)
Character: Mutter Liers
Released three days after Adolf Hitler became Reichskanzler, it was the first film to have its screening in Nazi Germany. It became a symbol of the new times touted by the Nazi regime. The title (literally "morning-red") is the German term for the reddish coloring of the east sky about a half hour before the sunrise. On patrol Captain Liers and his submarine crew sink an important British ship, but while returning to harbour, they're lured into a trap by a British vessel disguised as a neutral Danish one. They sink it after it attacks them without warning, but while they prepare to rescue survivors, a British destroyer sinks the sub. On the sea bed 60 feet down, with all but the bridge flooded, the 10 surviving crew have only 8 rescue devices. Liers orders the crew to use them, but they disobey - either all escape or nobody does.
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Ein toller Einfall (1932)
Character: Zimmerwirtin
A series of stupid coincidences causes the young Munich painter Paul to convert his uncle's castle into a hotel for four weeks. But he can't complain: business is good and he has plenty of guests. For exmple, there's Theo Muller with his revue troupe. For reasons of "sound", Muller calls himself "Miller", which, of course, causes more confusion. His daughter, the beautiful Evelyn, is confused with Mabel Miller, who has come to the hotel on a mission for her filthy rich father ... namely, to estimate the worth of the castle.
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Verlogene Moral (1921)
Character: Turid
John, a young man raised by his aunt, is in love with Anna, a servant girl who is going to have his baby. He is willing to marry her but his stern aunt wants him to marry a rich girl. To separate the lovers, she arranges for her nephew to be enrolled at a university in a distant town. She then has Anna sent away to live with Torgus the coffin maker and his mother where she will be secluded until the birth of the child. Torgus, a clumsy golem-esque sort of fellow, is immediately charmed by the beautiful girl and takes pity on her. Meanwhile, Anna anxiously awaits John's return.
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Amphitryon – Aus den Wolken kommt das Glück (1935)
Character: Jupiters Gemahlin Juno
Lamenting Thebian women are waiting for the men to come back from war. God Jupiter is attracted to one of them: Alkmene. He goes to earth and tries to seduce her as himself: an old man. Failing in this, he disguises himself as Amphitryon (Alkemene's husband) and tries again. Next morning Amphitryon and his men come back from war; he suspects adultery and wants a divorce. Jupiter's wife Juno now also comes to earth and clears things up.
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Marizza, genannt die Schmuggler-Madonna (1922)
Character: Mrs. Avricolos
All men are under lovely Maritza's spell.Tired of working for the old woman Yelina, who forces her to cajole customs officials to help the smugglers, she flees and finds work at Mrs. Avricolos' farm. Mostly lost, one reel survives.
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Dr. Mabuse, der Spieler (1922)
Character: (uncredited)
Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.
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Helena (1924)
Character: Hekabe
Helena is a 1924 German silent drama film directed by Manfred Noa and starring Edy Darclea, Vladimir Gajdarov and Albert Steinrück. The film was based on the poem the Iliad by Homer. It was released in two separate parts: The Rape of Helen and The Fall of Troy. It was produced by Bavaria Film at the Emelka Studios in Munich. The film was made on an epic scale with thousands of extras, and large sets which rivalled those of the larger Berlin-based UFA.
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Der Kongress tanzt (1931)
Character: Fürstin
An Austrian prince hatches a plan to keep his rival, the Russian czar, busy by keeping him surrounded by beautiful women and away from the negotiating table. The Czar, however, has his own plan—he hires a man who is his exact double to impersonate him and confuse the Austrians by appearing to be everywhere at once. In addition, both the Czar and his double fall for the same woman.
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