Hrdinové mlčí (1946)
Character: N/A
The younger brother of a brave paratrooper killed by the Nazis joins a partisan unit to avenge his death. The story is still naive in many ways, but the foundations of resistance myths are already being laid here.
Tobě hrana zvonit nebude (1975)
Character: N/A
At the end of August, a young woman is chased by an angry mob of hooligans under the windows of a bus because she decides to tear down a poster grossly insulting her husband, the staunch communist and deputy Balcar. She only gets a defence from the prosecutor Ronešová, who decides to convict and prosecute the perpetrators and bystanders of the unfortunate event. The principled Ronešová is oblivious to personal problems and sets out to fight against the relics of a happily extinguished social movement, with the right-wing defence lawyer Kahan being no match for her.
Jarní povětří (1961)
Character: Student
People in Czechoslovakia perceive the events of February 1948 differently. This movie tells how they behave depending on their views, beliefs and character.
Bez svatozáře (1964)
Character: N/A
An outdated fireclay factory is due to close, but its long-time employees can't imagine stopping what has fed them all their lives and what they do best...
Dva muži hlásí příchod (1975)
Character: Musician
An only son, Jirí Valenta (Jaromír Hanzlík), has been drafted to the army. At the barracks he acquires the nickname Seamstress because he sews rugs in his spare time. One day, his friend introduces him to Julka Vávrová (Jorga Kotrbová), a girl he is desperate to get rid of. The naive Jirí falls in love with the girl and accepts her invitation to spend Easter together in the country. There he learns that the girl is the single mother of the young boy Martínek, whose father is the married tractor driver.
Dařbuján a Pandrhola (1960)
Character: bednář
A poor miner, Kuba Dařbuján, cares for his wife Markýtka and eleven children. When a newborn arrives, he seeks a godfather and, finding only Death fair to all, accepts a pact: as a doctor whom Death accompanies at the foot of a patient’s bed, he can heal; but if Death stands at the head, no cure is possible. Kuba eventually heals even a miserly brewer, violating the pact and imprisoning Death, leading to a world where no one can die and unforeseen chaos follows.
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