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Missione Wiesenthal (1967)
Character: Anne Marie Mistelbach
TV film based on the search for the nazi Adolf Eichmann by Simon Wiesenthal.
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Testa in Giù... Gambe in Aria (1972)
Character: N/A
A serial killer who specialises in killing teachers is on the loose and Andrea becomes accidentally involved when he decides to lend a hand to one of the victims and catches a glimpse of the nocturnal predator.
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L'Ultimo Aereo per Venezia (1977)
Character: Irene Oro
Rome, 1977. Luciano Baccarini, married to the rich Irene Oro, is murdered at home while preparing a romantic dinner on the terrace for his lover. The investigations immediately focus on the man's private life.
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Une fille pour l'été (1960)
Character: The Foreigner
Philippe, a little known artist, has a mistress, Viviane, a woman he does not love. When he learns the bailiffs are about to seize his paintings, Philippe decides to leave alone for the French Riviera and spend, as he regularly does, comfortable and carefree holidays in the luxurious villa of his friend Paule. But, on his way, he meets Manette, a beautiful but poor girl to whom he offers to become his companion for the Summer. Manette accepts the strange deal in exchange for bed and board. As Philippe always comes in the company of his mistress of the time, the presence of Manette does not pose a problem. But the young woman soon feels ill-at-ease in such a dubious environment. moreover, she realizes that she is falling in love with Philippe, who might not be so cynical as he wants to appear.
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Il ritorno di Clint il solitario (1972)
Character: Norma Harrison
This sequel to the popular spaghetti western "Clint the Stranger" was released four years after the success of the first film and essentially uses the same plot. George Martin returns as Clint (renamed Trinity in some countries), an ex-gunslinger desperately wanting to be forgiven and accepted by his family that he abandoned years earlier. One major differences in the plot when compared to the first film is the addition of Klaus Kinski as a ruthless bounty hunter. The bounty hunter tracks Clint down and forces him to return to his violent ways to protect himself and his family.
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Era Sam Wallash!... lo chiamavano... E Così Sia (1971)
Character: Marge
Sam is wounded by the Mash Flanigan gang who enters a saloon and kills everybody in sight including his brother. Walbash chases Flanigan to Golden City for revenge, leading to the obligatory showdown. One of the clever scenes is when gunfighters Gordon Mitchell, Lincoln Tate and Peter Martell interview for jobs and are introduced with their acting names Mitchell, Tate and Martell.
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La notte dell’ultimo giorno (1973)
Character: Francesca
A film director wants to make a politically charged movie, but is hampered by his producer. At the same time, a friend of his commits suicide, and he goes insane.
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Più tardi Claire, più tardi... (1968)
Character: Nipote di George
Italy, the early 19th century. A villa is the home of a small English community, all rich and superficial people lounging about in its beautiful surroundings. Claire, George's wife, and Robert, her son, are murdered by a mysterious killer. Thinking the murderer is one of the family, distraught George devises a plan to unmask the culprit. Having met a woman, Ann, who is a dead ringer for Claire, he takes her back to the villa and announces their imminent marriage. Ann is considered an outsider and treated with contempt and hostility, while George fails to find any significant clue to the solution: everybody is to be blamed, at least morally, but the final revelation is more bitter than expected...
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I fuorilegge del matrimonio (1963)
Character: Rosanna
This film is very much a docudrama which portrays the difficulties of Italian life circa 1963 due to the absence of a divorce law. Five scenarios with different actors portray realistic situations where divorce is clearly warranted but, because marriage was strictly in the purview of the Catholic Church at that time, which strictly forbade divorce, these people are shown to suffer the consequences in their daily lives. Italy got its first civilian divorce law in 1970.
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Malombra (1974)
Character: Marina di Malombra
Malombra is a 1974 TV film directed by Raffaele Meloni and based on the novel of the same name by Antonio Fogazzaro.
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La dama rossa uccide sette volte (1972)
Character: Franziska Wildenbrück
After the death of their grandfather, two sisters inherit their family castle, which is said to be haunted by the Red Queen, whom legend says claims seven lives every hundred years. When a mysterious woman in a red cloak starts targeting their circle of friends, the sisters begin to suspect there might be some truth to the legend.
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Io, io, io... e gli altri (1966)
Character: Model
Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.
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Una bella grinta (1965)
Character: N/A
In the figure of Ettore Zambrini, a small industrialist with a dream of opening a factory overlooking the Autostrada del Sole, Montaldo offers us an effective narrative transposition of the 'animal spirits' that governed the economic boom in Italy at the time. He is a character of contradictory humanity: capable of handling business, overdue bills, trade union relations, marital betrayal, but also the passion that binds him to his wife with equal unscrupulousness.
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Sette orchidee macchiate di rosso (1972)
Character: Kathy Adams
A maniac on the loose is committing savage acts of slaughter, and one survivor may be the only key to unmasking the serial slayer known as the Half-Moon Killer. The mysterious half-moon lockets he leaves with his victims could be the only key to unraveling his sinister motives, but will that be enough before he completes his ice-cold plot to claim his intended seven victims?
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La notte che Evelyn uscì dalla tomba (1971)
Character: Gladys Cunningham
A rich, mentally-unstable man with a penchant for playing deadly S&M games with women who resemble his dead wife, sparks off a chain of bizarre events after getting remarried.
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Un uomo da bruciare (1962)
Character: Wilma
Political activist Salvatore returns to his native Sicily and stirs up trouble among the peasants, urging them to confront the Mafia and demand the right to plough their own fields. The peasants refuse to help him, and Salvatore is marked by the Mafia as a troublemaker.
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Un fiocco nero per Deborah (1974)
Character: Deborah Lagrange
A young woman with psychic powers is obsessed with having a child. Even though she is unable to conceive, her desire to do so creates a supernatural force determined to fulfill her wishes
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Sans sommation (1973)
Character: Isabelle Maury
A discredited police inspector is given a second chance, in the form of a dangerous assignment. Chosen because of his uncanny resemblance to a Lt. Revere, the inspector impersonates him in order to penetrate a group of mercenaries with orders to assassinate its leader.
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Tutti i colori del buio (1972)
Character: Mary Weil
After a car accident that caused the loss of her baby, Jane experiences an increasing amount of nightmares that shake her to her core. After seeking professional help, her haunting visions turn into an even more frightening reality, one full of black magic, blood orgies, and murder.
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I Dannati Della Terra (1969)
Character: Luciana
Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.
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Il figlio di Zorro (1973)
Character: Carmen
Zorro aids an American gun-runner in his effort to supply arms to Mexican revolutionaries in their effort to overthrow Emperor Maximillian.
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Le cameriere (1959)
Character: Venerina
Gabriella, a maid, wears a jewel at a dancing party which belongs to her mistress, and when it is stolen she is accused of the theft and sent to jail. Some other maids organize a search party for the real thief who seems to be a moustached youth who continually sings a popular song.
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Il prato macchiato di rosso (1973)
Character: Nina Genovese
Various undesirables and hippie drifters are invited to the luxury, ultra-modern country home of Dr. Antonio and his wife; when they begin to vanish, it becomes clear that something sinister — and deadly — is afoot.
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C'era una volta (1967)
Character: Olimpia Capce Latro, Princess of Altamura
A fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The King of Spain has ordered Rodrigo to choose a wife among seven Italian Princesses, but he is smitten by the lowly peasant.
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La última señora Anderson (1971)
Character: Julie Spencer
A wealthy Englishman finds his third wife dead. After the police discover that his first two wives had also died suddenly, an investigation is launched. Meanwhile, a new neighbor moves in and becomes very interested in him.
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