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Pecado (1962)
Character: N/A
Scheming and double-crosses as an old man and his doxy go to Guatemala to retrieve a stolen treasure that he hid there in years past.
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Carita de cielo (1947)
Character: Dr Enrique Conde
A young woman is brought before a prosecutor after stealing food. She is defended by Julio, a university professor who decides to exhibit her as an example in his class on the theory of theft. Then he hires her as a housemaid. Her face and charms won’t only save her family from serious quandaries; they will also inspire the professor’s love.
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Burlada (1951)
Character: Marinero Italiano
Fancy gentleman uses his charms to exploit a bunch of women.
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Amor y pecado (1956)
Character: Don Carlos
A dramatic encounter between passionate love and fraternal love. Two brothers fall in love with the same woman, played by the beautiful dancer Ninón Sevilla, an orphan they rescued during their childhood. Though she loves only one of them, she decides to give up her happiness rather than destroying the reason of the other she doesn't love.
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Maternidad imposible (1955)
Character: N/A
Mother and child are separated during the Spanish Civil War. Believing the mother to be dead, the child is sent to a refugee orphanage in Mexico, then adopted. Meanwhile, Mama recovers from her injuries, and...
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Mulata (1954)
Character: Esposo de Rosario
In the port of Havana, two biracial children, Mateo (Ricardo Román) and Caridad (Ninón Sevilla) grow up together. She is the daughter of a white man who died in a shipwreck and of a black laundress of African origin. Over the years, Mateo falls for Caridad, but she doesn't love him back because she has fallen for a Mexican captain, Martin (Pedro Armendáriz), who she happened to meet at the port. The captain also fell in love with Caridad and proposes that they live together and she accepts. Caridad works in a cabaret in the port and the owner, Guevara (René Cardona), feels an attraction for the girl, and in a moment of jealousy, tries to kill Martin. Martin falls into financial trouble and has to mortgage his boat to Guevara. When Martin returns to Veracruz, Mexico, Guevara feels that he's the new owner of Caridad.
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La fuerza del deseo (1955)
Character: N/A
Wicked girl uses nude modeling as a way to seduce a wealthy painter into marriage, while still trying to keep an artschool stud piece on the side.
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Que idiotas son los hombres (1951)
Character: N/A
After divorcing her cheating husband, a newly single still and beautiful woman, (played by Actress Rosa Carmina), travels to Acapulco. She soon becomes the center of attention and spoiled for choice when she finds herself wooed by no less than four handsome suitors, three of whom are very wealthy and prominent men. Initially torn between her head and her heart, but mindful of past mistakes, Carmina's character chooses love over money and picks a humble and hard-working waiter. Directed by Juan Orol, (Carmina's soon-to-be ex-husband in real-life), this drama features the long, drawn-out scenes and shadowy film noir techniques which he became well- known for.
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Espiritismo (1962)
Character: Guillermo
Satan gives a woman three wishes in this version of the classic tale, "The Monkey's Paw."
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Los pistoleros (1962)
Character: N/A
The Jiménez brothers and their allies lead an operation to combat a gang of criminals who have the region under a regime of terror. The bloody confrontations begin to produce the first fatalities.
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Por qué peca la mujer (1952)
Character: Don Cefe
Working-class girl-next--door type is seduced into a high-glam lifestyle when an oily promoter helps launch her as a nightclub singer; she throws over her decent-simple-guy boyfriend and loses her moral compass.
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El infierno de los pobres (1951)
Character: N/A
A young woman becomes pregnant but when his boyfriend leaves her she gets a job as a prostitute in order to provide for her child.
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Coqueta (1949)
Character: The Doctor
Blind nightclub pianist takes in a young singer/entertainer when she hits bottom... but once she gets stable and starts thinking about maybe a boyfriend, his unspoken intentions start to surface.
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El deseo (1948)
Character: N/A
Two sisters; one's an invalid. They fall in love with the same man.
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Pasiones tormentosas (1946)
Character: Sacerdote
In a small tropical town, two sisters fight over the love of a young man named José. Fabiola is a noble woman but Sandra will do anything to get him, including witchcraft.
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Plazos traicioneros (1958)
Character: N/A
A down in his luck film director falls in love with an attractive waitress and decides to launch her as a big singing star. Once the goal is reached, the girl runs away and becomes involved with a gangster who leads her into prostitution.
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Las luchadoras contra el médico asesino (1963)
Character: Boris
A mad scientist terrorizes a city by kidnapping young women with his ape-man Gomar and then using them as subjects in sadistic brain transplant experiments. A female wrestler whose sister was one of the victims swears vengeance against the Mad Doctor.
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A media luz (1947)
Character: Inspector
Tango singer exploits the women in his life. Learns a valuable life-lesson.
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Los muertos hablan (1935)
Character: Cugat
Professor Jiménez believes the human retina retains the image of the last thing a person sees before death. Only his student Eduardo stands by him in the face of widespread mockery. Together they will try and prove the professors theory but fate has a unpleasant way of helping them do this.
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Canto a mi tierra (1938)
Character: Mario Arévalo
Theatrical producers discover a new musical-theatre star in a small farming town.
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El moderno Barba Azul (1946)
Character: N/A
An American soldier (Keaton) during World War II escapes from an airplane crash over the Pacific Ocean. He arrives on a beach believing he has landed in Japan, but he is actually in Mexico. He wanders into a fishing village and is arrested under the mistaken belief that he is a wanted serial killer. Keaton and another prisoner are put in the custody of an scientist who is planning to launch a manned rocket into outer space. The two prisoners, along with the scientist’s assistant, are blasted into space but their craft lands in an isolated portion of Mexico instead. They mistake a beekeeper wearing protective headgear as an alien, while the beekeeper believes the trio (who are wearing wizard robes) are escaped lunatics. The prisoners and the scientist’s assistant are apprehended by the local police, and the matter is quickly settled. The film is notable both as Keaton’s only Mexican production and as the last time Keaton had star billing in a feature film.
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Santo en Anónimo Mortal (1975)
Character: Landeros
Men are turning up dead after receiving anonymous threats that include the date of their deaths. The latest person to receive one of these threats decides to call Santo the crime fighting wrestler for help. Santo must solve the mystery of the men's murders and confront a gang of Nazis operating in Mexico City.
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El Mago (1949)
Character: (uncredited)
A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.
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Muñecos infernales (1961)
Character: Luis
Four men are cursed by a voodoo priest for stealing a sacred idol from his temple. Soon a band of murderous "doll men" are after the men and their families.
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El vampiro y el sexo (1969)
Character: Professor Soler
El vampire y el sexy (or Santo in the Treasure of Dracula in its censored version) is a 1968 Mexican film starring El Santo and directed by René Cardona. The Vampire and Sex was filmed as the adult version of Santo in the Treasure of Dracula. While the censored family version was distributed in 1969, the uncensored version was not shown to the public until 2011 when it was discovered.
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Señora Tentación (1948)
Character: N/A
Famous singer hires a pianist/songwriter on the strength of his compositions, then seduces him away from his fiancee and from the paths of righteousness in general.
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El hombre que logró ser invisible (1958)
Character: Don Ramón Cifuentes
A man is sentenced to prison for a murder he did not commit. Thanks to a serum invented by his brother, he manages to become invisible and escape from prison in order to prove his innocence, while his brother works feverishly to find an antidote. Theatrically released in USA in Spanish language only; later English-dubbed version syndicated directly to television.
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Santo y Blue Demon vs Dracula y el Hombre Lobo (1973)
Character: Prof. Luis Cristaldi
After facing defeat at the hands of Cristaldi the magician, Dracula is back to seek revenge and rule the world. With the help of Wolfman and his legion of followers, victory seems eminent. Professor Cristaldi, a descendant of the magician, is warned about Dracula's plans and calls upon El Santo and Blue Demon in the hopes that they can put the infamous Count and the werewolf down for good.
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La Momia Azteca (1957)
Character: Dr. Sepúlveda
A scientist discovers through hypnosis a mummy who watches over the jewels of an Aztec god for all eternity.
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Cinco rostros de mujer (1947)
Character: Ugo Brunelli
"The great love of his life" happened five times; one of those women just wrote him a letter. Which one will it be?
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Perdida (1950)
Character: Comandante
Her stepfather rapes her and she runs away to home. After that, she's exploited by a series of men, and...
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Face of the Screaming Werewolf (1964)
Character: Old Scientist
Experimenting in hypnotic regression to past lives, Dr. Edmund Redding of the Cowan Institute in Pasadena has discovered that Ann Taylor is a reincarnated Aztec woman. Via her recovered memories, she is able to lead Redding and his associates to a hidden chamber in the Great Pyramid of Yucatan, where they hope to find the lost treasure of the Aztecs. Instead, they find two mummified bodies - one of a modern man, quite dead, and the other of an ancient Aztec, quite alive. They are able to return safely to Pasadena with both finds, but a rival professor, Janney, kills Redding and steals the body of the modern man-mummy. This he subjects to a resurrection experiment, which works - only the mummy proves to be a werewolf. Two supernatural menaces roam the city that night. This film is composed of footage from two unrelated Mexican horror movies, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new footage shot in the U.S. by Jerry Warren.
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El bombero atómico (1952)
Character: Silverio
Cantinflas is a clumsy fireman, who one day receives the visit of his little goddaughter, whose mother recently died in the jungle. After having work in a few fires, Cantinflas decided to quit and become a policeman, because is less dangerous. Everything goes well until a gang of gangsters kidnap the girl, because of a monetary inheritance.
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Bala Perdida (1960)
Character: N/A
Daniel is let out of jail for his mothers funeral. During his furlough he kidnaps his son and takes him to a movie set where a western is being shot.
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Entrega Inmediata (1963)
Character: (uncredited)
Immediate delivery recounts the misadventures of Feliciano Callosum (Cantinflas), a postman who is recruited by the secret counterintelligence service (called XU-777 secret agency), and must uncover an international conspiracy.
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Las Mujeres Panteras (1967)
Character: Prof. Rafael Petra Santa
The Panther women are worshipers of Satan and perform rituals in their honor and sacrifice. The fighters will face them up and down the ring.
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Santo y Blue Demon contra el doctor Frankenstein (1974)
Character: N/A
Innocent women are being kidnapped and used as guinea pigs for a brain transplant experiment. The diabolical Dr. Frankenstein continues his quest to perfect his brain transplant operation to bring back his deceased wife at any cost - even if it means playing with the lives of others. El Santo and Blue Demon are called in to help when their friend Alicia becomes Dr. Frankenstein's next target. It'll take both heroes to go up against the dastardly doctor and go mano a mano with his super strong zombie Golem.
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Santo en el museo de cera (1963)
Character: Police Chief
El Santo, the masked Mexican wrestler, investigates a series of kidnappings. He discovers that the mysterious Doctor Caroll is using the victims as part of his experiments to develop an army of monsters. Naturally, El Santo is able to overcome them all - with wrestling!
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Ni de aquí, ni de allá (1988)
Character: Tata
This Mexican comedy stars La India Maria, who drives the FBI crazy because they cannot figure out whether she belongs here or there.
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Aventurera (1950)
Character: Pacomio Rodríguez
Left alone after her mother runs off with another man and her father kills himself, Elena attempts to make a new life for herself in a new city. Believing he's a friend, Elena goes to dinner with "Pretty Boy" Lucio, but he drugs her champagne and sells her to Rosaura, who runs a brothel out of her nightclub. Elena becomes a sensation as a dancer, but all the while she nurtures plans of revenge against those who have conspired against her.
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Attack of the Mayan Mummy (1964)
Character: Chairman of Scientific Society
A scientist hypnotically regresses a woman to a previous life, a Mayan princess, who leads him to a secret tomb where the princess was buried - and the mummy of an ancient warrior, cursed to live after death and guard the treasure buried with her. Edited by Jerry Warren from the Mexican horror film LA MOMIA AZTECA, and following its general plot but with 36 minutes of new, American-made footage added and English narration in lieu of dubbed dialogue for the Mexican footage.
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La maldición de la momia azteca (1957)
Character: Dr. Sepúlveda
The evil Dr. Krupp, once again trying to get possession of the Aztec princess Xochitl's jewels, hypnotizes her current reincarnation, Flor, to get her to reveal the jewels' location - Xochitl's tomb. Confusion reigns as Krupp and his thugs are opposed by Flor's lover, Dr. Almada, his assistant, and wrestling superhero, El Angel. Krupp finally meets his match, however, when he comes up against Popoca, the warrior mummy who guards Xochitl's tomb.
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Los confines (1987)
Character: Sacerdote
Mix magical universe of Juan Rulfo, in which Juan Preciado, "Pedro Paramo", located incestuous siblings "Talpa" while Juvencio Nava, of "Diles que no me maten", flee several men who pursue for killing Colonel Terrones.
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