Solomon Chase

Personal Info

Known For

Acting

Known Credits

0.1624

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Birthday

NO DOB PROVIDED

Age

NO AGE PROVIDED

Place of Birth

NO INFO PROVIDED

Also Known As
  • Torso

Solomon Chase

Biography

NO BIOGRAPHY AVAILABLE


Credits

Panderson Heights Panderson Heights (2020) Character: Reverse Stacy (Ycats)
Colony Panderson and Reverse Stacy take watch tower knocks.
I-Be Area I-Be Area (2007) Character: Woodshop Boy 2
Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s Playhouse, and then turns them upside down and inside out to create an entirely singular video genre. In I-BE AREA, Trecartin intertwines the stories of an incredible ensemble cast to follow a day in the life of I-BE II, the rebellious clone of I-BE.
Center Jenny Center Jenny (2013) Character: Sara Source / Van Watch1 / Bob Drinks
The film focuses on the life of Jenny who has, according to many of the other characters, become too “left-of-center” while pursuing her interests.
K-CoreaINC. K (section a) K-CoreaINC. K (section a) (2009) Character: Argentinian Korea
The video revolves around an unending "meeting" - a busy, aimless meeting that goes in circles to evade a traditional narrative arc. The meeting is essentially a party, and the entire company bumps and grinds with itself everywhere from in boardrooms to airplanes. K-Corea INC. K processes ideas of automation and containment, embodied by these hyper-controlled locations and by the seemingly looping actions that take place in them. Meetings, where discrete parts of a corporate body come together to attempt to "get on the same page," display the futility of corporate unity, and of individual purpose or voice remaining intact within a corporate culture.
P.opular S.ky (section-ish) P.opular S.ky (section-ish) (2010) Character: Negative Beach / Argentinian Korea / Jimmy Wales
In P.opular S.ky (section ish), a character played by Trecartin informs us that she wants ‘to live in a world where narration is the devil’. The ability to script oneself is an inalienable right, and anything that opposes that right must be rejected.



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