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মৃতের মর্ত্যে আগমণ (1959)
Character: N/A
Biswanath or Bishu a young warm-hearted man, made a "Mukti Fauj" in Hell against Jamraj. He also planned to escape with Lolita, Heena, Rita, Ghosai babu and others. After a lot of hurdles, they managed to fly away from Hell. They came back to Earth with expectations, but unfortunately, time was changed. All of them faced some unbearable situations which really made them sad. Bishu came to know his wife got married to a wrestler. Lolita's boyfriend Montu da was busy with some other lady. All these experiences helped them realize the changing time. As a result, Bishu with his mates decided to go back to Hell. Earth was unable to give them sufficient space to live a happy life.
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চলাচল (1956)
Character: N/A
Sarama develops a close bond with her sickly classmate, Abinash, but fate takes her to Bipin and they get married. However, things turn awry when Bipin commits suicide after an irrational suspicion.
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নির্ধারিত শিল্পীর অনুপস্থিতি (1982)
Character: N/A
Nirdharita Shilpir Anupasthitite revolves around a father and daughter, who get separated and unite after a long time. However, things take a drastic turn when the daughter has problem adjusting with her father's rich background.
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কালামাটি (1958)
Character: N/A
The first film to deal with life in creches in coalmine areas.
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চিরকুমার সভা (1956)
Character: N/A
The story revolves around a group of hardened bachelors who meet regularly, and eventually settle for marriage. Purna is a newcomer to the group of bachelors at Professor Chandra Basu's house. Also attending are three other bachelors Akshay, Bipin, and Shirish. Akshay is ousted from the committee when he gets married. He suggests that all members meet at his place instead. Nirmala, the Professor's daughter also joins the crowd becoming the only female member. Purna is attracted to Nirmala and suggests marriage, which Nirmala refuses. Akshay has three sisters Shailabala a child widow, Nripabala and Nirabala. His mother is busy fixing matches for Nripabala and Nirabala. Finally, the two sisters are matched with Shirish and Bipin, while Nirmala and Purna get together.
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বড়দিদি (1957)
Character: N/A
Suren, the son of a zamindar of Bangladesh, lives his life in his own way. He takes up the private tutor job for a girl whose elder sister is Madhabi, an ill-fated widow. But after a few days, he returns to his rich family and marries. But he cannot forget Madhabi who loves him like an elder and caring sister. In the meantime, when Madhabi's sister-in-law drives her out of the house, Suren hears that and arranges to return the property to her.
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নতুন তীর্থ (1964)
Character: N/A
This story is about a poor village boy named Bhola. A cruel landlord, Rajib wants to open an alcohol factory. But the only problem is that Bhola doesn't want to give him any land.
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অপর্ণা (1972)
Character: Rekha
Aparna, the only daughter and the apple of her mother's eye is engaged at a young age to her childhood friend, Ajay. After her mother’s death, her father remarries, and her stepmother begins to mistreat her. Desperate, Aparna flees with the help of Baren, a local goon with a good heart. She stays with Baren for safety and becomes involved in his group, though she urges him to turn his life around. Baren vows to protect her. One day, Aparna meets a stranger who turns out to be Ajay, and they are reunited. Baren is eventually arrested for his crimes but ensures Aparna's safety.
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অগ্নিভ্রমর (1973)
Character: N/A
A 1973 Bengali Drama Film directed by Ajit Gangopadhyay.
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পদি পিসীর বর্মি বাক্স (1972)
Character: N/A
Khoka is a schoolboy who goes to his uncle's house, where he learns about the tales of Padi Pishi (Aunt Padi), a formidable widow. She had once gone to Khuro's house to meet him, but bandits attacked her. When Khuro got to know about it, he offered her bribes from his loot so that the news would not be public. Padi Pishi then took a precious Burmese box that was hidden in Khuro's house. Before Padi's Pishi's death, she did not reveal the hiding place to anyone except her son Goja. The entire family searched for the missing box but could not recover it. A private detective also searched for the box but could not find it. The story is about how it is finally discovered. Padi Pishir Barmi Baksha is an Indian Bengali adventure comedy film directed by Arundhati Devi. It is based on the children's novel of the same name by Leela Majumdar.
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সাগরিকা (1956)
Character: Madhabi
The all-time favourite on-screen couple of the Bengali cinema not just created many memorable romantic moments but also shattered many taboos around romance, just like in the 1956 classic ‘Sagarika’. Made by the directorial group Agragami, its story follows a young talented lad Arun (Uttam Kumar) with a big dream of studying medicine abroad and the women he comes across. Arun, after being blind for a period, finally reunites with his love and life becomes all good.
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নিশি পদ্ম (1970)
Character: N/A
Pushpa, thrown out of her house by her husband, is pushed into prostitution by someone she trusts, and has a complex relationship with an unhappily married businessman, but finally gets what she has always longed for.
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উত্তর মেঘ (1960)
Character: N/A
A 1960 Bengali Romantic Drama Film directed by Jiban Gangopadhyay, featuring Mahanayak Uttam Kumar & Supriya Devi in lead roles.
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ধন্যি মেয়ে (1971)
Character: N/A
Bogola, the captain of a football team, travels to a village to play in a tournament. There, he meets and falls in love with Monosha. The president of the local football club tries to force Monosha and Bogola to marry to keep the tournament trophy in the family. However, their love prevails, and they can marry despite the opposition.
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শশীবাবুর সংসার (1959)
Character: N/A
Sashibhushan who is the orthodox patriarch, has a tough time dealing with the youngsters who want to live life on their own.
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সখের চোর (1960)
Character: Rina (Uday's Girlfriend)
Indra catches a thief Kaanta in the night and tricks him into believing he's a famous thief himself who has made away with large sums of money in high-profile heists and thefts. Later, Indra enters a bet with his friends who bait him into pulling off a theft and he seeks Kaanta's help.
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সবার উপরে (1955)
Character: N/A
Shankar was a young lawyer in pursuit of making it big in the professional world. However, his world is turned upside down when he comes to know that his father, who he knew went missing, was in real life spending his lifetime in jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate the case and save his father. He goes to Krishnanagar in search of the people and the pieces of evidence that would help him to prove his father’s innocence. He meets Rita, a young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues, most of them which were imposed by the actual murderer. However, he solves the mystery in the end and his father is thus released from prison.
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ইন্দ্রানী (1958)
Character: Gauri
Indrani Mukherjee the only daughter of a staunch brahmin in a village studies at Kolkata and stays in a girls' hostel. She meets Sudarshan Dutta, who had a brilliant career as a student and is doing his PhD. They fall in love, and Indrani wants to get married with him as soon as possible. She goes back to her village and informs her father of her intention to get married, Indrani's father takes umbrage as Sudarshan is not a Brahmin and also unemployed. Sudarshan too warns Indrani that he won't be able to provide for her. Indrani marries Sudarshan and is tormented at Sudarshan's house by his mother and sisters in law because of several emotional strains at play. To avoid further complications at home, Indrani gets a job as a teacher in Dinajpur. One day, after a heated exchange between two people that started their journey fiercely loving and trusting one another, Sudarshan leaves Indrani and goes in search of a job elsewhere.
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সাপ মোচন (1955)
Character: N/A
Young Mahendra belongs to a family of musicians, but once the family is cursed by their teacher. Mahendra's elder brother becomes blind and to avoid the same fate he goes to Kolkata and lives in the house of his father's friend Umeshchandra. He gets romantically involved with Umeshchandra's daughter Madhuri. Madhuri tries to make Mahendra modern and pursue his musical career. Despite his good singing ability, Mahendra refuses to accept this due to his family values. He leaves their home and takes shelter in Kolkata. But the curse strikes him also and he falls seriously ill.
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চুপি চুপি আসে (1960)
Character: Kanika
A woman is murdered and a hand bill of a resort run by a young couple is found. Is the murderer headed for it? Who is next victim? All the boarders, including owners are under false name. Why? A policeman arrives, will he be able to stop?
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