|
Cristo 70 (1970)
Character: Don Fulgencio
Running from the law, young crooks hole up in a small town... and get hooked into performing in the town's Passion Play.
|
|
|
|
|
|
|
|
|
Cómicos y canciones (1960)
Character: Mr. Fong
Reporter/photographer team have risen to their level of incompetence at their newspaper.
|
|
|
Nunca me hagan eso (1957)
Character: N/A
Blowhard's mouth runs away with him and he's trapped into having to prove that he knows Maria Antonieta Pons, the big movie star and stuff.
|
|
|
|
|
Mi adorada Clementina (1953)
Character: N/A
A woman in an unhappy marriage trades places with her grandmother's ghost; Grandma whupps the girl's husband into line AND proves to her own husband that she was innocent of the infidelity that he was suspecting when she died, fifty years earlier.
|
|
|
|
|
Las amiguitas de los ricos (1968)
Character: N/A
On Christmas Eve, Santa Claus engineers a miracle that will rehabilitate three kept women into orthodox 'decency' and marriage.
|
|
|
Las coronelas (1959)
Character: N/A
Two young women 'forced' to masquerade as soldiers in military troop.
|
|
|
|
|
Manos arriba (1958)
Character: N/A
A tailor is mistaken for the leader of an agricultural union and gets tangled up in a price-fixing conspiracy.
|
|
|
Los huéspedes de La Marquesa (1951)
Character: Aguillón
In the "Marquesa boarding house" lives a group of eclectic artists. They're trying to mount an spectacle to earn some money and pay their debt with the owner. At the same time arrives at the house a young car driver with a great voice, and a pretty model and dancer, who could help them and maybe fall in love between each other.
|
|
|
Cuando Regrese Mamá (1961)
Character: Pancho
A family of six children are orphaned on Christmas Eve and struggle through a year without parental support.
|
|
|
El juicio de Martín Cortés (1974)
Character: Fray Pedro de Gante
A politically-themed stage play provokes a murder. Police detective walks the cast through a reenactment of their performance as a way of investigating the crime.
|
|
|
El gallero (1948)
Character: N/A
In Michoacan in the 1920s, Gabriel, a young farmer and champion cockfighter, finds himself in violent opposition to Roman, who not only wants to beat Gabriel's fighting cock, but to steal Gabriel's wife Rosa.
|
|
|
|
|
Los santos reyes (1959)
Character: N/A
Three criminals break out of jail and head for a town where they've hidden their steals.
|
|
|
La flecha envenenada (1957)
Character: N/A
A young orphan girl is attacked by Apaches and must pay her father's debts, as she may be stripped of her lands.
|
|
|
El Grito De La Muerte (1959)
Character: Coyote Loco
A cowboy and his sidekick meet a ranching family that is haunted by spirits and vampires.
|
|
|
|
|
La marca del muerto (1961)
Character: Capellán
Mad scientist brings his dead mad scientist grandfather back to life and makes a Frankenstein-type monster out of him.
|
|
|
Variedades de medianoche (1960)
Character: N/A
Two unknown performers try to break into television. Meanwhile, a guy that calls himself 'El Vengador' is doing a Phantom of the Opera number on the studio executives...
|
|
|
Había una vez un marido (1953)
Character: Betin
Due to confusion, Rafael is believed responsible for the death of Teresa. His wife Lilia and his brother looking for the real culprits.
|
|
|
La sombra vengadora (1956)
Character: Eduardo Mendoza
An evil mastermind, known as La mano negra, attempts to steal a formula that creates synthetic drugs but a masked avenger known as La sombra will do anything to stop him.
|
|
|
|
|
Un rincón cerca del cielo (1952)
Character: Repartidor (uncredited)
An honest man emigrates to the capital in search of a better life, but ends up mired in extreme poverty along with his family; forced to overcome tragedy and despair to find, even in misery, a glimmer of hope.
|
|
|
El inocente (1956)
Character: Amigo mecánico de Cruci
After a quarrel with her boyfriend on New Year's Eve, Mane drives her car from Mexico City to Cuernavaca to meet her parents in their country house. The car breaks down in the highway and Mane has to ask for help. Mechanic Cruci arrives and, after testing the car, offers Mane a ride on his motorcycle. Back in Mane's house, she invites him some drinks to celebrate New Year's Eve. They get drunk and, the morning after, Mane's parents arrive and find them sleeping together. Not knowing what happened, Mane and Cruci are forced to get married against their will.
|
|
|
Amor de locura (1953)
Character: Don Filiberto
Slapstick/musical comedy parody of historical dramas, send-up of "Locura de amor," about Queen Juana 'la loca' of Spain.
|
|
|
|
|
|
|
El futbolista fenómeno (1979)
Character: N/A
A beer seller is kidnapped by martians, who give him special powers to become a super football player.
|
|
|
Guitarras de medianoche (1958)
Character: N/A
Wealthy land-owner poses as a bandit, robbing only his own properties, to get the romantic attention of a woman who lives down the road.
|
|
|
Una bala es mi testigo (1960)
Character: N/A
Cowboy goes to track down the man who murdered his brother, but it turns out to be someone other than the one he was looking for. Together, they set things straight and take care of the real murderer.
|
|
|
Los legionarios (1958)
Character: N/A
AWOL from French Foreign Legion and hiding in a Prince's harem, clowns get mixed up in palace intrigues
|
|
|
El sexo fuerte (1946)
Character: N/A
Two men are shipwrecked and arrive in the Kingdom of Eden, where the women control all the power.
|
|
|
Los diablos del terror (1959)
Character: Coyote loco
A federal policeman arrives in a town ravaged by a cult of hooded men who leave a satanic face on their victims.
|
|
|
Casi Casados (1961)
Character: N/A
A poor mechanic is conned into taking the place of a wealthy business magnate so the rich man can take off to work on some major wheeling and dealing. Sure enough, the impostor is trapped in a series of circumstances beyond his control that lead him right to the altar. Once he is wed -- or rather, once the rich businessman is unknowingly wed by proxy, the tycoon returns from his trip with the subsequent surprises in store for all concerned.
|
|
|
Gitana Tenias Que Ser (1953)
Character: Chalío
Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.
|
|
|
El ministro y yo (1976)
Character: Sr. Alcalino Buenrostro
Mateo Melgarejo is a notary public and scribe for the illiterate people of Santo Domingo, a neighborhood north of Mexico City's Zócalo. A squatter friend asks for his help in negotiating with the land census bureau to regularize a land title. After a great deal of frustration with the government bureaucracy, he writes a letter to the cabinet minister, earning an audience with him. The minister hires Melgarejo to reform the bureau, and the appointee proceeds to lecture the officials on their duties in a democratic society. At the end, he gives up the post, returning to Santo Domingo to help its poor residents.
|
|
|
A sablazo limpio (1958)
Character: El Gobernador
Two clownish incompetents get mixed up in power struggles between state officials.
|
|