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Como México no hay dos (1945)
Character: N/A
Two farmworkers emigrate to USA to work on a Texas ranch, then go home and put their lives back in order.
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En los altos de Jalisco (1948)
Character: N/A
MexRev era -- soldier falls in love with the woman who killed his brother, then discovers her role in his back-story.
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El plagiario (1955)
Character: N/A
Gangster's daughter learns about her dad's illegalist lifestyle.
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Marina (1945)
Character: Jorge
Adaptation of a Spanish operetta about a love triangle between two fisherman and a human female.
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Ahí viene Vidal Tenorio (1949)
Character: N/A
Two military goons slaughter a young man's parents and siblings. A few years later, the same guys rape and murder his wife, then use their young son for target practice. Enough is enough.
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Música y dinero (1958)
Character: N/A
Restaurant/nightclub is sinking into bankruptcy and management team pull wacky shit to try to get back on their feet.
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El gallero (1948)
Character: N/A
In Michoacan in the 1920s, Gabriel, a young farmer and champion cockfighter, finds himself in violent opposition to Roman, who not only wants to beat Gabriel's fighting cock, but to steal Gabriel's wife Rosa.
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Rambling 'Round Radio Row #7 (1933)
Character: Himself
A radio salesman is trying to sell some gypsies a radio. But they have their easy to operate crystal ball, that even works as a TV. They show him how easy it works by listening to the doings of the Rhythm Boys, Tito Guizar, the Picken Sisters and Ann Lee, and let him try to receive a Frank Hazard program.
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The Thrill of Brazil (1946)
Character: Tito Guízar
Steve, revue producer in Rio de Janeiro, is still in love with his ex-wife Vicki, his star Linda is in love with Steve and Tito is in love with Linda. Because of this they all get small problems.
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Amapola Del Camino (1937)
Character: N/A
A young woman is forced to marry an old pharmacist, but she is in love with a young man who is leaving town
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Mis dos amores (1938)
Character: Julio
Rita Santiago's father, Don Antonio, stubbornly refuses to give permission for her to marry Julio Bertolin, a struggling medical student, because he wants his daughter to marry a rich Brazilian. Because of this, Julio leaves medical school and determines to gain wealth and position for himself by becoming a singer.
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Reclusorio (1997)
Character: Tito Iriarte (segment "Eutanasia o asesinato")
The human and divine justice are exposed through five real life stories related to the legal processes of a prison. The cases presented are: "I want to stay in jail", "Blood between women", "The raped prostitute", "The kidnapped policeman", and "Euthanasia or murder?"
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Los hijos de Rancho Grande (1956)
Character: José Francisco
Sequel to Alla en el Rancho Grande, twenty years later -- sons and daughters of the original characters go through a courtship melodrama of their own.
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¡Qué lindo es Michoacán! (1943)
Character: Ernesto
When her father dies, a young woman must go to Michoacán to take charge of her lands, where she meets a young man and they both fall in love.
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St. Louis Blues (1939)
Character: Rafael San Ramos
A Broadway musical comedy star tires of the same old grind and flees the city. She runs into the skipper of a showboat who befriends her, and they make plans to put together a musical revue. But a competing carnival owner hatches a scheme to put an end to the show before it begins.
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Brazil (1944)
Character: Miguel Soares
Brazil is perhaps the best of the handful of US films made by singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.
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The Gay Ranchero (1948)
Character: Nicci Lopez
Manzanita Springs ia a combination small airline and spa and Vance Brados wants it. He pays their mechanic to have the planes run out of fuel so his men can rob the gold shipments and kill the pilots. After Sheriff Roy Rogers catches the mechanic, Roy plans one more gold shipment to get proof and this time his men will be ready. But it looks like Roy's plan will fail when Brados suspects a trap and call off the raid.
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Allá en el Rancho Grande (1936)
Character: José Francisco Ruelas
Two good friends — the owner and general manager of a ranch — fall in love with the same girl at the same time. The owner tries to 'buy' the girl without knowing she is in love with the manager.
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El pecado de ser mujer (1955)
Character: N/A
Irresponsible playboy pop-singer gets a girl pregnant and rejects his responsibility for the baby. Ten years later, his career has tanked and he makes amends.
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Blondie Goes Latin (1941)
Character: Manuel Rodrigueu
Mr. Dithers invites the Bumsteads on a South American cruise. Somehow Dagwood winds up as the female drummer in the ship's band, while Penny Singleton gets to show off her Broadway background in some lively musical numbers.
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De México llegó el amor (1940)
Character: N/A
A young Mexican saves a mortgage from an Argentine rural owner, associating with him and falling in love with her daughter.
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Tropic Holiday (1938)
Character: Ramón
A screenwriter falls in love with a Mexican woman while searching for a story line south of the border.
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Mexicana (1945)
Character: 'Pepe' Villarreal
A Mexican crooner tries to put off fans by faking marriage to his American co-star.
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The Llano Kid (1939)
Character: Enrique Ibarra aka The Llano Kid
Lora Travers is the only person who can identify hold-up artist The Llano Kid and she persuades him to come in on a scheme with her and her husband. They have been searching for the long-lost son of a rich Mexican widow and they get the Kid to claim it is him. All goes according to plan until greed and jealousy raise their heads.
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Locos por la televisión (1958)
Character: Self
Nightclub owners try to scrape up enough money to sponsor a variety show on TV to publicize their artists and their venue.
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