|
Cuando los hijos se pierden (1963)
Character: Silvia
Young woman's parents don't supervise her activities closely enough; she ends up going to a beatnik nightclub and dancing the twist and getting raped.
|
|
|
|
|
|
|
|
|
Los siete proscritos (1969)
Character: N/A
A motley crew of seven outlaws are pressed into service to defend a town from marauding Apaches, then two of them are appointed co-Sheriffs. Also some stuff about hunting for a lost treasure.
|
|
|
Las golfas (1969)
Character: Mariana
A gaggle of sex-workers face everyday problems and gradually find their way back to respectable wife-and mother-hood.
|
|
|
Fray Don Juan (1970)
Character: Caridad la de Camagüey
A Dominican friar finds himself wrapped in tangled skirts because he is mistaken for his twin brother, a womanizer.
|
|
|
Machuchal: Agente 0 (1966)
Character: Margot
Machuchal as a federal agent. He presents his humorous adventures and exploits in the city of New York as Agent 0. The film is an extremely mild spoof of James Bondish-spy films.
|
|
|
|
|
Los astronautas (1964)
Character: N/A
Viruta and Capulina are recruited by a group of Venusian space women to serve as an example of ideal males for their planet, much to the dismay of the men of Venus and the fiendish Martians.
|
|
|
Alias El Alacrán (1963)
Character: N/A
Itinerant gunslinger poses as local gal's fiance to protect her from an itinerant blackhat.
|
|
|
Los Hijos de Satanás (1972)
Character: Cantina Owner
Two sworn enemies must put aside their differences and join forces to catch a gang of thieves led by a woman called "The Yara". They must fight to save their village from the bandits and do everything necessary to prevent The Yara from controlling their destinies.
|
|
|
|
|
|
|
|
|
Gavilán o paloma (1985)
Character: Kiki Herrera
A musical biopic about José José that turns his rise to stardom into a portrait of fame, desire, and their intimate fractures.
|
|
|
|
|
Campeón del barrio (1964)
Character: Amante de Óscar
A young man eagerly prepares for triumph as a boxer in a neighborhood gym with the firm intention of escaping poverty to marry his girlfriend, who sings in a nightclub.
|
|
|
La mano que aprieta (1966)
Character: Anna
Two wrestling stars must investigate strange deaths and a secret criminal organization led by a madman who becomes invisible.
|
|
|
La Venganza de las Mujeres Vampiro (1970)
Character: Countess Mayra
The vampire women of Mexico have awakened to take their revenge on the descendant of the man who destroyed them shortly after they had emigrated to Mexico during the 19th century.
|
|
|
Yo soy muy macho (1953)
Character: Mercedes
To help her pilot brother, Maria disguises as a man to take his place, and must live in the jungle with a very "macho" captain, eventually falling in love.
|
|
|
Noche de muerte (1975)
Character: Mabel
Someone who wears a blue mask, is squat and has giant hands are killing people and stealing jewelry and money. The witnesses are afraid to talk, despite the detective understands that the clues point to his friend Blue Demon. This is actually an evil plan hatched by the Count and a fighter called ' The Cossack ', taking revenge on Blue. In both the real Blue Demon campaign starts with his secretary and a detective to unravel the mystery.
|
|
|
Quinto patio (1970)
Character: Gloria
Ramon is a guy who lives in a neighborhood, in the " fifth courtyard " in urban poverty. Nevertheless, aspires to the love of the daughter of his employer, a woman of another social class.
|
|
|
Doctor Satán (1966)
Character: Luisa
Dr. Satan, a mad scientist and sorceror, plans to take over the world. In order to do so, he wakes up three zombie slaves from the dead and attempts to make a deal with the devil. He sends his zombie servants to do harm to anyone who stands in his way. Will anyone be able to stop him?
|
|
|
|
|
|
|
La Bandida (1963)
Character: N/A
During a lull in the Mexican Revolution when Francisco Madero became president and attempted to implement land reforms, two former revolutionaries are pitted against each other for the love of the same woman.
|
|
|
The Candy Man (1969)
Character: Greta Hansen
An American actress travels to Mexico to make a movie and brings her daughter with her. Upon arriving in Mexico, she is spotted by a drug dealer who also heads a kidnapping ring. He plants one of his drug-addicted "customers" with the actress as her nanny in order to be kidnap the child for ransom, but things don't work out as planned.
|
|
|
Santo contra hombres infernales (1961)
Character: Irma
Agent Joaquin recalls his latest mission while lying wounded in an ambulance: Joaquin has infiltrated into a band of smugglers. When the villains learn the truth about him, they kidnap Jouqin's fiancee. Santo comes to her rescue and fights the band.
|
|
|
Entrega Inmediata (1963)
Character: Carlota
Immediate delivery recounts the misadventures of Feliciano Callosum (Cantinflas), a postman who is recruited by the secret counterintelligence service (called XU-777 secret agency), and must uncover an international conspiracy.
|
|
|
Santo contra la hija de Frankenstein (1972)
Character: Dr. Freda Frankenstein
Dr. Frankenstein and her assistant, Dr. Yanco, are going to bring one of their experiments to life in Santo Vs. Frankenstein's Daughter. She intends to use a monster named Ursus to do her evil bidding. Using a youth serum to retain their vitality, the doctors set their sights upon none other than El Santo. They need his super human blood to regenerate a stronger youth serum. They kidnap Santo's goddaughter, Norma and lure him into Dr. Frankenstein's lab where he is captured and enslaved. Will Santo make it out alive?
|
|
|
Los desenfrenados (1960)
Character: N/A
Two gormless truckdrivers vs five teenaged girls running away from boarding school.
|
|