Rytmus 1934 (1980)
Character: Dancer
Twenty-year-old Karel is expelled from Bata's school of work and has no choice but to make his way in his uncle Kubát's publishing business at any cost. A very drastic adaptation of the draft has fundamentally changed the whole story, which is also set in a completely different historical context. The result was a schematic and tepidly propagandistic poster.
Faunovo velmi pozdní odpoledne (1984)
Character: N/A
A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.
Tísňové volání (1986)
Character: Dancer
A dramatic patrol car weekend on the streets of Prague's city centre. Lieutenant Josef Kabát and his colleagues drive through the centre of Prague every day in a patrol car. He loves his neighbourhood more than anything and wouldn't trade it for a more comfortable life in the office or at the control room. After a citizen calls the 158 emergency line, Kabát goes to various cases, be it accidents, thefts, disturbances or assaults. In one burglarized apartment, he finds the perpetrators' broken dioptric glasses and a torn piece of leather jacket. These are exactly the kind of things worn by his 18-year-old son Pavel, who coincidentally disappeared at the same time, allegedly with friends on a cottage holiday. However, Kabát has no time to deal with his family problems: there are too many thieves and shady characters roaming the streets of Prague. The worst of them are a couple of young men who have just raped and murdered an innocent girl...
Prodavač humoru (1984)
Character: N/A
The honest and a bit naive director of a variety agency, Jožin Petránek, sits on the qualification committee that judges entertainers and performers of all kinds. The man firmly rejects any favouritism. But at work and at home, he's in for nothing but trouble. The rejected "artists" protest, and Jožin's wife Anna would like to promote her friend's daughter into show business. His new secretary Zuzana starts to seduce him. Petranek finally succumbs to the French chansonnier Madelaine. But Zuzana calls Mrs. Petrankova and she drives her husband away from the table and the bed. Eventually, Jozhin loses his position as director and becomes an ordinary stage recruiter. Now the real showbiz hype is just beginning for him...
„Babičky dobíjejte přesně!“ (1984)
Character: N/A
A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!
Den pro mou lásku (1977)
Character: N/A
The sore and tender hearts of a young couple with a toddler are explored in this drama. The little girl, four years old, is not aware that she is doing anything distressing while she ambles about the house on the day after a post-examination celebration by her father, a university student. Even though hung over, he tries hard to be patient with her. The beginning of the story follows her on her little adventures. The girl comes down with a fever, which kills her before anything can be done, and the student and his photographer wife mourn and comfort one another. Little encounters with children cause the mother pain she is seldom free of, until she gives birth to their next child, a son.
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