|
|
|
Die Frau, nach der man sich sehnt (1929)
Character: Charles Leblanc
After a chance meeting at a train station, Henry and Stascha, unhappy with their circumstances, are determined to leave and be together.
|
|
|
Grün ist die Heide (1951)
Character: Zirkusdirektor
After the end of World War II Lüder Lüdersen, the former owner of a feudal estate in the East, and his daughter Helga arrive as refugees in the Lüneburg Heath. While living a seemingly happy life on the estate of his cousin, Lüdersen hides a dark secret: he is a poacher.
|
|
|
Skandal in Budapest (1933)
Character: Direktor Roland
Eva goes to Budapest to visit her friend Tini's wedding but as soon as she arrives, the husband-to-be brakes up with Tini. When Eva decides to take things into her own hand and follows him to the Hotel Atlantik.
|
|
|
Die Försterbuben (1955)
Character: Bürgermeister Gerald
When seminarian Martin Rufmann arrives in St. Eustachen, idyllically located in the Carinthian mountains, the local choral society is celebrating a joyous festival. Martin is the youngest son of the widowed head forester Thomas Rufmann. Martin's older brother Friedolin has inherited his father's love of hunting and is one of the best hunters in the area. He is also engaged to the pretty innkeeper's daughter Helene Schwarzaug. At the feast, Friedolin and his cronies drink heavily to the black liquor of the charcoal burner Krauthaas. Friedolin and the townspeople Günther have a loud argument in front of everyone. When Günther is found murdered a short time later, suspicion immediately falls on Friedolin. To save his brother, Martin accuses himself of the crime. The two brothers are arrested. The real culprit soon turns himself in, but in the meantime Thomas Rufmann has disappeared without a trace.
|
|
|
Liebe, Tod und Teufel (1934)
Character: Kiano
In a harbor bazaar of the Pacific town of Kona, the young sailor Kiwe is offered a mysterious bottle, which supposedly gives her owner power and wealth and should fulfill all his wishes. The required return is however high. From now on, the soul of the new owner belongs to the devil.
|
|
|
Schwarzer Jäger Johanna (1934)
Character: Hofrat Zöllner
Germany under Napoleon. Johanna is travelling by stagecoach when one of its occupants, Major Korfes, is arrested by the French militia. Before capture, he gives Johanna a mysterious letter. To solve the mystery, she joins the German corps as the “Black Hunter”. A fantastic breeches role for the lesbian Marianne Hoppe, who two years later, married her gay film partner Gustav Gründgens to prevent persecution by the Nazis.
|
|
|
Der unsterbliche Lump (1930)
Character: N/A
Prevented from wedding a postman's daughter (her father prefers she marry a farmer) a Tyrol schoolteacher succeeds instead in having an opera of his acceptance in Vienna. But this isn't the happiness he wanted, he becomes a hobo.
|
|
|
Die große Attraktion (1931)
Character: N/A
Riccardo and his troupe travel around the world performing musical and dance numbers in vaudevillian and circus theaters. Dancer Kitty is so impressed when she hears him sing that she asks to enter the company, but is turned down by Riccardo. Then in the middle of a number at the Winter Garten she pops in and the audience loves it. Now she will try to win Riccardo's heart, although he has a secret from his past that might be an obstacle.
|
|
|
So gefällst Du mir (1941)
Character: Mayor Vitus
There’s excitement in St. Johann, when the lawyer and notary Dr. Junhnickel from Vienna arrives and brings an offer from a mysterious Brazillian: On the cover of a magazine is a young girl, obviously from the country, and in the background is the village landscape of St. Johann. The Brazilian has fallen in love with the picture and wants to marry the girl. In return for finding her, the village will receive a donation of RM 5,000. Oh boy! The mayor, the shoemaker and the district clerk go off on the search for the girl! They have absolutely no luck in the photo shop, because the photographer is boiling over what he considers unfair intentions and tells them to take a hike. Nevertheless, they find the girl’s address. The model, Christl Wallner is no country girl but rather a ballet dancer, who posed for the photo to earn a litle extra money.
|
|
|
Über alles in der Welt (1941)
Character: Leo Samek
Nazi propaganda film chronicling the plight of Germans caught by the outbreak of war in 1939 and their frantic attempts to return to the Fatherland to join the battle.
|
|
|
Der Orgelbauer von St. Marien (1961)
Character: Direktor Bertram
While on vacation, the young, Benedictine monk Markus runs into temptation in the form of his childhood sweetheart, Linda. Linda, the daughter of Baron Danning, is about to marry the rich manufacturer’s son, Walter Bertram, to save the Danning family estate from the Baron’s debtors. But her encounter with Markus is creating doubts about the sincerity of her love for Walter. So she keeps pushing back their wedding, using as a pretext the demand, that she’ll only marry when the now-silent church organ in the village once more plays. But the organ builder Franz is in a dispute with his twin brother Joseph and has no time to fix the disused organ.
|
|
|
Lockvogel (1934)
Character: Makarian
Viktor Schott, daredevil and womanizer, is charged by his father, a jeweler, to go to Istanbul and purchase a valuable emerald necklace from a rich Persian and to bring it back by ship to Marseille. A pair of criminals are watching him and attractive Delia, with whom Viktor is in love, is used as bait. His boyhood friend Sibyl, who is in love with Viktor, warns him of the criminal ship owner and the captain, who intend to steal the jewel during a masked ball on board. Shortly before reaching the coast of France, an explosion causes the ship to capsize.
|
|
|
Wetterleuchten um Barbara (1941)
Character: Gansterer
After an Austrian home guard raids a group of pro Nazi mountain folk, Barbara and her husband ,part of the group, escape to Germany, from which they will return with invading troops to establish closer ties between the two countries.
|
|
|
Gefahren der Brautzeit (1930)
Character: N/A
A man unknowingly falls madly in love with the fiancé of a close friend who has twice saved his life.
|
|
|
Liebling der Götter (1930)
Character: Popper
Also known as Darling of the Gods, this was Emil Jannings' second talkie appearance. Jannings stars as famed operatic singer Albert Winkelmann, who is greeted with cheers, applause and romantic propositions whenever he performs in his native Vienna. But when he embarks on a tour of South America, tragedy strikes. The sweltering climate causes Winkelmann to lose his voice on stage, a disaster met with hoots and cat-calls. Dispirited he returns to Europe, where he soon learns that no one is aware of what happened in South America. Intending to retire so as not to be exposed to further humiliation, Winkelmann is goaded back on stage -- where, miraculously, his gorgeous voice returns.
|
|
|
Besuch aus heiterem Himmel (1959)
Character: Hyronimus Unterhuber
The multi-millionaire John Underhower travels from New York to Bavaria, where he’s bought a castle. The reason? He wants to prove there’s ghosts in the old building. John represents himself as a poor circus performer to his unsuspecting cousin Hyronimus, who works as a tour guide at the fortress. And Hyronimus has no shame in pretending to John, that he’s the proud owner of the castle. This little game soon leads to a lot of complications.
|
|
|
|
Heinz im Mond (1934)
Character: Martin Fasan
A young man of property is engaged to two women at once.
|
|
|
Skandal um Eva (1930)
Character: Kurt Hiller
An engaged woman discovers her fiancé has a four year old son. Pretending to take a cure she travels to the boy's foster-parents to make his acquaintance.
|
|
|
|
Der eingebildete Kranke (1952)
Character: Alexander Mordius
Dr. Hartwig has settled in a small town as a doctor. One day the magical Ursel Daxenmeyer appears in his practice. Dr. Hartwig falls in love with her and wants to marry her. Beforehand, however, various obstacles have to be cleared out of the way. A very special obstacle is Ursula's father, Eusebius Daxenmeyer. He deals with mixed goods and is also a hypochondriac, that is, an ill patient. No one can tell him his imagination that he is deadly ill.
|
|
|
Es wird schon wieder besser (1932)
Character: Sanitätsrat Dr. Hartmann
The fast-driving daughter of a car manufacturer keeps Berlin's most pricey lawyer busy as she keeps getting into scrapes.
|
|
|
Eva küßt nur Direktoren (1958)
Character: Herr Jäger
Unhappy accountant Karl has a crush on Eva who seems to prefer dates with execs. But real trouble ensues when he inherits his uncle's apartment and in its wake a group of shady characters involved in illegal business affairs.
|
|
|
Hoch klingt der Radetzkymarsch (1958)
Character: Anton Fischbacher
In the Vienna of the Biedermeier era, the young Carl makes a delicate wager with two officers: If he does not succeed in presenting a new romantic adventure by the next day, he has to treat the soldiers to ten bottles of sparkling wine. Albeit he tries in vain to seduce the pretty maid Franzi, Carl brags about his alleged conquest the next day in his favourite pub. When the senior lieutenant Stephan, who is head over heels in love with Franzi, hears about Carl’s putative success, he writes, out of his lovelornness, a catchy song about the carefree maids of Vienna. The song becomes the talk of the town — but the Viennese maids are so disgruntled about the earworm that they go on strike in protest at the grand Radetzky ball…
|
|
|
Susanne, die Wirtin von der Lahn (1967)
Character: Goppelmann
The literal English translation of the German-titled film here is "The Hostess of the Lahn." Suzanne (Terry Torday) is the beautiful redhead who runs an inn in the town of Giessen. She is the subject of many inspirational love songs by the student population. The lyrics also reflect the Germans' resentment and hostility toward the French occupation by the army of Napoleon. Suzanne appears in various stages of undress.
|
|
|
Der lachende Dritte (1936)
Character: Lux
In a remote village in Southern Bavaria, hostilities run rampant between a farmer and a luxury hotel proprietor. The former has a smelly dung heap and he hopes to force the hotelier into buying him out at a large profit.
|
|
|
|
Fräulein Liselott (1934)
Character: Jasmin, Hausverwalter
Aimless Bohemians are encouraged to find their salvation in Arbeit (Work) in this propagandistic Nazi era German production.
|
|
|
Das Einmaleins der Liebe (1935)
Character: N/A
Identities are changed in the Austrian countryside. A simple woman does this to test the affections of a store manager, he too changes character several times and there are other locals who do this as well.
|
|
|
Punks kommt aus Amerika (1935)
Character: Sigorski
A German who has been away too long in America and has lost all of his money needs to prove himself to his fellow citizens,which he does by foiling the robbery of his uncle and then marrying his sweetheart.
|
|
|
Donogoo Tonka (1936)
Character: Broudier
Parisians Josette and Pierre are a happy couple, but also a completely broke one. An absurd chain of events leads them to Professor Trouhadec, who is in a predicament.
|
|
|
Meiseken (1937)
Character: Aulinger, Handwerker
Old Meiseken, a gingerbread baker, has been dead for three years, but his bosses don’t know that. They’ve been paying him his pension all this time, unaware that his former landlords have been cashing the checks. When, one day, the assistant head of the bakery, Tony, pays a visit to Meiseken’s place to get a hold of an old recipe, someone’s got to play the part of Meiseken! The fraud blows up in the landlords’ faces; but in the end, Tony gets the recipe book and even a new bride.
|
|
|
In flagranti (1944)
Character: Detective Schmidt
A rookie detective’s first case is to observe an engineer, but she behaves so clumsily in her job, that she’s mistaken for a thief and con artist.
|
|
|
Die lustigen Weiber von Wien (1931)
Character: Exzellenz Waldmüller - Kultusminister
A dance teacher helps his ten well-bred student sisters when they leave home as a protest against their father's intended wedding. They form a café group called Die lustigen Weiber aus Wien (The merry Viennese girls).
|
|
|
Ein Lied, ein Kuß, ein Mädel (1932)
Character: Burger, Filialleiter
Peter Franke owns Supraphon record company, which has one main competitor in Lyraphon. As a commercial strategy Peter gets engaged to her counter partner Asta, to his assistant Münzer's approval. Then he meets Wally Sommer, singing saleswoman at one of his shops, and all his plans are turned upside down while they both fall in love in this light musical comedy filled with Robert Stolz music.
|
|
|
Der verkaufte Großvater (1942)
Character: Vater Haslinger
The unscrupulous dealer Haslinger has paid off a debt note worth 1000 Mark from the peasant Kreithofer and now wants the man’s farm in return for the debt settlement. Then, suddenly, a rumor pops up that Grandfather Kreithofer is a rich man, who wants to leave his entire estate to his grandchild Lois. Grandpa started the rumor to help his grandson out of the mess, who, as luck would (not) have it, is also in love with Haslinger’s daughter, Ev. But no sooner does Haslinger hear of this rumor, that he wants the old man to move in with him, leave the debt to him and give permission for the kids to marry.
|
|
|
Kitty schwindelt sich ins Glück (1932)
Character: Karl
A scullery maid manages to con her way into being adopted by a wealthy factory owner and frees his nephew from an expensive girlfriend.
|
|
|
Geld sofort (1961)
Character: Herr Ehrlich
A long time lost comedy directed by Johann Alexander Hübler-Kahla. It was discoverd in the estate of the director in Vienna in 2014.
|
|
|
Das schöne Abenteuer (1932)
Character: N/A
Helene has agreed to marry a man that she isn't in love with. On the day of her wedding her cousin arrives just in time to rescue her and they run away together. They stay with her aged grandmother who assumes the young man (whom she doesn't know) to be the new husband and has prepared a bridal bed for them.
|
|
|
Mädchen zum Heiraten (1932)
Character: Direktor Korten
Three brothers lead the life of bachelors and their rent is overdue. The landlord who also happens to be a matchmaker tries to marry off the oldest brother to a rich girl.
|
|
|
Die türkischen Gurken (1962)
Character: Oskar Schnabel
Oskar Schnabel is a wholesaler of fruits from the Arabian region. One day his oriental trading partner passes on a twelve-piece of harem ladies to him.
|
|
|
Der Tanzhusar (1931)
Character: Rechnungs-Unteroffizier
In this comedy, a civilian singer of opera is obliged to fulfill his duty and perform six weeks of military service.
|
|
|
Der unbekannte Gast (1931)
Character: Jean Diener
When the master and mistress of a household are away, and the chambermaid's father visits, she pretends to be the real mistress as he is unaware of her lowly position. Slapstick complications ensue.
|
|
|
Seitensprünge (1931)
Character: Robert Burkhardt
When both husband and wife find romance outside their marriage, it's a shock to everyone. Robert and Annemarie break up to elope with their respective lovers, only to be thrown together again when they show up at the justice of the peace.
|
|
|
|
|
Rund um eine Million (1933)
Character: Gallibert
In this French set comedy, five million francs change hands one weekend between a man pretending to be a millionaire and a woman pretending to be a Russian countess.
|
|
|
Ich geh' aus und Du bleibst da (1931)
Character: Maximilian von Wachmeister
Weimar era screwball comedy about a floor model who is required to go out evenings to escort VIPs while her boyfriend has to wait at home.
|
|
|
Eine Tür geht auf (1933)
Character: Franz Zengler
Detective Hans Braumüller is trying to untange the conspiracy behind a bank robbery.
|
|
|
Das lockende Ziel (1930)
Character: Loisl
Toni Lechner, innkeeper at the small Tirolese village of Heiligenblut, sings in church and is happy with his mother and his girlfriend Leni. One day an impresario arrives after an auto failure and hears Toni sing, tempting him into an operatic career. Toni accepts but with time he misses his people, not knowing his jealous prima donna has kept them apart from him.
|
|
|
|
|
Voruntersuchung (1931)
Character: Karl Zülke, Portier
When a prostitute is murdered in a cheap Berlin boarding house, an investigating judge suspects that the killer is her boyfriend, unaware that his own son and daughter are also mixed up in the case.
|
|
|
Die Pranke (1931)
Character: Bernard, Polizeikommissar
German-Italian crime drama with a racing milieu: The International criminal, "The Paw", who kills his victims with a prosthesis, has struck again! An engineer, who has designed a new racing car for the Italian firm Alberti has been found beaten to death. The plans for the car have been stolen. Rappis, the firm's director, takes part in the race and hits the finish line at the same time as the German racer, Peter Kruger. Then Rappis is found beaten to death, too.
|
|
|
Fanfaren der Liebe (1951)
Character: Hallinger
Two out of work musicians put on drag to get work in an all girl band. Inevitable comical romantic complications ensue.
|
|
|
Wiener G’schichten (1940)
Character: Stanglberger
A nostalgic story about life in and around a classic Vienna coffee house. The film is set in Imperial Vienna at the beginning of the twentieth century.
|
|
|
Die Austernlilli (1937)
Character: Stöckl - Filialgeschäftsführer
The Parisian restaurant "At the Oyster King's" is looking for a new waitress, whose job would be to crack open oysters with a newfangled oyster cracker (how exciting!). But who would have thought that this newfound invention would lead to so much turmoil (they're French, aren't they?)?! Through a mix-up, Lilli Dupont gets the job. But Lilli is no waitress, but rather a talented singer, waiting in vain for an engagement. She takes the job and soon every male visitor is laying at her feet. So that Lilli doesn't constantly have to fight off all the horny men, the cashier Aristide spreads the rumor that Lilli is actually the daughter of the millionaire van Muhlen, to whom the "Oyster King" belongs (daughter of a millionaire?!? Oh yes, of course: that will dissuade potential suitors!).
|
|
|
Endstation (1935)
Character: Straßenbahninspektor Grenzing
Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.
|
|
|
|
Die Drei von der Tankstelle (1955)
Character: Dr.Calmus
Robert, Peter and Fritz are the best of friends ... and hopelessly broke. But they don't let that stop them and in short order, they end up renting a deserted gas station. With just a little bit of wit and some elan, they'll bring the old girl back to life and all will look rosy ... until all three of them fall in love with the same dame: Gabi, the daughter of the director of a large gasoline firm. Thanks to her, their eternal friendship is really going to be put to the test.
|
|
|
Du bist die Rose vom Wörthersee (1951)
Character: Metzgermeister Leopold Führinger
A formerly unsuccessful musician comes back to his homeland in Carinthia as a famous composer via Broadway and woos his widowed childhood sweetheart.
|
|
|
Der Andere (1930)
Character: Gauner Grünspecht
A psychological drama based on the popular Jekyll and Hyde theme involving a strict legal official. Based on the 1893 play "Der Andere" by Paul Lindau.
|
|
|
Fünftausend Mark Belohnung (1942)
Character: Gustav Hambacher
A big explosion in a pulp mill causes a lot of damage. The police suspect a crime and put up a 5,000 Mark reward for information leading to the arrest of the perpetrator. Egged on by his wife Ursula, the insurance agent Rolf Kettner sees his chance to prove his detective capabilities and to track down the culprit.
|
|
|
Der Pastor mit der Jazztrompete (1962)
Character: Hotelier und Bürgermeister Adam Meyer
When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.
|
|
|
Die verschwundene Frau (1937)
Character: N/A
An official justice assistant supposes behind a letter which falls to him by chance in the hands, a crime and gets going with his crimi-sleuthing energy an unclear confusion.
|
|
|
Einbrecher (1930)
Character: Diener Amadée
The young wife of a rich old husband is prevented of a fling by a gentleman-burglar, who falls in love to her.
|
|
|
Unsere tollen Nichten (1963)
Character: Mägerli
Out of necessity, Gunther Philipp and his male colleagues put on women's clothes again and cause a commotion in the noble ski resort of Davos as the Jolly Sisters. Their girlfriends don't take kindly to this and counterattack in men's costumes.
|
|
|
Nanon (1938)
Character: Marquis de Marsillac
An operetta directed by Herbert Maisch.
|
|
|
Und du mein Schatz fährst mit (1937)
Character: Revue-Regisseur Bal
Opera singer Maria Seydlitz has just left her fiancé because he put her between the choice of husband or profession when she receives a telegram from New York: an unknown person hires her for a large fee at the theater Maria accepts the offer... The film is based on the novel of the same name by Hans Rudolf Berndorff. The film was shot from July to September 1936 on the Neubabelsberg outdoor area and on the passenger ship "Bremen“. He experienced on the 15th. Its premiere in January 1937 in Berlin's Gloria-Palast.
|
|
|
… und du mein Schatz bleibst hier (1961)
Character: Direktor Grossmüller
Instead of attending seminars and lectures at the University of World Trade, Peter Baumann prefers to work exclusively in the student orchestra. With his friends Hans, Tommy, Udo, Gus and Max, he tries so far in vain to get a recording contract or at least an audition in the Wiener Stadthalle.
|
|
|
Eine Nacht im Mai (1938)
Character: Direktor Fleming Jr.
A reckless young woman has her driving license withdrawn, drives home anyway and gets involved in a traffic accident. Realizing this was a little over the top she decides that she has to flee the country. As fate has it, she misses her train and instead meets a handsom young man who imidiately falls in love with her. This marks the beginning of a long night of misunderstandings, chases and courting.
|
|
|
Eine Nacht in Venedig (1934)
Character: N/A
A German-language film loosely based on the 1883 operetta Eine Nacht in Venedig (A Night in Venice) by Johann Strauss II. The film was also made into separate Hungarian-language version Egy éj Velencében based on the same screenplay. The two versions were shot simultaneously. The Hungarian version was co-directed by Wiene and Géza von Cziffra and used a separate cast of Hungarian actors. From Wikipedia.
|
|
|
Donauschiffer (1940)
Character: Klobas, Maschinist
The Hungarian noble Nikki von Kormendy is traveling incognito as a blind passenger on the Danube ferry "Fortuna". Captain Korngiebel keeps him busy with various tasks. When the young singer Anny Hofer comes on board, both men fall in love with her and compete for her affactions. Out of sheer jealousy, Korngiebel lets his ship run aground and now fears for his captain's license. But Kormendy generously acquires the boat and leases it to Peter and Anny ... with the sole condition that the ship bear his name from this date forward.
|
|
|
Scampolo, ein Kind der Straße (1932)
Character: Phillippe
The street urchin Scampolo (which means, "A Nothing"), who sleeps at night in a telephone booth and earns a little money running errands for a laundry, falls in love with a despondent, out-of-work bank manager in Depression-torn Germany, and thereby becomes a woman in the eyes of other men.
|
|
|
Zauber der Bohème (1937)
Character: André Dupré
René and his two artist friends lead a meager but careless life in a Parisian small apartment, their main worry being to avoid the housekeeper. Whenever they get some money they call more friends in and celebrate. This is how he meets beautiful but fragile Denise, who wants to be a singer as himself, and they fall in love. Yet when she finds out her real condition she takes a drastic decision which will determine their fates. La Bohème arias, and more.
|
|
|
Königswalzer (1935)
Character: Landtagsabgeordneter Pfandl
A love story based in Munich in 1852: An Austrian officer belonging to the nobility has the mission of ensuring the young Kaiser Franz Joseph doesn’t endanger his future marriage to Princess Elisabeth by his acquaintanceship with the daughters of a coffee-house owner.
|
|
|
Trenck, der Pandur (1940)
Character: Harun Bashi
Film about the fictitious adventures of Franz Freiherr von Trenck, who lived during the times of empress Maria Theresia of Austria garnished with espionage and twisted love affairs.
|
|
|
Frau im Strom (1939)
Character: Schani
Alois, Wendelin, Schani and Franz operate an auto repair shop in Vienna. One evening, Alois fishes the suicidal Hannerl out of the Danube and takes her to live with him. The timid and taciturn woman soon disappears however, and with her, a large amount of cash out of the shop's cash register. A disappointed Alois wishes to forget about her, but his three friends look for Hannerl and the money. As it turns out, she's married to the smuggler Kerrylis, who forces her to take part in his business; that's why she tried to kill herself. When Kerrylis is found dead, Alois is suspected of being the murderer.
|
|
|
Leichte Kavallerie (1935)
Character: Gastwirt Pietro
Rosika, a girl from Genoa, fled her innkeeper stepfather after he tried to abuse her. She finds refuge - and a job as well - in a traveling circus. Cherubini, the owner of the big top, falls in love with the lovely young woman and makes her the star of the show 'Light Cavalry'. But unfortunately for him Rosika's heart beats for Geza, the stable boy.
|
|
|
Adieu Mascotte (1929)
Character: N/A
Based on a story by Michel Linsky, "Adieu, Mascotte" revolves around an artist's model named Mascotte (Harvey) who ekes out a hand-to-mouth existence in the Parisian art colony. In dire need of money to finance a friend's operation, Mascotte auctions herself off at an artist's ball. She is "bought" by a novelist named Jean (Igo Sym), who merely wants to teach his flirtatious wife a lesson. Discreetly keeping his distance, Jean persuades Mascotte to pose as his mistress so that his wife will become jealous and return to his arms. Of course, things don't go as planned.
|
|
|
Liebe muss verstanden sein (1933)
Character: Ein Kriminalbeamter
The stenotypist Margit is supposed to take 3,000 Marks to the bank for her boss, Mr. Plaumann, but she lazes away the time window-shopping, and eventually stands before a closed door. She follows Plaumann to Dresden, where he, believing the money is deposited in a bank as a down payment, wants to purchase a newfangled remote control from the inventor Lambach. Since Plaumann’s car breaks down on the road, Margit arrives before him and rests in the seemingly empty hotel room which later turns out to be Lambach’s. Meanwhile, Lambach himself is being spied on by the jealous cousin of his fiancée, who can’t wait to catch him in the act…
|
|
|
Der Kongreß tanzt (1955)
Character: Bibikoff
Congress of Vienna, 1815: In order to lure certain monarchs away from the conference, the Austrians instigate a ceaseless sequence of operas and balls. Indeed, Russian Czar Alexander is distracted when he falls for a beautiful salesgirl.
|
|
|
Land der Liebe (1937)
Character: Polizeipräfekt
The story is one of the classic operetta stories with a young princess destined to marry a king whom her mother tries to enforce while the young woman tries to escape her fate.
|
|
|
So ein Mädel vergißt man nicht (1933)
Character: Max Bach
A GIRL YOU DON'T FORGET can be thought of as a backstage musical that treats the whole world as backstage. Melodies seem to be buzzing through the air, available to anyone in the right state of mind. Willi Forst always is, and he is also an actor who can transform any space into a stage. Fritz Kortner, one of the defining personalities of the German theatre scene of the 1920s, makes the most of his star’s talent in an intricately constructed romantic comedy that believes in the truth of artifice. Forst plays Paul Hartwig, a wannabe actor who is reduced to selling books in the cold streets of Berlin. While pursuing his big break, he meets Lisa Brandes (Dolly Haas), another victim of the global financial crisis who has just learned a new trick: cheating horny old men out of their money by selling promises she does not intend to keep. Dedicated theatre man Paul decides to win her over by putting on an act, but a misplaced slap leads to unintended consequences. - Lukas Foerster
|
|
|
Wien, du Stadt meiner Träume (1957)
Character: Gesandter von Trotum
In the made-up country of Alanien, King Alexander I has been overthrown while abroad. Now, he's in Vienna with his daughter, the city of his fondest memories since studying there as a boy. It doesn't take long for the charm of Vienna to work its magic on the former king: he quickly comes to terms with the new situation and is able to enjoy the Austrian capital sans all the ceremony and trappings which would otherwise accompany him on a state visit. The princess is content with preparing herself for a career as a pianist concert, while the former king takes a job as a chauffeur in the embassy of the country he once ruled. The revolutionaries are shocked; and his days in Vienna are numbered.
|
|
|
Kaisermanöver (1954)
Character: Feldwebel
In Franz Joseph I's Vienna, Captain Eichfeld publishes a witty satire on imperial Austrian army abuses, using the pseudonym "Spectator." It's popular, but Eichfeld dares not reveal his identity, as he wants the hand of conservative General von Trattenbach's daughter. His race rival blackmails both lovers.
|
|
|
|
Der weiße Traum (1943)
Character: Josef Wildner
The young ice skating talent, Liesl, lands a part in a new Revue at the Palast Theatre simply because she is confused with someone else. In reality, the roll was to be awarded to Lu Panther, the untalented girlfriend of the theatre's owner, Wildner. After a series of accidents and little disasters, Wildner shuts down the theatre before the Revue can take place. But the Revue's director, Ernst Eder, decides shortly thereafter to present the Revue on an ice skating rink belonging to Liesl's uncle. After a successful run, at first at the Wiener Prater, the performers move on to Spain, Hungary, and a night club with a Jazz orchestra. The Revue becomes a huge success ... and, of course, Ernst and Liesl end up together, too.
|
|
|
|
Saison in Salzburg (1961)
Character: Gendarmerie-Inspektor
The actors Heinz Doll, Hans Stiegler and Werner Mack have failed to look after the end of the last season in time for a new commitment and are now unemployed. Since they are just right that the Salzburg mountain hotel "Zum Blaue Enzian" staff looking for.
|
|
|
Das süße Leben des Grafen Bobby (1962)
Character: Benevenuto Sokrates Sacre
Graf Bobby and Baron Mucki founded the detective bureau Pfiff and Greif to finally make money. Shortly before the bankruptcy of their company, they receive a lucrative order from Benevenuto Socrates Socre regarding a gang of girl traders.
|
|
|
Sieben Ohrfeigen (1937)
Character: Wennington Laskett
William MacPhab loses seven-pounds in the stock market and decides to slap the man who was responsible for the stock manipulation that caused him to lose his money. Astor Terbanks, the stock-market manipulator is surprised the next day when he gets soundly slapped by MacPhab, and the latter promises to deliver one more a day for the next six days. Terbank's daughter, Daisy, is amused by the procedure and is attracted to MacPhab.
|
|
|
Ein toller Einfall (1932)
Character: Finanzbeamter
A series of stupid coincidences causes the young Munich painter Paul to convert his uncle's castle into a hotel for four weeks. But he can't complain: business is good and he has plenty of guests. For exmple, there's Theo Muller with his revue troupe. For reasons of "sound", Muller calls himself "Miller", which, of course, causes more confusion. His daughter, the beautiful Evelyn, is confused with Mabel Miller, who has come to the hotel on a mission for her filthy rich father ... namely, to estimate the worth of the castle.
|
|
|
Die Gräfin von Monte-Christo (1932)
Character: Aufnahmeleiter Spitzkopf
The two aspiring actresses Jeanette and Mimi are waiting for their big chance. But the real breakthrough is slow in coming. Jeanette especially desperately needs a big success, since her friend, the journalist Stephan, is about to lose his job. When the two have their chance to take a ride in a posh car during a shooting, Jeanette slams on the throttle and the two friends take off. Their aimless journey takes them to a fashionable winter sports’ hotel, where Jeanette reserves a name under “The Countess of Monte Christo”. Everything’s going dandy; no one suspects a thing. That is, until two impostors, Rumowski and “The Baron” take residence in the same hotel.
|
|
|
Mädchen mit schwachem Gedächtnis (1956)
Character: Hotelportier Huber
Anny arrives in Munich to start a career as an actress, but soon ends up without money and job, sleeping on a park bench. When the police picks her up, she pretends to have amnesia and is taken to the police station. There she's surprised to get presented to her alleged parents. Not knowing yet what kind of game they play, she goes home with them and lets the rich couple coddle her.
|
|
|
Briefträger Müller (1953)
Character: Herr Strobel
Postman Titus Müller returns from his daily rounds with a letter that will change the course of his modest provincial existence.
|
|
|
Die süßesten Früchte (1954)
Character: Alvarez Petitez
In two fictional states bureaucracy and political intrigue provoke social unrest. Beppo learns that his nation's president is his twin. Mistaken identities lead to comical chaos as the twins propose a treaty that will benefit both nations.
|
|
|
Oh... Rosalinda!! (1955)
Character: Frosch
In post-war Vienna, Rosalinda and her husband become embroiled in a series of complicated escapades that puts their marital bliss at risk.
|
|
|
Glückskinder (1936)
Character: Stoddard, Reporter
After completing work on the British musical Invitation to the Waltz, Lillian Harvey returned to her adopted country of Germany to star in the comedy-with-music Glueckskinder (Children of Fortune). Harvey plays Ann Garden, an unemployed actress who ends up in night court on a loitering charge. Here she meets Gil Taylor (Willy Fritsch), a struggling songwriter temporarily employed as a court reporter. Hoping to keep her out of jail, Gil impulsively tells the judge that he's engaged to Ann -- whereupon the judge, equally impulsively, marries the couple on the spot! After this inauspicious start, Ann and Gil embark upon a rocky (but tuneful) whirlwind romance.
|
|
|
5 Millionen suchen einen Erben (1938)
Character: Blubberboom
According to his last will, the rich American uncle of vacuum cleaner salesman Peter Pett only leaves his 5 million dollars to Peter if he is married happily. Otherwise the five million will fall to Peter's Scottish cousin Patrick.
|
|
|
|
Vorstadtvarieté (1935)
Character: Franz Ebeseder
In Vienna of 1913 a young woman coming from vaudeville theatre circles stands before the wedding with a construction draftsman; this must move to the military and sends his bride on the country, so that she cannot be enticed to the stage. However, she does it and gets by an officer's love affair so in confusion that she commits suicide. - This end environment-close and differentiates of produced melodrama was rejected by press and audience vehemently; the new second film end with the rescue of the desperate was supplied later, so that in this version only a bittersweet common melodrama with excellent actors and good photograph was left. In the rental company copy is the second version of the end jointly contain.
|
|