Carlos Ancira

Personal Info

Known For

Acting

Known Credits

1.016

Gender

Male

Birthday

20-Aug-1929

Age

(95 years old)

Place of Birth

Mexico City, Mexico

Also Known As
  • Carlos Ancira Negrete

Carlos Ancira

Biography

He began his professional studies at the Escuela de Arte Teatral del Instituto Nacional de Bellas Artes (INBA), in 1946, under the teachings of Clementina Otero, Enrique Ruelas, Earl Senett and Seki Sano. He excelled as an actor in numerous plays: Waiting for Godot, by Samuel Beckett; Poor People, by Dostoyevsky; The Diary of a Madman, by Gogol; with which he achieved a memorable dramatization and more than two thousand performances for nearly twenty-five years. He received awards and distinctions, among them, that of actor emeritus of the Moscow Academy of Theater and Performing Arts for his performance in The Diary of a Madman. Carlos Ancira Negrete, actor and playwright, was one of the initiators of the "Theater of the Absurd" in the 1960s. His interest focuses on the values of a dehumanized society and the loneliness of the individual, thus reflecting the moral and psychological conflicts of a central character to whom the author gave all the dramatic force through the monologue, one of his most successful resources, which in turn led to a theatrical representation in which the essence of the work itself and the performer could be seen with greater effect, above the theatrical or scenographic space. He left unfinished a book he was preparing on his theatrical technique, and other plays unpublished. Interested in all expressions of dramatic art, he participated in some two thousand television programs, in 50 cinematographic films, in innumerable radio broadcasts and in dubbing and photonovelas. For 30 years he taught at the Instituto Nacional de Bellas Artes, the Academia de Actores and other teaching centers. In the theater he was an author, adaptor, director and fundamentally an actor. His plays include: Nezahualcóyotl (1951), Después... nada (1954), Imágenes (1973), Pasto rojo, El mundo vacío and Cangrejos (not yet premiered). With Gonzalo Martínez, he composed a 120-episode telenovela based on the life and work of Dostoevsky. He adapted for the stage a novel by Dostoevsky, another by Andreiev and several short stories by Chekhov and directed plays by these authors and by Armando Moock, Ugo Betti, Eugene O'Neill and Jesús R. Guerrero. His repertoire as an actor included some 300 plays. Married to actress Karina Duprez, he died in 1987 of a chronic illness.


Credits

Los salvajes Los salvajes (1958) Character: Pepeto
Pedro, a wealthy Mexican landowner, is convinced he can get everything he wants with money and arrogance.
Jesús, nuestro Señor Jesús, nuestro Señor (1971) Character: Caifás
Third movie in "Life of Christ" trilogy.
La entrega de Chucho el Roto La entrega de Chucho el Roto (1962) Character: N/A
Gentleman swindler runs cleverly-orchestrated scams. Four of four in a series.
El pandillero El pandillero (1959) Character: N/A
Gangsters kidnap the writer of a crime-drama radio program to plot their heists for them.
Tú, yo, nosotros Tú, yo, nosotros (1972) Character: Carlos
Three interwoven stories where the characters experience deception, passion, love and rejection.
Muñeca reina Muñeca reina (1972) Character: N/A
A man becomes more and more infatuated with his childhood sweetheart leading to a haunting encounter with horror.
La Alacrana La Alacrana (1986) Character: Don Eliseo Mendieta
Those involved in the making of an amateur porn video end up getting slashed to death with a cane sword. It's up to the brave policewoman Eugenia aka The Scorpion (Maribel Guardia) to stop him.
Del suelo no paso Del suelo no paso (1959) Character: Bandido
Poetic-type dude gets mixed up with gangsters, a millionaire's dog and some stolen jewels.
El hambre nuestra de cada día El hambre nuestra de cada día (1960) Character: Quique
Trophy wife of a crooked industrialist meets a philanthropic doctor and develops a social conscience. Mexican remake of Born Yesterday.
El grito de la muerte El grito de la muerte (1959) Character: Felipe
A cowboy and his sidekick meet a ranching family that is haunted by spirits and vampires.
Orlak, el infierno de Frankenstein Orlak, el infierno de Frankenstein (1960) Character: Eric
A mad scientist creates a remote-controlled monster and sends it to terrorize the city.
Kid Tabaco Kid Tabaco (1955) Character: N/A
Tony Ray is not enough to impress Diana thus decides to become a boxer. At last he can have it all: money and feel worthy enough to propose.
La furia del ring La furia del ring (1961) Character: N/A
Wrestling melodrama.
Pánico Pánico (1972) Character: (segment "Angustia")
Three tales of horror, isolation and insanity set in Mexico.
Cinco en la cárcel Cinco en la cárcel (1968) Character: N/A
Five criminals are arrested after a bank-robbery. One escapes, and the police officer in charge of transporting them arrests a new person at random to cover up for his negligence.
Jesús, María y José Jesús, María y José (1972) Character: Caifás
The founder of Christianity and his sacred family.
La señora Muerte La señora Muerte (1969) Character: Laor
A mad scientist teams with an evil, disfigured woman to kidnap and operate on young women to make her look beautiful again.
Alerta, alta tension Alerta, alta tension (1969) Character: Cero
After a criminal gang kidnaps a scientist with valuable information about nuclear weapons, an undercover agent named Jorge Rubio tries to infiltrate this gang in order to deal with the situation. The gang, however, quickly unmasks Rubio and uses both brainwashing and torture techniques on him. They also create a clone of Rubio, thus setting up a show-down battle between the two look-alikes.
Misterios de la magia negra Misterios de la magia negra (1958) Character: Kerobal
Six hundred year old witch butts heads with a scholar over the possession of a rare ancient grimoire and then discovers that his daughter's fiance is the reincarnation of her first boyfriend.
La sangre enemiga La sangre enemiga (1971) Character: Dimas, the Blind Musician
A group of people suffering from mental retardation, blindness and physical malformations work in a traveling circus.
Todo por nada Todo por nada (1969) Character: Almacenista
Gunfighters kill all family members of farmer brothers Mario and Fernando Almada, after the tragic event, they seek revenge.
La sangre de Nostradamus La sangre de Nostradamus (1961) Character: Police Chief
Vampire hunters track down a vampire and attempt to steal the ashes from his coffin in order to stop him from reviving nightly.
Santo el enmascarado de plata y Blue Demon contra los monstruos Santo el enmascarado de plata y Blue Demon contra los monstruos (1970) Character: Bruno Halder
Bruno Halder a sinister scientist seeking revenge against his brother and niece is resurrected by Waldo his faithful sidekick. Besides his minions of zombies Halder enlists the help of Wolfman, Franquestain, a Vampire, a Mummy and a Cyclops. Once again the survival of mankind is put in the hands of Santo
La Bandida La Bandida (1963) Character: Cliente burdel
During a lull in the Mexican Revolution when Francisco Madero became president and attempted to implement land reforms, two former revolutionaries are pitted against each other for the love of the same woman.
Fando y Lis Fando y Lis (1970) Character: Narrator
Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.
El hombre de papel El hombre de papel (1963) Character: Comisario
A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away.
Los diablos del terror Los diablos del terror (1959) Character: N/A
An adventure thriller directed by Fernando Méndez.
Santo en la venganza de la momia Santo en la venganza de la momia (1971) Character: Prof. Jiménez
When Santo accompanies a troupe of archaeologists in the search for Aztec artifacts, they find the Mummy of an Aztec who leaves a warning to those who tamper with his resting place. The adventurers ignore the warning, and before long, the Mummy starts bumping them off one-by-one with his bow & arrow.
Misterios de ultratumba Misterios de ultratumba (1959) Character: Elmer, the orderly
Two doctors make a pact in which they swear that the first to die will return - if possible - to tell the other how to get a glimpse of the afterlife while still alive.



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