|
Pierre et Paul (1969)
Character: Levasseur
Pierre is a middle-aged factory worker with plenty of unresolved anger. After his father's death, his mother feels compelled to move in with him. Having just moved there with his beautiful girlfriend, he begins to feel the pressure. When the May Day revolt begins, he goes crazy.
|
|
|
|
|
Romy Schneider, étrange étrangère (2002)
Character: Self
Star at 17 years with the series of Sissi, Romy Schneider leaves Austria and glory for the love of Alain Delon. From Luchino Visconti to Otto Preminger, through Zulawski and Costa Gravas, she turned with the greatest. The directors interview those who knew her, who loved her, go back to the filming locations, make archive images speak for themselves... and try to detect the part of mystery that Romy Schneider conceals for ever.
|
|
|
Mon beau-frère a tué ma sœur (1986)
Character: l'interviewer TV
Two members of the French Academy agree to help the attractive young veterinarian Esther investigate the suspicious death of her sister. Esther is convinced her brother-in-law is responsible, but soon it becomes apparent that those responsible are linked to the very highest echelons of power in the Vatican.
|
|
|
Le Voleur de crimes (1969)
Character: Bartender
A man witnesses a suicide and starts imagining that it was a murder committed by himself.
|
|
|
L'Italien des Roses (1973)
Character: Henry, Paule's husband
This thoughtful French film tells of the events leading to a young man's attempt at suicide. As Raymond (Richard Bohringer) sits on a ledge of his apartment building, and people try to talk him back inside, he remembers the events of his day and his life before this moment. Things seemed to be going along well enough until something triggered his revulsion at the pettiness and falseness that is the everyday currency of life.
|
|
|
L.627 (1992)
Character: Father of the Bride
In Paris, Lulu, a passionate policeman, works with the faith of a rookie, despite the sclerotic bureaucracy and the incompetence or negligence of some of his colleagues. In his new position as a narcotics inspector, he tries to keep his sanity as he witnesses the worst of the human condition.
|
|
|
Les Idoles (1968)
Character: Pécuchet
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
|
|
|
Zanzibar (1989)
Character: Director Marshal
In this "inside look" at French filmmaking, Marechal - who is a has-been director - a producer, Vito Catene and Camile Dor, a big-name actress, have agreed to make a film about drugs, but don't have a story, financing, or any of the other elements needed to make it. This doesn't stop them; they cobble together the financing and begin shooting anyway. The producer is very fond of the leading actress, and when she gets hooked on drugs for real in the course of shooting what he feels to be a farcical imitation of a film, he gives up his shares in the film and heads off for the back of beyond (Zanzibar) to lick his wounds. To add insult to injury, the film winds up being a critical and commercial success.
|
|
|
L'horizon (1967)
Character: Max (uncredited)
Antonin is a young French soldier who returns home from World War I to recover from his wounds. When he falls in love with a young widow, Antonin questions his role in battle and contemplates desertion as he recalls the horrors of war. He is pressured by his patriotic father to honor his military commitment even if it means he will die.
|
|
|
Le Jeu avec le feu (1975)
Character: The leader of the kidnappers (uncredited)
A banker hires a seedy detective to find his daughter and keep her safe from kidnappers.
|
|
