Keiji Aoyama

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Keiji Aoyama

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日本橋 (1956) Character: N/A
Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

警視庁物語　聞き込み (1960) Character: N/A
An elderly woman, Ume Matsumoto, informed the First Investigation Department that her son Hirasaka, who runs a shoe store, had disappeared. The detectives had a bad feeling which hit the mark, an unidentified drowned body is identified as Hirasaka. Some prime real estate he owned was also mysteriously sold. Suspecting that this is a planned murder and fearing the escape of the criminal, the Department begins to investigate secretly, without creating an investigation headquarters.

夜の蝶 (1957) Character: Hitomi
A traditional bar mistress in Kyoto clashes with her Tokyo rival.

Keiji Aoyama

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Keiji Aoyama

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