Bertrand Blier

Personal Info

Known For

Directing

Known Credits

0.5094

Gender

Male

Birthday

14-Mar-1939

Age

(87 years old)

Place of Birth

Boulogne-Billancourt, Seine [now Hauts-de-Seine], France

Also Known As
  • NO INFO PROVIDED

Bertrand Blier

Biography

Bertrand Blier (14 March 1939 – 20 January 2025) was a French film director and writer. His 1978 film Get Out Your Handkerchiefs won the Academy Award for Best Foreign Language Film at the 51st Academy Awards. He was the son of famous French actor Bernard Blier. His 1996 film Mon Homme was entered into the 46th Berlin International Film Festival. His 2005 film How Much Do You Love Me? was entered into the 28th Moscow International Film Festival where he won the Silver George for Best Director. A defence of Blier's work until 2000 was written by Sue Harris, Queen Mary College, London and published in 2001 by Manchester University Press. With his former wife Françoise, to whom he was married for twenty years, he had a daughter named Béatrice. He also had a son, Léonard, born 1993, with actress Anouk Grinberg. He was married to actress Farida Rahouadj, with whom he has a daughter named Leila. Source: Article "Bertrand Blier" from Wikipedia in English, licensed under CC-BY-SA 3.0.


Credits

Morceaux de Cannes Morceaux de Cannes (2021) Character: N/A
We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.
İçinden Şehir Geçen Festival İçinden Şehir Geçen Festival (2007) Character: Self
A City Runs Through the Festival is an anatomy of the Festival through the eyes of its own audience.
A Look Through His Lens A Look Through His Lens (2024) Character: Self
Oscar-winning cinematographer Philippe Rousselot offers a master class in image making, with insightful examples from his work on Diva, Hope and Glory, A River Runs Through It, Dangerous Liaisons, Interview with the Vampire and many more in this cineaste's delight.
Bertrand Blier, l'homme tout contre Bertrand Blier, l'homme tout contre (2008) Character: Self (archive)
Everyone in France knows the films of Bertrand Blier. From "Les Valseuses" (Getting it Up) to "Merci La Vie" (Thank You, Life), his work has become part of French cultural heritage. Every French adult can recall a scene or a line of dialogue from one of his films. But what about the man himself? Who exactly is behind the singular, sometimes unsettling work, which is often intentionally truculent or downright provocative?
Belmondo, itinéraire... Belmondo, itinéraire... (2011) Character: Self
Documentary on the career of Jean-Paul Belmondo.
Les Acteurs Les Acteurs (2000) Character: Bertrand Blier (uncredited)
A self-conscious and self-referential adventure into the (pretend) lives of legendary actors in Paris.
Les Pieds dans la mayonnaise : Les Irrévérencieux des années 70 Les Pieds dans la mayonnaise : Les Irrévérencieux des années 70 (2022) Character: Self - director (archive footage)
In the early 1970s, Pompidou-era France, and soon Giscard d'Estaing's France, began to break free thanks to a few irreverent figures. Daniel Prévost, Pierre Desproges, Jean Yanne, Bertrand Blier, Patrick Dewaere, Gérard Depardieu, Miou-Miou, Coluche, Michel Polac, Professor Choron, and many others: all contributed to a culture whose influence still resonates with today's comedians. This documentary delves into this bygone era that gave birth to the new French irreverence.
L'Âge d'or de la pub L'Âge d'or de la pub (2023) Character: Self (archive footage)
55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.
Le Bal des actrices Le Bal des actrices (2009) Character: Bertrand Blier
A director wants to make a documentary about actresses, all actresses: the popular ones, the unknown ones, the intellectuals, the comedians, the forgotten ones... Filming everything, with or without their consent, the director gets caught up in the game and lets herself be devoured by these women, who are as fragile as they are manipulative.
Patrick Dewaere, mon héros Patrick Dewaere, mon héros (2022) Character: Self - director
The actress Lola Dewaere recounts the film career and traumatic life of celebrated actor Patrick Dewaere, the father she never knew, under the watchful eye of director Alexandre Moix.
Marcello… Marcello… (2022) Character: Self
A documentary about Marcello Mastroianni.
Jeanne Moreau, l'affranchie Jeanne Moreau, l'affranchie (2018) Character: Self - Filmmaker (archive footage)
An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.
Le Scandale Clouzot Le Scandale Clouzot (2017) Character: Self
Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.



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