Ferdinand Vilím

Personal Info

Known For

Acting

Known Credits

0.1542

Gender

Male

Birthday

NO DOB PROVIDED

Age

NO AGE PROVIDED

Place of Birth

NO INFO PROVIDED

Also Known As
  • František Vilím

Ferdinand Vilím

Biography

NO BIOGRAPHY AVAILABLE


Credits

V hodine strachu... V hodine strachu... (1968) Character: N/A
The story of a man who, in a supposed struggle to save his own life and home, kills a helpless man. His victim is a Jewish doctor who is hidden by partisans in a secluded peasant home.
Niet inej cesty Niet inej cesty (1968) Character: N/A
A biographical film about the Slovak nationalist Ľudovít Štúr. It captures the revolutionary events of 1848 in Austria-Hungary, when Štúr, as a member of the Diet, led the fight for the national rights of the Slovak people.
Smrť sa volá Engelchen Smrť sa volá Engelchen (1960) Character: N/A
The television film based on the novel of the same name by Ladislav Mňaček draws on the period of World War II and the Slovak National Uprising. The film's story is composed of two intertwining time lines. In the images of the present that frame the entire narrative, the young partisan Voloďa - a hero with autobiographical features - recovers from a serious injury. In feverish reminiscences and in conversations with his nurse Eliška, he recapitulates the eventful events of his time in the partisan group in the village of Ploština, which the partisans abandoned under the pressure of events and left to the mercy of the German commando. Voloďa is haunted by visions of the burning Ploština, remorse and responsibility for the tragedy. In feverish reminiscences, he relives the meetings of the partisan detachment with the German commando. Memories of the mysterious Jewish girl Marta, a partisan liaison with whom Pavol had a passionate love affair, also return to him.
Zbehovia a pútnici Zbehovia a pútnici (1968) Character: Michal (segment "Dominika")
An apocalyptic story of three wars in three film tales encompassing the end of the WWI,WWII, as well as a vision of the world destroyed by nuclear weapons. This film was honored at the film festivals in Venice and Sorrento. Immediately after that the copy with Italian subtitles was locked in a safe as evidence of the anti-communist activities of the director, who used real footage of the Soviet invasion.



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