Heloísa Teixeira

Personal Info

Known For

Acting

Known Credits

0.7093

Gender

Female

Birthday

26-Jul-1939

Age

(87 years old)

Place of Birth

Ribeirão Preto, São Paulo, Brazil

Also Known As
  • Heloísa Buarque de Hollanda

Heloísa Teixeira

Biography

Heloísa Teixeira (Ribeirão Preto, July 26, 1939 – Rio de Janeiro, March 28, 2025), long known as Heloísa Buarque de Hollanda, was an essayist, writer, editor, and literary critic.


Credits

O Pessoal é Político O Pessoal é Político (2017) Character: Self
Documentary about the second feminist wave in Brazil.
Um Filme para Beatrice Um Filme para Beatrice (2024) Character: Self
‘How are women doing in Brazil?’. It is this intriguing question, posed by an Italian journalist, that Helena Solberg tries to answer through elements of her films, from the 1960s to the present day. Along the way, encounters with figures such as Heloisa Teixeira, Rita von Hunty and Helena Vieira illuminate some of the cracks in this broad debate.
O Nascimento de H. Teixeira O Nascimento de H. Teixeira (2024) Character: Self
Documentary-poetic record of the birth of the persona Heloísa Teixeira, conducted through the lens of an 85-year-old woman who remains in tune, promoting and revealing a diverse Brazil.
Bruta Aventura em Versos Bruta Aventura em Versos (2011) Character: N/A
Documentary about the brazilian poetess Ana Cristina Cesar, icon of the Mimeógrafo Generation and "Poesia Marginal", books like A Teus Pés, her aspirations, her life e her creative proccess. Artists, friends and researches remembers the poetess.
Helô Helô (2023) Character: Self
Considered one of the main Brazilian intellectuals, Heloisa Buarque de Hollanda — a member of the Brazilian Academy of Letters — left important marks on national thought and continues to be, at 84 years old, an active voice on the country's cultural and behavioral issues. The documentary sheds light on the trajectory of this icon who has always been at the forefront, serving as an antenna and beacon for cultural and social movements that are to come, while delving into Heloisa's intimacy thanks to the access of her eldest son, director Lula Buarque de Hollanda.
A Escrita Delas A Escrita Delas (2025) Character: Self
Documentary investigates female authorship in literature and whether writing can be defined by gender.
Macunaíma Macunaíma (1969) Character: N/A
Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.
Dunas do Barato Dunas do Barato (2017) Character: Self
A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.
Por onde anda Makunaíma? Por onde anda Makunaíma? (2020) Character: Herself
Searching for Makunaima is a cultural and historical account of the most Brazilian character there is in fiction. The film begins with Makunaima, one of the founding myths of the native people from the border between Brazil-Venezuela-Guiana, first captured in the writings of the German ethnographer Koch-Grünberg at the beginning of the 1910s. With interviews in Portuguese, German, Spanish, and in the indigenous languages Macuxi and Taurepang, Searching for Macunaima reclaims this amazing character who represents Brazil in many ways (from literature to cinema to theatre) and remains relevant to date.
Fio do Afeto Fio do Afeto (2022) Character: Self
Thousands of Brazilian women have contributed to the fight against the Covid-19 pandemic thanks to a solidarity network of mask making and donations. Eight women seamstresses - quilombolas, indigenous, riverside, and peripheral - reveal how they came together to survive, ensure income generation and food security for their families, filling gaps left by the State.



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