|
El lobo blanco (1962)
Character: N/A
A new sheriff rids his town of bandits and puts everything in order.
|
|
|
El Jorobado (1943)
Character: N/A
Historical drama/swashbuckler: Spain during the Inquisition.
|
|
|
|
|
El gran mentiroso (1953)
Character: N/A
A respectable, married gent has made up a passel of stories to cover for his fifteen years of frequent pleasure trips to the city. One weekend, one of his city friends meets his daughter in her home town and all his lies and cover stories start unraveling.
|
|
|
|
|
|
|
El túnel 6 (1955)
Character: N/A
Engineering crew excavating a tunnel through a mountain, are trapped by a landslide.
|
|
|
|
|
Anacleto se divorcia (1950)
Character: N/A
Anacleto and Baldomira are a couple who have problems because of gossip from their compadre who wants Baldomira. The marriage is separated for a short time because they realize that they love each other.
|
|
|
Kermesse (1959)
Character: N/A
Four young couples cement their primary relationships during the town fair.
|
|
|
|
|
|
|
Cain y Abel (1954)
Character: N/A
Bohemian husband and strait-laced wife get divorced; each takes custody of one son. Twenty years later...
|
|
|
|
|
Los inocentes (1961)
Character: N/A
Three party-animal cowboys are hired by a dying man to bring his daughter to meet him.
|
|
|
|
|
Juan Polainas (1960)
Character: N/A
Pathetic shmuck loser tries to rival his twin brother's exploits in the Mexican Revolution.
|
|
|
|
|
|
|
Los solterones (1953)
Character: N/A
Pop, Bro and Sis all take a vow never to (re)marry after Mom walks out on them.
|
|
|
Una piedra en el zapato (1956)
Character: Capitán Cuellar
Police procedural: some detail pertaining to a murder case is nagging at the back of a detective's mind "like having a stone in his shoe." Once he teases it to the surface, he solves the case.
|
|
|
Los tres vivales (1958)
Character: Don Andrés Malo
The rowdiest guy in each of three states hears rumors about the badassness of the other two and they all set out to meet each other. Comical complications.
|
|
|
He matado a un hombre (1964)
Character: N/A
A mature woman looks for a judge to hand over after having murdered a man and recounts everything that happened. Sequel to "Historia de un canalla".
|
|
|
Cuernos debajo de la cama (1969)
Character: General Don Lupe Palomares
A woman has several lovers, her husband discovers her with one of them, and both men are mistaken for robbers.
|
|
|
|
Pueblo en armas (1959)
Character: N/A
Appointed by the dictator Huerta, a local official tries to use his authority to pressure a young woman into marrying him. Meanwhile, counter-revolution is brewing.
|
|
|
Mujeres sin mañana (1951)
Character: Don Ángel Serrano
Loosely-plotted melodrama about five "hostesses" and the owners of a waterfront nightclub.
|
|
|
Palabras de mujer (1946)
Character: N/A
Young songwriter falls in love with a singer he writes for... but her jealous manager fucks up both their lives.
|
|
|
Tío de mi vida (1952)
Character: N/A
Hard-partying college student wants his parents to think he's a serious and respectable young man, so Uncle Felipe pays all his bills and takes the blame for his misdeeds and wildnesses.
|
|
|
|
|
Fiesta en el corazón (1958)
Character: N/A
Spoiled rich kid from a cattle ranch is pretending to study at university so he can hang out in the city and live large... until his family forces him to straighten up his act; he moves back to the ranch, accompanied with some urban-fauna hangers-on,, a-a-a-and...
|
|
|
Yo... el aventurero (1959)
Character: N/A
A crew of happy ne'er do wells comes to town to gamble and party during the town fair... but then their leader gets serious about a local girl and about finding the rustlers who are stealing all of her daddy's horses.
|
|
|
|
|
|
|
Las coronelas (1959)
Character: N/A
Two young women 'forced' to masquerade as soldiers in military troop.
|
|
|
Los miserables (1943)
Character: N/A
Police officer makes life hell for an ex-convict. Based on that novel.
|
|
|
|
|
La casa de la zorra (1945)
Character: N/A
The owner of an illegal gambling casino witnesses all the problems in the life of her dissolute son and finally acts in a way that'll help him rehabilitate himself.
|
|
|
La dama del alba (1950)
Character: N/A
Family rescues a woman from the river nearby where their daughter committed suicide years before. Unresolved mysteries. And meanwhile, there's a mysterious woman in black who shows up at the hacienda just before somebody dies.
|
|
|
La hija del penal (1949)
Character: N/A
A young woman who was born and grew up on an island prison-colony decides to move to the island and try life in the real world. Romance, bad luck and astonishing coincidences wait in her path.
|
|
|
Hay un niño en su futuro (1952)
Character: N/A
Wacky rich woman subjects her husband, servants and friends to a series of elaborate masquerades, remodeling her house and wardrobe every couple of days to represent different historical eras or cultural milieux. Today she's Marie Antoinette, tomorrow she may be Pancho Villa's common-law wife or a nun.
|
|
|
Las Leandras (1961)
Character: N/A
Mistaken identity farce; theatre troupe moves into a rental mansion in order to convince someone that it's a finishing school for young ladies... but the site used to be an expensive brothel, and a former customer turns up at just the wrong moment. Wacky complications!
|
|
|
Nos lleva la tristeza (1965)
Character: N/A
Love in bloom between two ranching families: boy A and girl B, boy B and girl A, the surviving grandparent of each family, their elderly man-baby house stewards, and the prize racehorse from each family all end up pairing off together. Transitory problems, inevitable happy solutions.
|
|
|
Ocho hombres y una mujer (1946)
Character: N/A
Eight shipwrecked men do the Robinson Crusoe thing on an uninhabited island... and then they're joined by an aviatrix whose plane conks out in their airspace.
|
|
|
|
|
Doña Clarines (1951)
Character: N/A
Aging wastrel wants to have his sister declared incompetent so he can take control of her estate.
|
|
|
Impaciencia del corazón (1960)
Character: N/A
Young army officer gets involved with two sisters; one of them's a chronic invalid and her family has protected and sheltered her from all possible harm with such smothering care that she's a spoiled, petulant bag of temper tantrums. She forms a big ol' crush on the dashing lieutenant, and everyone involved goes completely nuts and makes an infinite number of bad decisions in the wake of her pouting and her crying jags and her passive-aggressive crap.
|
|
|
A la sombra del puente (1948)
Character: N/A
In this Mexican version of Winterset (inspired by the 20s Sacco Vanzetti case) an idealistic youth searches for the culprit behind a crime that his father was wrongly accused of several years before.
|
|
|
|
|
The Mighty Jungle (1964)
Character: N/A
A South American expedition is in search of fortune thought to be hidden in an Lost Aztec city. While trudging through the jungles the main character in the story becomes detached from the group. He develops a fever and in a desperate attempt to cool his fever, he gorges himself on some jungle fruit.
|
|
|
Pecadora (1947)
Character: N/A
Prostitution and drug-smuggling in Mexico City and Cd. Juarez.
|
|
|
Celos (1936)
Character: Andrés, médico (uncredited)
Story about the rocky relationship between an engaged couple after the husband-to-be discovers a picture of his fiancée with an old boyfriend. He becomes consumed with jealousy and attempts to find out as many details as possible about her life before they met.
|
|
|
La entrega (1954)
Character: N/A
Empire-building philanthropist has no time to indulge his wife's romantic fantasies.
|
|
|
|
|
La mujer que yo amé (1950)
Character: N/A
A musician is injured and threatened for defending a girl and decides to go to the capital, where fame and success achieved. She is glad to know that he has succeeded, however, has become a street prostitute prone to paralysis. Finally one day he takes courage and decides to look for, since it has become invalid again ...
|
|
|
|
|
Cuando los hijos se van (1969)
Character: Don Ernesto
Federico announces that his dream is to become a great singer; his father does not take it well and gradually distances himself from him. Federico is forced to leave his beautiful home after being accused of theft.
|
|
|
Mis hijos! (1944)
Character: Doctor Ramón Camacho
An endless series of disasters separates a mother from her children. It takes her over twenty years to find her way back to the bosom of her family.
|
|
|
Paloma herida (1963)
Character: Juez Justo
Paloma is a young blonde indigenous woman who arrives in a coastal town and goes to the local cantina to murder Danilo Zeta in cold blood. But the young woman is captured and, upon being tried in the public square of Puerto San José, she refuses to speak. In prison, after giving birth to a child, Judge Justo and her wife Amalia encourage her to tell them her past.
|
|
|
La mujer X (1955)
Character: N/A
A woman accused of murder refuses to defend herself in any way, in order to avoid tarnishing the family name and the reputation of her long-lost son.
|
|
|
Las puertas del presidio (1949)
Character: Don Servando Rojas
Unscrupulous boss frames an employee for a robbery so he can make time with the guy's sister.
|
|
|
Pueblo quieto (1955)
Character: N/A
Son of a first family returns to his home town, reconciles with his pops, pitches woo at the young lady from another First Family and gets rampy with his rival for her affections.
|
|
|
|
|
|
|
Me gustan valentones! (1959)
Character: N/A
While seeking to protect themselves from the aggressions of "Pantaleon" and other men, a landowner marries a Mexican American newcomer. But to his surprise, the man seems to be as brave as her and try to humiliate him constantly until he decides to give out your real identity.
|
|
|
El Ceniciento (1952)
Character: padrino
Valentin reaches Mexico City to stay with his countrymen Marcelo and Sirenia, parents of thirteen children. Marcelo gladly serves Valentin until he realizes that he is poor and throws him out of the house. By a suggestion Sirenia, Marcelo employs Valentin as a servant and exploits it mercilessly. But with the help of Andres, the fate of Valentin takes an unexpected turn.
|
|
|
|
|
|
|
|
|
|
|
Un hombre peligroso (1965)
Character: Father Gil
Sequel to El Zurdo: ten years later, El Zurdo returns to his home town. The little boy whose father he killed in part one has grown up, and still wants revenge... but doesn't recognize him. Meanwhile, his ex-girlfriend, now a widow, needs help protecting her property and her person from the predatory owner of a neighboring ranch.
|
|
|
La razón de la culpa (1943)
Character: N/A
Roberto on a journey to Mexico knows to Maria de La Paz, a woman older than he, who falls in love, she also has feelings for him, but doesn't give him hopes cause she is married. Fate reunites them without imagine it, they will have to face a moral dilemma.
|
|
|
Tormenta en la cumbre (1943)
Character: N/A
Young couple weather a marital crisis while older people who have already given up on life interfere from the sidelines.
|
|
|
Azahares para tu boda (1950)
Character: Sr. Cabrera
During the time of the Mexican Revolution, the eldest daughter of a conservative family must respect the decision of her parents, and follow the traditions of using the wedding flowers her mother used.
|
|
|
El amor llegó a Jalisco (1963)
Character: Padre Benito
In a small Mexican town, two rival groups clash over water irrigation rights. While the local priest attempts to mediate, his nieces charm the landowners' sons to force a peaceful resolution.
|
|
|
Las rosas del milagro (1960)
Character: Gran Sacerdote
Before the Spanish Conquest, an Aztec princess does the Romeo and Juliet thing with the Prince of a neighboring tribe. Sixty years later, a colonized subject has visions of the Virgin Mary.
|
|
|
El zurdo (1965)
Character: Padre Gil
Professional gambler is made responsible for the upbringing of an orphan whose father he killed.
|
|
|
La mano de Dios (1966)
Character: N/A
A dead man's brother tracks his murderer down, years later, and intercedes to prevent him from taking over a young woman's farm.
|
|
|
Negro es mi color (1951)
Character: Doctor
Negro Es Mi Color (literally translates to "Black Is My Color"), the 1951 Tito Davison Mexican racial musical melodrama (about a light-skinned Mexican woman with dark-skinned parents who passes as "white"; a Mexican version of "Imitation of Life")
|
|
|
Una carta de amor (1943)
Character: Coronel Arturo Gonzalon
Moments before he will be executed by the French Intervention Army, the liberal leader reads a love letter by his girlfriend. His memories provide the poetic pictures of this romantic historical drama.
|
|
|
Vuelta al paraíso (1960)
Character: N/A
All men who arrive on a small island fall in love with the daughters of an old fisherman who live there.
|
|
|
|
|
|
|
|
|
Las dos galleras (1964)
Character: N/A
Two tough Mexican ladies avenge their father when he is set-up and shot during a cockfight.
|
|
|
|
|
Me ha besado un hombre (1944)
Character: Doctor Villar
Spanish refugee could only get across the border using fake documents that belonged to her brother and now she's stuck with the male identity...
|
|
|
Conquistador de la luna (1960)
Character: Don Abundio
Called to the home of a scientist to deal with a simple electrical problem, bumbling electrician Bartolo finds himself aboard a rocket headed for the moon!
|
|
|
En la mitad del mundo (1964)
Character: N/A
Mexican-Ecuadorian film from 1964, originally titled: ‘The Misadventures of Don Ventura’. A musical comedy created in the style of traditional classic Hollywood cinema of the 1950s, with the purpose of promoting Ecuador to the world through an idyllic vision of the country that erased economic, political and social conflicts, while offering its national and international viewers the idea of a harmonious nation in the process of modernization.
|
|
|
Si quiero (1967)
Character: Antonio López
Newlyweds find married life to be challenging.
|
|
|
Un gallo en corral ajeno (1952)
Character: Atilano
A wealthy sculptor takes in a thief as a servant on her ranch, hoping to reshape him, but their situation is disrupted when she discovers a major robbery has taken place on her estate.
|
|
|
|
|
Angélica (1952)
Character: Inspector Gutiérrez
An italian woman scapes from de WWII to Mexico where her uncle lives. She gets trapped in a brothel threatened to be involved in a crime that she was innocent. Meanwhile, she finds her true love who ignores where she lived and worked.
|
|
|
Los dos apóstoles (1966)
Character: Don Serapio
Two boys and two girls hook up at the big festival in a neighboring town. Once they get back home they have to deal with their families' plans for them, which may not include their new sweethearts.
|
|
|
Las viudas del cha-cha-cha (1955)
Character: N/A
Two married couples' lives are disrupted when the husbands disappear while on vacation. When the men are reported dead, the two women start a dance band... And then...
|
|
|
Dos corazones y un tango (1942)
Character: N/A
An Argentine arrives in Mexico and finds his vocation in music, succeeding as a tango singer. At the same time, he tries to conquer a capricious Mexican, who at first seems distant, slapping him, but she ends up kissing him.
|
|
|
Bello amanecer (1964)
Character: N/A
The spectacular beauty of María awakens the most hot and crazy passions among all the men of the island, including Jorge and Roberto. The two fishermen will vie for her love, by any means necessary.
|
|
|
|
|
Secreto profesional (1955)
Character: Dr. Eduardo Brenes
A film that tells how a woman who suffered blackmail her entire life kills a man. Her lawyer falls in love with her and does everything possible to uncover the truth, even though it is a professional secret that will make him lose everything.
|
|
|
Yo pecador (1959)
Character: N/A
Biopic of a 1930s operatic tenor who ended up becoming a Franciscan monk and joining the priesthood.
|
|
|
Al Diablo Las Mujeres (1955)
Character: Don Serapio Muéganos
Small-town elects a female mayor. She suppresses all the time-honored masculine pastimes, and the men rebel.
|
|
|
Serenata en Acapulco (1951)
Character: Don Aurelio del Valle, gerente hotel
Three broke-ass promoters ingratiate themselves with the owners of a hotel aand a rich guest, all with an eye toward putting on a show.
|
|
|
|
|
Crisol (1967)
Character: Don Froylán
Hired killer is contracted to do a hit... against his better judgement.
|
|
|
|
|
Crimen en la alcoba (1946)
Character: Marcos Ortega
A man's on trial for murder; a friend who could prove his innocence chooses not to come forward. An interested detective starts working to discover the how-come of all of that.
|
|
|
|
|
El monstruo de los volcanes (1963)
Character: Dr. Moctezuma
A yeti-like monster is stalking the mountains of rural Mexico, sometimes displaying the powers of hypnosis. It ultimately plays a part in destroying two shady characters.
|
|
|
Dos caras tiene el destino (1952)
Character: Tio Hipólito
Ruined alcoholic doctor escapes a tropical plague and begins a new life back in civilization, taking over the identity of a dead man.
|
|
|
Atrás de las nubes (1962)
Character: Papá de Eloísa
All it says in my notes is "Like 'Juan Sin Miedo', only with soldiers." So... Army officer seeks revenge for... something...
|
|
|
Soy puro mexicano (1942)
Character: Osoruki Kamasuri
Band of outlaws stumble across an espionage ring of Axis agents embedded in an out-of-the-way hacienda.
|
|
|
|
|
|
|
La mano que aprieta (1966)
Character: Professor Resnik
Two wrestling stars must investigate strange deaths and a secret criminal organization led by a madman who becomes invisible.
|
|
|
El río de las ánimas (1964)
Character: N/A
Traveling lawman comes to town and schools the residents in collective farming practices. There's also a bad guy with a lot of money who's cut off the water supply to the area's farmers, and the soul of a murder victim that manifests as a flying fireball.
|
|
|
La escondida (1956)
Character: General Nemesio Garza
Amid the Mexican Revolution, a woman rises from the depths of poverty and becomes a courtesan who is much-sought-after by high-society men, but she cannot forget her love for a rebel leader.
|
|
|
Los Tres Mosqueteros (1942)
Character: Athos
Cantinflas and three friends return a stolen necklace to an actress who invites them to be extras at Clasa studios. While on the set, he falls asleep and dreams that he is d'Artagnan, fighting on behalf of Queen Anne.
|
|
|
Retorno a la Juventud (1954)
Character: Cinocéfalo
An old professor in love with one of his students is rejected by her because of his advanced age. He then sells his soul in return for youth and a chance at love but things don't go as he planned.
|
|
|
¡A volar, joven! (1947)
Character: Don Lupe Chávez
Cantinflas is a private in the military, who doesn't know anything about discipline or following rules. He only wants to think about his girlfriend, the maid in an opulent hacienda. The owner of the hacienda has an ugly and shy daughter, who is in love with Cantinflas. The problems arrive when the family arranges a wedding between the ugly girl and Cantinflas, who in order to avoid the commitment gets himself arrested. During his punishment, Cantinflas learns to fly with a silly and poorly trained flight instructor.
|
|
|
El criado malcriado (1969)
Character: General Fernando Reyes
Man hiding from the police is trapped into posing as a butler at a rich family's country estate.
|
|
|
María Montecristo (1951)
Character: Doctor Segura
Rich woman manouevres in secret to restore her dead father's good reputation.
|
|
|
|
|
Sensualidad (1951)
Character: Martínez
A saloon singer is released from prison after being convicted on a prostitution charge. She plans to blackmail the judge from her case by seducing him, but after she grows close to the judge she has a change of heart.
|
|
|
Un Rincón Cerca del Cielo (1952)
Character: Chema Pérez
On reaching the capital, Pedro Gonzalez gets a lowly job and marries Margaret. After losing that job, get a new one as a bodyguard but is fired again. With so much poverty and despair Pedro believes that his only way out is suicide.
|
|
|
Doña Bárbara (1943)
Character: Lorenzo Barquero
A woman hardened by her past now runs a ranch she acquired through manipulation and bribery.
|
|
|
|
|
Tizoc (1957)
Character: Fray Bernardo
An Indian arouses envy for his expertise in hunting animals without ruining their skins, for his wisdom and his kindness.
|
|
|
|
|
La oveja negra (1949)
Character: Uncle Laureano
The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.
|
|
|
Historia de un gran amor (1942)
Character: Vitriolo
Manuel leaves town leaving Soledad in deep sadness. After several years of absence, the young man returns to find Soledad married to Antonio. However, the woman continues to be in love with him and both are determined to consummate their love.
|
|
|
Del rancho a la televisión (1953)
Character: Mr. Pancho
A young man goes to the capital to prove himself as an opera singer, after being rejected he must find other means to achieve fame
|
|
|
Reportaje (1953)
Character: Party guest
Reporters compete for cash prize awarded for biggest scoop on New Year's Eve.
|
|
|
Sombrero (1953)
Character: Little Doctor
Mexican love stories follow a dying man, a bullfighter's sister and lovers from feuding villages.
|
|
|
La fièvre monte à El Pao (1959)
Character: Le président Carlos Barreiro
After Caribbean despot Mariano Vargas is murdered at the hands of his enraged populace, his secretary Ramón Vázquez takes not just control but also Vargas' widow Inés, with whom he's been having an affair. Special military unit leader Alejandro Gual arrives to overthrow Vázquez by turning the people and Inés against him.
|
|
|
Romeo y Julieta (1943)
Character: Capulet
Verona's peace is disturbed by the rivalry between noble families: the Montesco and the Capuleto, irreconcilable enemies. The two families have continued fighting to make life unbearable in the Italian town. The Prince of Verona informs the chiefs that the two families respond with their lives if there are new struggles. At a ball in honor of Juliet, the daughter of Capuleto, incidentally meets Romeo, son of Montesco. Both fall in love immediately, not knowing that their love is impossible.
|
|
|
Como perros y gatos (1969)
Character: Don Carlos
Rosita and Carlos, two young people who deeply detest each other, despite their parents determination to marry them off to unite their fortunes. Noticing their constant rivalry, the parents feign animosity to try and force the couple to fall in love.
|
|
|
Los hijos de María Morales (1952)
Character: Don Carlos Salvatierra
Two brothers known in town for their womanizing, drinking and rowdiness meet their matches when two girls who like them decide to tame the two machos.
|
|
|
Canaima (1945)
Character: Conde Giaffaro
College-educated emigre has to get macho when he returns home to the Venezuelan outback.
|
|
|
Las Aventuras de Pito Perez (1957)
Character: Señor del Rincon
After a long absence, a man returns to his village and recounts all his adventures with a touch of nostalgia.
|
|
|
|
|
La sospechosa (1955)
Character: Lic. Isidro Noriega
After a trip to Europe, Regina de Alba comes home and finds out her mother is nowhere to be found. When her step-father's criminal past becomes known, her suspicions increase.
|
|
|
Llévame en tus brazos (1954)
Character: Don Pedro
To pay off her father's debts, Rita leaves her humble fishing village in Yucatan and gets exploited by several men, including a married politician who turns her into a big dancing star.
|
|
|
La Bandida (1963)
Character: N/A
During a lull in the Mexican Revolution when Francisco Madero became president and attempted to implement land reforms, two former revolutionaries are pitted against each other for the love of the same woman.
|
|
|
El Vizconde de Montecristo (1954)
Character: Don Facundo Farias
Inocencio Dante, the intendant of a bank, where the director Don Miguel and their children; Marga who spends money without control, Polo who spent on gambling, have defrauded the bank with eight hundred thousand pesos, have agreed to coax "Chencho" and make it appear as responsible for the theft. In prison, "Chencho" knows Don Facundo Farias to whom he talks about his sorrows, Don Facundo happens to be the leader of the gang that stole twenty million pesos and is the only survivor who knows the place where the money is buried. After a fight, "Chencho" is put into a cell for defending Don Facundo, he in gratitude and before dying from pneumonia advises how to escape and where to find the money.later Inocencio In the style of Count of Monte Cristo flees giving a positive spin into his life. Pleasant moments alive with sparkling, funny and comical adventures of the Viscount of Montecristo.
|
|
|
El rapto (1954)
Character: Don Cástulo
In a small Mexican village the news shock neighbors, Ricardo Alfaro, a wealthy local rancher has disappeared without a trace. Taking advantage of the circumstance, Aurora Campos, a strong woman with overwhelming beauty, convinces the authorities to sell her the property in exchange for twelve thousand dollars. Soon after, when Ricardo suddenly reappears, a real battle is about to begin.
|
|
|
Un día con el Diablo (1945)
Character: El diablo, El polïcia
Cantinflas, on a drunken night, becomes Army soldier. Soon, he meets the Devil who tries to make it an evil being.
|
|
|
Un extraño en la escalera (1955)
Character: Anciano
Based on Ladislas Fodor's "Stranger on the Stairs". A loved triangle composed by a cynical entrepreneur, a loan manager, and a seductive secretary will lead to a criminal plot in Cuba.
|
|
|
Si yo fuera diputado (1952)
Character: Tío Juan
Cantinflas is a unique barber, who trades with an elderly neighbor, a lawyer by profession, laws lessons in exchange for haircuts and shaved. It proposes advice to defend in court the disadvantaged neighborhood. His success deputy seeks the votes as the other candidate, Don Próculo, it is not accepted by anyone but his own bodyguards. Don Próculo will use know how much ruse to win the election by the Council, and also for the love of 'Sarita'
|
|
|
El puma (1959)
Character: N/A
Son of a ranching family returns home after studying in the city for a law degree. He sides with the peons in a labor dispute and his father disowns him; he sets up a law office in another town. First of three movies in a masked-avenger series.
|
|
|
|
|
Rateros último modelo (1965)
Character: N/A
Singing duo waiting for their big break, committing petty crimes to get by. Adopting a baby and meeting a priest's niece are civilizing influences.
|
|
|
Miguel Strogoff (1944)
Character: Jolivet
A Russian courier has to deliver a message from the Czar to the Grand Duke across enemy lines. He encounters many colorful characters along the way.
|
|
|
Damiana... y los hombres (1967)
Character: N/A
Damiana, a girl who has grown up with her grandmother and a friend, is discovered by photographer and launched as supermodel.
|
|
|
El gran calavera (1949)
Character: Ladislao de la Mata
Portrayal of a family’s attempt to change the spending habit of the indulgent and hedonistic patriarch, Alfredo. The family decides to try to fool him into spending less by telling him that his large fortune is gone.
|
|
|
El día de las madres (1969)
Character: N/A
Three interwoven stories about generational conflicts beween single mothers and their adolescent/adult children.
|
|
|
¿Por qué nací mujer? (1970)
Character: Don Teodoro
A family gathers to celebrate Mother's Day, that day a woman discuss many problems about her woman condition; husband, children and grandchildren will hear she tired and overwhelmed silenced by submission and obedience. Analysis of the family and gender roles.
|
|
|
El Bruto (1953)
Character: Andrés Cabrera
A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.
|
|
|
Sobre las Olas (1950)
Character: Marcial Morales
The life of the musician Juventino Rosas, who despite his talent lived an existence of misfortune and poverty.
|
|
|
Tlayucan (1962)
Character: Don Tomás Cruz
Desperate because of his son's illness, the peasant Eufemio steals a pearl from the image of Santa Lucía in the village church.
|
|
