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Hembra (1970)
Character: N/A
A woman takes a man home for shelter after a robbery
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Oscuros sueños de agosto (1967)
Character: Mario
Isabel returns to Spain, after several years of absence, to be cured of a neurosis. His daughter Ana, whom he has not seen in all this time, decides to spend the holidays with her, taking advantage of the fact that her boyfriend has gone to study in Germany. During her stay in the sanatorium, Ana meets Mario, an attractive young man somewhat unbalanced, who tries to seduce her. Although at first she does not show any interest, little by little she becomes attracted to him.
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El último sábado (1967)
Character: N/A
José Luis is a young man from a modest family of Barcelona and he feels genuine passion for motorcycles. His dream is to buy one of a large cylinder capacity, although his economic situation does not allow him by a long shot. Watching a race in the circuit of Montjuic he meets an elegant Italian woman, manager of a team, who made advances to José Luis. But the boy thinks that accessing her wishes he could get the motorbike of his dreams.
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No dispares contra mí (1961)
Character: Luigi
The young law student David is involved in a series of small crimes that led him to discover the corpse of the husband of his French friend Lucile in the trunk of the car in which he runs away to France, which makes her join him of his trip. Film with a clear influence of the Nouvelle Vague
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La otra imagen (1973)
Character: N/A
A blind couple's marriage is tested when the wife is drawn to a blind writer.
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Los atracadores (1962)
Character: Carmelo Barrachina
The film is divided into three parts: 'Restlessness', 'Violence' and 'Death', to explain the motivations, evolution and defeat of three young misfits from Barcelona who end up being robbers. The way of crime is an easy way for them: a boy and a worker without a job or benefit are induced by 'el Señorito', the son of a rich lawyer. Together they form a band. Hard and violent, the film is made with a clear intention of social criticism and research of realism, culminating in a final scene that raised quite controversial.
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Juventud a la intemperie (1961)
Character: Tony
A young woman is stabbed in a bar frequented by criminals and her boyfriend is arrested as the main suspect. However, when the girl finally dies, they assign the case to a commissioner, father of the detainee. He will discover that behind the crime is a dark network of blackmail and drugs.
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El último viaje (1974)
Character: Máximo
Commissioner Mendoza must join forces with the honorable civil guard, to stop the activities of a network of drug traffickers with international contacts that intend to act in Spain.
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Bohemios (1969)
Character: Roberto Mandel
Paris 1900. Sharing a house in the Bohemian District are Roberto, a fledgling Musician, who is composing an Opera with his friend the poet Victor Duval; and the beautiful Cossette, daughter of a retired tenor, who goes up and down the stairs, taking advantage of Roberto's music to train her voice.
The young bohemian musician does not know Cosette, but hears her sing daily. Instead, she's in love with Roberto and follows his steps as a composer.
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Los flamencos (1968)
Character: Diego
Diego, retired from flamenco due to an illness, is obsessed with the memory of Antonia Jiménez, a beautiful woman he loved in the past and with whom he formed an artistic duet. Now, after having triumphed on the stages of half the world, she returns from America, while he is dedicated to survive in the suburbs of Madrid mixed up in shady business. He kills the man who stole his woman. A tragedy could be sensed in the air.
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La Carmen (1976)
Character: José
A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again.
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Shalako (1968)
Character: Rojas
While guiding a hunting party of clueless European aristocrats, cowboy Bosky Fulton leads them into hostile Apache territory. Becoming separated from the group, Countess Irina Lazaar experiences the first run-in with an Apache, which results in the tracker Shalako coming to her rescue. Despite Shalako's warning to leave the area immediately, the pampered foreigners fail to take him seriously, leaving them in grave danger.
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Tiempo de amor (1964)
Character: Servando
Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.
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Return of the Seven (1966)
Character: Chico
Chico, one of the remaining members of The Magnificent Seven, now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.
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Cyrano et d'Artagnan (1964)
Character: Le Marquis de Cinq-Mars
Duelist and poet Cyrano de Bergerac and musketeer d'Artagnan meet and team up to stop the conspiracy against King Louis XIII of France.
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Four Rode Out (1969)
Character: Frenando Nunez
In this western, a Mexican desperado tries to flee his partner, a determined girl friend, and a US Marshal.
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Tibetana (1969)
Character: N/A
One step ahead of Chinese communists, a couple of friends hook up with an American adventurer who promises to lead them safely out of Tibet through the Himalayas.
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Dai nemici mi guardo io! (1968)
Character: Hondo
A major of the dissolved southern army gives a dollar to a young cowboy, Alan Burton, telling him that there are two other similar dollars with different figures on them; the three numbers combined show the spot where the Confederate's treasure is hidden. A number of people get involved including a gang leader and Alan's sidekick, Hondo.
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Gli occhi freddi della paura (1971)
Character: Quill
Against a backdrop of Swingin' 60s London a young playboy type "steals" a beautiful Italian girl from her elderly date and suggests she comes back to his place for some good times. "His place" being owned by his father, a rich and respected solicitor. Unfortunately a couple of criminals have plans of their own, one for money, the other for revenge, and the lovers end up prisoners in a tense siege situation
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La Celestina (1969)
Character: Calisto
In the last years of the Middle Ages, the Corpus Christi procession takes place in the Spanish city of Toledo. There, the young Calixto meets the beautiful lady Melibea, and he falls in love immediately, trying to court her, but getting only the rejection of the young woman. Determined to make her his mistress, Calixto chases her wherever she goes, thus causing "incidental" encounters. Then the lover decides to follow the advice of his servant Sempronius and go to an old bawd called Celestina, who, with the help of her evil arts and tips, bow down Melibea's will and causes tragic consequences for everyone.
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Catlow (1971)
Character: Recalde
An outlaw tries to avoid interference as he journeys to Mexico to pull off a $2,000,000 gold robbery.
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Les Étrangers (1969)
Character: Kaine
A violent and ruthless bank robber hides out from the police scouring the countryside for him in the home of a couple living far out in the desert. But the couple not only know who he is, they have secrets of their own and are just as ruthless.
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Ann och Eve - de erotiska (1970)
Character: N/A
The story concerns the Yugoslavian holiday of two toothsome Swedish girls. One of the girls, played by Maria Liljedahl, is (metaphorically speaking) a world-champion in the promiscuity sweepstakes, bedding men (and women) in great profusion. Somehow, the movie also manages to be about film reviewers and film directors. Variety) commented '...the film's inherently good visual and physical qualities are themselves dissipated in [the director's] cynicism, ennui, and involuted intellectual mirror tricks.'
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Dante no es únicamente severo (1967)
Character: N/A
A woman uselessly insists on entertaining a man by telling him stories that don’t interest him as much as his works. A film about the impossibility of telling a story that, to this end, concentrates on the story of two people who have a relationship that is destined to fail.
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Young Sánchez (1964)
Character: Paco / Young Sánchez
Portrait of the life of an amateur boxer, who falls into the hands of a cruel manager while turning into professional.
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10:30 P.M. Summer (1966)
Character: Rodrigo Palestra
A female traveling companion seduces a married man and his alcoholic wife.
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La endemoniada (1975)
Character: Father Juan
After an old witch desecrates a church and abducts a baby, the police take her in for questioning, leading her to attempt suicide. To exact revenge, a fellow witch curses the police commissioner's daughter, and as the old witch dies, her spirit latches onto the young girl and causes her to wreak havoc.
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I crudeli (1967)
Character: Ben
A Southern Colonel, his three sons, and a card shark embark on an odyssey through the Southwest carrying a coffin full of stolen money with which the Colonel plans to revive the Confederacy.
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