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Die Sühne (1918)
Character: N/A
A silent German film directed by Austrian director Emmerich Hanus with Martha Novelly and Kurt Vespermann in the leads.
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Das Buch des Lasters (1917)
Character: Baron von Franken
A sculptor obsessed with a pianist will stop at nothing to rid himself of any competition for her affections.
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Prinz Kuckuck (1919)
Character: N/A
The niece and nephew of an eccentric millionaire try to get a share of the now deceased millionaire's inheritance from his adopted son who delights in squandering it. Considered lost.
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Hoffmanns Erzählungen (1916)
Character: Onkel
This movie, directed by Richard Oswald, is based on the operetta "Les contes de Hoffmann" by Jacques Offenbach (1819-1880), which is a genial musical potpourri from various short stories and novels by the Prussian writer, composer, painter, lawyer and judge E.T.A. Hoffmann (1776-1822). While Hoffmann's literary work was longtime considered to be merely fantastical, it was finally researched, in the last years, according to its metaphysical background. Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques only described in the works of Bachtin and Bachelard.
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Der Mann mit der eisernen Maske (1923)
Character: N/A
Years have passed since the Three Musketeers, Aramis, Athos and Porthos, have fought together with their friend, D'Artagnan. But with the tyrannical King Louis using his power to wreak havoc in the kingdom while his twin brother, Philippe, remains imprisoned, the Musketeers reunite to abduct Louis and replace him with Philippe.
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Homunculus, 3. Teil: Die Liebeskomödie des Homunculus (1916)
Character: Generalprokurator Steffens
The homunculus and his companion Edgar Rodin make an invention that would allow the hateful homunculus to destroy the world. But first he wants to find out about love. When he observes how young Anna is rejected by her parents, he takes care of her and asks her parents for forgiveness - without success. He brings her to her seducer, who also rejects the girl. The homunculus then takes revenge by ruining the man financially and throwing Anna at his feet. But she still loves the villain and asks Homunculus for mercy. The homunculus cannot understand this feeling of love - he wants to try it out on himself. He puts a young woman who loves him to the hardest test, but she will do anything for him, sacrificing her fiancé and her parents. Only when he reveals his artificial nature to her, she leaves him. This experience confirms the homunculus in his intention to destroy mankind.
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Der Todfeind (1920)
Character: N/A
A wealthy man is found bludgeoned to death near a railway. The question is, who killed him and why?
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Homunculus, 1. Teil: Der künstliche Mensch (1916)
Character: Generalprokurator Steffens
Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.
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Das verwunschene Schloß (1919)
Character: Graf
Twenty years ago, the Count of Groningen left his ancestral castle. Since then, it is said to be haunted. Shortly before his escape from the dark walls, the Count had left his newborn child to the care of the administrator and farmer Grödner. The nasty Grödner had already swapped his own child Veronika with the Count's in the cradle, probably because he hoped to one day gain possession of the castle.
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