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Paris-Camargue (1935)
Character: N/A
In the Camargue, the rich owner Jules Fabregoul squanders all his fortune to please his mistress, a Parisian actress with luxury tastes. But he is not the only one to be in trouble. His niece is having sentimental problems: she thinks she is being cheated on by her fiance Gérard, a music-hall artist. She takes refuge with Jules's sister, Aunt Fabregoul, the director of a home for repentant young girls. But Gérard did not make a mistake and the reconciliation takes place during the recording of a radio program.
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Ils étaient cinq permissionnaires (1945)
Character: N/A
Four French conscripts are going to go on leave with their godmother, in Provence, in the company of a comrade from the British army. But, in the absence of the godmother, the five leavers end up at a mineral water merchant.
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Péché de jeunesse (1958)
Character: La pensionnaire veuve
In a small provincial town, the boarding-house is run by Mathilde Belin, the overindulging and over-demanding mother of Paul. When she is told by her envious sister Charlotte that her son is having a secret affair with Catherine, a salesgirl, she becomes furious and starts doing everything in her power to separate the lovebirds.
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Lucrèce (1943)
Character: Housekeeper
Lucrèce, a famous actress, is bothered first, then flattered by the passionate testimonies of love given to her by François, a 12th grade student infatuated with her. Taking pity on the boy, Lucrèce decides to heal him of his madness and with this in mind she invites him for a working holiday on her farm. Instead, she falls in love with the cherub. At a time, her young lover grows so jealous of her that he attempts suicide. The mature actress then understands that their love story is going nowhere. She will remain alone while François will forget her.
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La Traversée de la Loire (1962)
Character: Lucie
June 1940, near Saumur. During the exodus, the bridges having been destroyed, a group of refugees, brought together by the chance of fleeing the advancing German troops, build a raft to cross the Loire to evacuate a sick little girl.
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Nuits de feu (1937)
Character: N/A
19th Century Russia. State prosecutor Fedor Andreiev is presiding over the trial of a man who murdered his wife's lover. Despite a robust defence from the brilliant young lawyer Serge Rostoff, the accused man is found guilty and will be deported to Siberia. Having spoken to the condemned man, Fedor Andreiev sees a disturbing parallel with his own life...
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Étrange destin (1946)
Character: War widow (uncredited)
Patrica is the wife of Alain de Saulieu, a handsome engineer. She unfortunately loses her husband, who is killed in action during a battle of the First World War. At least, this is only the official truth, for Alain is not dead. Patricia indeed recognizes him one day. But the inverse does not work the other way around: Alain has become amnesiac and he does not remember her. And worst of all, he lives in a conjugal relationship with Germaine, his dedicated nurse, who is now pregnant by him. What has the future in store then for the three (not to say four) of them?
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Dernier amour (1949)
Character: Dresser
Hélène has an affair with Alain for ten years, but does not want to divorce her husband. Alain receives one letter from a girl Michelle one day. Hélène, who is very jealous, receives that letter by chance and interprets it incorrectly.
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À nous deux, madame la vie (1937)
Character: Lucie's old concierge (uncredited)
Two bank employees like Lucie, their colleague. They steal money from the cash register to gamble. Jean wins and Paul ends up in prison for five years. When he leaves, he discovers that Jean has become a businessman and that he has married Lucie.
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La Valse blanche (1943)
Character: Jeannot's mother
Bernard Lampré, a young composer, is engaged to Hélène Madelin, a gifted intern. Jealous of Professor d'Esperel, the great surgeon she proudly assists, Bernard, goes out and wanders in the rain all night long. He catches cold, falls ill and is sent to a sanitarium. There he meets again Jacqueline, a girl who studied music with him at the Conservatoire. Learning that she is dying, Bernard decides to play the comedy of love to soften her last moments.
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Mammy (1951)
Character: Concierge
Mammy has a grandson she adores even though he is a good for nothing. One day Maurice disappears and Mammy becomes blind. When Maurice finally announces his return the fond old lady is overjoyed. Unfortunately, Maurice's plane crashes and catches fire. The young man is reported missing, presumably dead. Pierre, Mammy's husband, can't bring himself to announce such a shocking news. Desperate, he finds no other solution than subterfuge : he will ask a young couple to pass themselves off as Maurice and his girlfriend.
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Mannequins de Paris (1956)
Character: N/A
Véronique Lanier runs one of the most highly rated haute couture houses in Paris. Her first partner is her husband Pierre, who has left aside a promising artist career to design the styles which make their firm a success. The trouble is that Véronique lives only for her job and does not allow herself -and her husband for that matter - a moment's respite. In Cannes, Pierre meets Wanda, a young singer with strange, fascinating eyes. The frustrated husband falls for her but gradually realizes that the light mercurial creature cannot possibly fulfill him. Véronique, feeling miserable, understands she is on the wrong track. She promises Pierre that she will make efforts to reconcile work and married life. Véronique and Pierre will live and work together again, each one forgiving the other for their faults.
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Les femmes sont marrantes... (1958)
Character: Handmaid (uncredited)
Sentimental marivaudage between Nicole, her husband Christian, her friend Alexandre and a provincial girl, Marie-Josèphe, who marries Alexandre after arousing Nicole's jealousy.
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Annette et la dame blonde (1942)
Character: The tax controller's wife (uncredited)
Based on the short story by Georges Simenon. Annoying Annette is bent on seducing Maurice, a handsome lawyer who has his eye on a haughty American Myriam who is running after bashful Bernard. The story takes place in hotels, prisons, and music-making apartments in Cannes.
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Leguignon guérisseur (1954)
Character: La femme du bistrot
Having cured the local café owner, Diogène Leguignon becomes convinced that he is a healer and possesses the fluid. His wife sees the benefits of this gift and urges Diogene to exercise his power, particularly on a wealthy old man, M. Coq. Arlette Leguignon, however, is in love with a young doctor, who is violently opposed to her future father-in-law. Leguignon ends up condemned and, disgusted, no longer wants to look after others. When Mr. Coq dies, making him his legatee, Leguignon has to contend with the Coq family. This time, Doctor Martinet comes to his defense. The inheritance is used to build a clinic where Leguignon can carry out his experiments as a magnetizer.
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Le château de la dernière chance (1947)
Character: N/A
Rather than commit suicide, it is better to stay at the clinic of Professor Patureau-Duparc. This practitioner experiments on his clients with a serum that modifies their personality. Thus Yolande and Albert become new Romeo and Juliet. They end up marrying each other after having regained their primitive selves. Their married life is then a hell and they welcome with joy the proposal of a new injection of serum.
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La Terreur des dames (1956)
Character: N/A
Aimé Morin, a good-natured bookseller, is also one of the candidates in the local elections of his small town. He is well-liked by most but he also has political enemies. Among them is Lagarde, a journalist close to the latter. Lagarde takes advantage of Morin being on holiday in Paris to try and tarnish his reputation. His machination unfortunately works and poor Aimé finds himself mistaken for a sex maniac.
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Un trésor de femme (1953)
Character: Célestine
Francois is engaged to Isabelle. While going to buy the engagement ring, he meets Sophie, who puts the ring on her finger and does not manage to remove it. Francois follows in the footsteps of Sophie, who is married to an important merchant, in order to recover his property.
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Bonjour Toubib (1957)
Character: N/A
24 hours in the life of a humble general practitioner. A very busy life to say the least... Like every other day, Dr. Forget works from morning till dusk (and even later). He sees patients in his consulting room or visits them either on house calls or at the hospital. But is today just another day? Not quite since on this very day, Junior, Dr. Forget's son, will know if he has passed or not his exam at the faculty of medicine.
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Les gosses mènent l'enquête (1947)
Character: Godmother
When Monsieur Crauqual, the supervisor, is found hanging, all wonder why this rather rich person decided to kill himself. And when a pupil is found hanging too, François and his friends decide to investigate. They are certain there is a killer within the walls of Collège François 1er and determined to prevent him from going on running wild.
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Je suis avec toi (1943)
Character: La tante Ellen
A young woman has doubts about her husband's fidelity. She pretends a trip, but settles in a hotel where her husband must pass. He meets her and, disturbed by the one he believes to be his wife's double, becomes her lover. Little by little the truth breaks through. The husband takes leave of the mistress and returns to the wife whose return has been announced.
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L'Étrange aventure du Docteur Works (1921)
Character: N/A
A professor lecturing his class tells the strange story of a doctor's dead wife who sends her spirit to haunt and torment him and wreck his second marriage.
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Six heures à perdre (1947)
Character: Traveler
A traveller is stuck in an unknown town because his connecting train will only arrive in six hours. He decides to kill time by taking a stroll. He is not prepared to get confused with somebody else. In fact the citizens are eagerly awaiting the visit of a famous man and the clueless traveller is his doppelgänger. Soon he experiences what that means.
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Des jeunes filles dans la nuit (1943)
Character: N/A
Six young boarding girls return home unexpectedly after their college has been destroyed by fire. Their unexpected presence arouses melodramatic reactions.
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La Part de l'ombre (1945)
Character: Typist (uncredited)
A violinist passes on to his daughter three rings which represent three passions of his romantic past, and urges her to save each for men who truly deserve one.She squanders them all on one man who is undeserving.
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Pantalaskas (1960)
Character: The scared lady
An off-beat, uneven tale about a man intent on suicide and the three people who try to talk him out of it, Pantalaskas stars American Carl Studer in the title role of the morose, would-be suicide. Set in Paris and taking place over an entire night, the story has a complication in that the trio who want to prevent the suicide do not speak the man's language -- he is Lithuanian and speaks no French. So the protagonists comb the underbelly of a nighttime Paris, looking high and low but mostly low for anyone who speaks Lithuanian. Depending mainly on dialogue for its impact, the verbose drama reveals how the protagonists undergo a transformation as the night wears on.
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Impasse (1946)
Character: N/A
A student, Gabriel, comes to the aid of Gisèle, a young manicurist wrongfully arrested, by helping her escape. As a result, Gabriel must serve three months in prison. His sentence served, unable to continue his studies, he collaborates with a gang of crooks. Gisèle, in turn, will save him from this bad situation by taking him away from his overeager associates.
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Trois garçons, une fille (1948)
Character: Anna
A seemingly united family is suddenly shaken by the turmoil caused by the discovery of a letter from the father. He announces his intention to divorce. The children immediately mobilize to preserve the nest, they just manage to do so. The family building will be consolidated.
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La Route enchantée (1938)
Character: Titine Durozi, mountebank
The son of two teachers hits the road and becomes a singing success after being taken in as a protege by a kooky countess.
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Sérénade aux nuages (1946)
Character: N/A
Sylvio, a successful singer, has found a way to take a peaceful vacation, safe from his female adulators: to travel incognito. He puts up at an old castle whose landlord, Count Fabrice, a ruined nobleman, seeks a hidden treasure. Posing as the nephew of the castle gardener, Sylvio enjoys happy days and even finds the time to fall in love with Gracieuse, the count's daughter. Unfortunately for him, his impresario ends up locating him...
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La Vie chantée (1951)
Character: The handyman's wife
The cinematographic illustration of fifteen cheerful, tender or ferocious songs that made the success of the songwriter of the comedian Noël-Noël. After "Les casses pieds", "La vie chantée" stages several sketches of daily life where everyone can recognize themselves and laugh about it.
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La Revanche de Roger la Honte (1946)
Character: N/A
Roger Laroque is now a rich man. He returns to France under the name of William Farnell. There, he discovers that on the one hand his wife has died of a broken heart and on the other that his daughter Suzanne is in love with Raymond de Noirville, the son of his former mistress. With the help of a few friends, Roger coldly prepares his revenge.
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La Bonne Tisane (1958)
Character: Une malade
A gangster is back in business after a while and tries to take it back the hard way, but things don't go as well as planned. At the same time, we watch the fate of a young nurse in a hospital. Soon, the two stories meet when the gangster faces his problems.
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Le Pays sans étoiles (1946)
Character: La gouvernante (uncredited)
Simon's life is troubled by images of a crime which happened in his family a hundred years ago. While traveling in south France, he finds the landscape familiar. That's when he meets Catherine and falls in love. But her lover comes back and his strong personality attracts her again.
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Les trois valses (1938)
Character: Cloakroom attendant (uncredited)
"Les Trois Valses" traces the love story of two people over three eras. In the first waltz (music based on Johann Strauss I), Yvonne is a sensitive Parisian ballet dancer, whose romance with a dashing officer is brought to an abrupt end by his family. She goes off to Vienna to become a big star. In the second waltz, her daughter, an even bigger star, but now of Paris music halls, has a brief flirtation with the rakish man-about-town who is the son of suitor number one. She throws him over pretty quickly for a chance to shine at a Gala performance. Finally, in the third waltz, the two get together, when she is a movie star, and he is posing as an insurance salesman.
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Fils de France (1946)
Character: N/A
The crew of a tank from the 1st French army took part in the liberation of Strasbourg during the fall of 1944.
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Madame Baptiste (1974)
Character: Aunt
Blanche was raped in her adolescence by a servant, a cowherd named Baptiste. Her family, anxious to hide the shame that this scandal has cast on their reputation, locks the young girl in their manor, thinking that four walls are enough to silence the mockery. One day, Blanche, whom the whole country nicknames "Madame Baptiste", tries to commit suicide, consumed by the painful memory she carries within her. A man saves her and, charmed by the woman who now owes him her life, he asks her to marry him, thus defying the moral barriers set by public opinion. Life now seems happy for Blanche, but one day, at the agricultural show, the insult comes again: "Madame Baptiste!"...
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Bécassine (1940)
Character: N/A
A little Breton tries to save her boss's daughter an unhappy marriage.
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Mon pote le gitan (1959)
Character: N/A
The "Védrines", whose head of family is a publisher, are well established in Paris. The "Pittuiti", on the other hand, are gypsies camping out in the suburbs. Young Zita belongs to the tribe and meets Théo Védrines, the publisher's son, a wild seducer. Zita is soon forced to tell her family that she is expecting a child. A scandal for the Pittuiti family, who instruct Zita's brother to apply the law of retaliation, Bruno must in turn seduce the pleasant Gisèle Védrines. And why not? But while Théo gradually becomes an anarchist, Bruno becomes more and more embourgeoise as Védrines discovers in him a real talent for writing. Still, Bruno and Gisèle will be as happy as Théo and Zita ever were.
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La Poison (1951)
Character: Amélie, la servante du curé
Paul Braconnier and his wife Blandine only have one thing in mind: to find a way to kill each other without risk. After listening to a radio show, Paul decides to go to Paris to meet a famous lawyer in the acquittal of the murderers. He tells the lawyer that he killed his wife. The lawyer asks Paul to reconstruct the circumstances of the drama. Without knowing it, he explains, in spite of himself, the way for Paul to murder his wife by putting the odds on his side to avoid death penalty or even be released...
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Chère Louise (1972)
Character: Anna
Louise lives alone and seems to like it that way. She has been through a divorce and the recent death of her mother. Recently, she has moved to Annecy, a moderate-sized city, to take work as a schoolteacher. She encounters a much younger man, Luigi, an Italian who is down on his luck. Though he moved to France to find work, he was robbed of his money and papers and is stranded. When he helps her bury her dogs, which her neighbour has poisoned for barking, their relationship grows to a new level.
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Le Mariage de Chiffon (1942)
Character: Dressmaker (uncredited)
Odette Joyeux plays an eccentric young aristocrat called "Chiffon", who is struggling to comply with the social conventions of the community. A widow, her mother (Suzanne Dantes) would like to remarry a rich noble. Without realizing it, Chiffon is in love with her uncle, a ruined pioneer of aviation ...
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Le Voile bleu (1942)
Character: Pauline (uncredited)
In 1914, in the first months of World War I, Louise Jarraud loses her husband, killed on the front. Shortly after, she gives birth to a baby, who soon dies. Devastated by this double misfortune, Louise decides to dedicate her life to caring for the children of others. She becomes a nurse with several employers, giving her affection to little boys or girls. A widower and another man propose to her but she refuses twice determined as she is to live only for the children in her charge.
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Sénéchal le magnifique (1957)
Character: L'habilleuse (uncredited)
Sénéchal, an actor touring the provinces with the "Tournées Carlini" does not meet the success he thinks he deserves. One night in Dreux, he finds himself without his luggage and dressed up as a Foreign Legion officer, he is invited to a party thrown by a colonel. He creates a sensation there and does not leave the colonel's wife ... indifferent! Back in Paris, Sénéchal goes through a similar experience. This time around, wearing tuxedo and top hat, he gets mistaken for a diplomat and charms the guests of a wedding party. Arrested by the police, he chooses to do without an attorney at his trial and his brilliant eloquence has him acquitted. A question remains unanswered though : will all those people who give an ovation in real life ever go to see him on stage ?
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Un caprice de Caroline chérie (1953)
Character: Marquise's daughter-in-law (uncredited)
Caroline de Bienre, the 16-year-old daughter of French nobility, meets the handsome rogue, Gaston de Sallanches, who is expected to ask for the hand of her older, plainer sister in marriage. Gaston instead joins Caroline in her secret hiding place in the château's attic, where the infatuated Caroline begins an affair with him. Meanwhile, she is being courted by the dull, sincere Livio, but holds him off since she is in love with Gaston. When the revolution of 1789 breaks out Caroline is sent to a convent but her carriage is waylaid. She escapes and makes her way to Gaston's home, where she finds him in the arms of his mistress. She is angry and then agrees to marry Livio, now an out-of-favor revolutionary and a marked man, and Caroline is also now on the death list.
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Comptes à rebours (1970)
Character: Germaine
10 years ago, François Nolan and his brother have been betrayed by one of their accomplices after a break-in. During the fight with the police, Francois's brother was killed, and a cop disfigured by François. Now, François is back for revenge. As nobody knows who the traitor was, the former accomplices lose their head. The disfigured cop is also waiting for the right moment to take his revenge on François.
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Seul dans la nuit (1945)
Character: (uncredited)
A series of crimes is being perpetrated around a famous singer. Strangely, during each of the crimes, the artist's voice is heard humming his favorite song. Suspicions lead to a chase through a nocturnal Paris, ending in a disused theater where the assassin has lured his final victim.
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Tu m'as sauvé la vie (1950)
Character: Irma
A wealthy baron, without offspring, who knows death is approaching, wants to adopt a man who kept him alive a bit longer, when he was almost run over by a horse drawn cart.
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Premier rendez-vous (1941)
Character: A supervisor (uncredited)
Micheline Chevassu is a young, naive woman living in an orphanage. Through classified ads, she has a date with an unknown man. She escapes from the orphanage to go to it, dreaming of the Prince Charming. But comes Nicolas Rougemont, an unattractive middle-aged man... He pretends not to be the author of the letters, who could not come...
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Bonsoir Mesdames, Bonsoir Messieurs (1944)
Character: N/A
To teach a lesson to his young wife who dreams of the famous "voiceless singer", a husband enters a radio station and manages to make people appreciate his voice.
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Ils étaient neuf célibataires (1939)
Character: Cloakroom lady (uncredited)
Nine Bachelors is a 1939 French comedy film directed by Sacha Guitry and starring Guitry, Max Dearly and Elvire Popesco.[1] An opportunist dreams up a new scheme to make money when the French government passes a law forbidding foreigners from living in France. It's French title is Ils étaient neuf célibataires.
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Le Trésor de Cantenac (1950)
Character: Léonie
While he was about to end his life, Baron de Cantenac wanted to return one last time to the land of his ancestors. He then discovers a treasure that he will strive to use to revive his village.
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Nathalie (1957)
Character: Un inspecteur
Haute Couture model in Paris becomes involved in the activities of two rival jewel thief gangs.
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Nathalie (1957)
Character: Une voyageuse du car
Haute Couture model in Paris becomes involved in the activities of two rival jewel thief gangs.
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Deburau (1951)
Character: Mme Rébard
Jean-Gaspard Deburau is a very successful mime, the most famous in his category. One day, he falls head over heels in love with Marie Duplessis, a courtesan better known as "La Dame aux Camélias". But he soon realizes that he is but a number in her long list of lovers. He will find comfort in devoting his time teaching his art to his son Charles.
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Le dernier quart d'heure (1962)
Character: Concierge
Inspector Bart is assigned to investigate the disappearance of Many, a young fashion designer with whom he broke up some time ago. But had he really broken up? Because the night before the crime, we see him leaving her house. And that same night, she is found murdered. It's a difficult investigation.
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Tre piger i Paris (1963)
Character: N/A
Three girls in Paris is the story of three Danish girls (Ghita Nørby, Susse Wold and Hanne Borchsenius) traveling to Paris, but after having placed suitcase and money on the hotel and takes off in the city, they forget what it's called and where it is located. They are helped by a Parisian taxi driver, and meets a series of typical French.
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La mariée était en noir (1968)
Character: Mère de Julie
Julie Kohler is prevented from suicide by her mother. She leaves home, with the intent track down, charm and kill five men who do not know her. What is her goal? What is her purpose?
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Les Collégiennes (1957)
Character: Madame Letellier
A beautiful and sophisticated teenager is placed in a regimented French girls' boarding school after her father apparently commits suicide over a business scandal. She immediately gains admirers -- a lustful middle-aged artist, a handsome young composer, a fellow female student -- as well as a jealous rival. With the help of her schoolmates, she attempts to elope with the composer, but the adults catch on to the plot, and she is locked into her room at night.
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Les patates (1969)
Character: Mother Guignard
In a village in the Ardennes, during the German occupation, finding rations is becoming almost impossible. Clovis, an ordinary labourer, decides to cross the occupied zone to bring back enough potatoes to feed his family. His plan is a success but Clovis rapidly becomes obsessed with storing the precious tubers.
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Les amants de Teruel (1962)
Character: N/A
This puzzling experimental film is written and directed by Raymond Rouleau, who uses effects like changing color tones and masks to put across a drama within a dance drama. The set is a sound stage and the actors in this film are dancers on the stage, performing a mime-ballet derived from one particular legend. Both the enacted legend and the actual events affecting the dancers are parallel. The lead dancer Isa (Ludmila Tcherina) is still nursing her wounds after her first love left her to stand alone at the altar. Now one of the dancers wants to expand his relationship with Isa -- and soon after, the cad who jilted her suddenly shows up again. Tragedy follows closely behind.
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Le Magot de Josefa (1963)
Character: Villager
Justin, a lyricist by trade, and his friend Pierre, a composer, lead a bohemian life in Paris. Justin thinks his mother Josefa is richer than she appears, and decides to swindle her out of three million centimes by using Pierre as an intermediary in a case involving an insolvent check. Josefa uncovers the ruse and refuses to help her son. However, Pierre has discovered the identity of his friend's father, who had been unknown to him for twenty years. With the help of Justin's mother, the two friends do everything they can to extort the son's missing three million centimes from his ashamed and repentant father.
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Pourquoi pas ! (1977)
Character: Peau de Chagrin
Alexa, Fernand, and Louis form a tender yet unconventional trio in a quiet suburban home. Fleeing failed marriages and societal expectations, they build a life rooted in love and mutual support. But their unorthodox arrangement stirs suspicion, especially from a curious police inspector whose own life is about to change in unexpected ways.
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La Fugue de monsieur Perle (1952)
Character: Mme Fournier
Modest fifty-something, Mr. Perle, is a baker in a small provincial town. He lives there with an authoritarian woman and her cousin, a parasite who poisons his existence. A Parisian notary writes to the hero to ask him to come and take possession of an inheritance. In Paris, Perle meets a pretty adventuress.
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La Fugue de monsieur Perle (1952)
Character: Mme Fournier (uncredited)
Modest fifty-something, Mr. Perle, is a baker in a small provincial town. He lives there with an authoritarian woman and her cousin, a parasite who poisons his existence. A Parisian notary writes to the hero to ask him to come and take possession of an inheritance. In Paris, Perle meets a pretty adventuress.
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Leur dernière nuit (1953)
Character: la directrice du cours Sévigné
Arriving in Paris, Madeleine Marsan rents a room in a guesthouse where she makes the acquaintance of Pierre Ruffin, a respectable municipal librarian. Through Pierre, Madeleine finds work as a schoolteacher and soon realises that she is in love with him. Then she discovers that Pierre is in truth the head of a band of crooks. Caught by the police after a failed robbery, Pierre manages to escape. With Madeleine’s help, he goes on the run.
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Love and Death (1975)
Character: Grandmother
In czarist Russia, a neurotic soldier and his distant cousin formulate a plot to assassinate Napoleon.
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Coplan prend des risques (1964)
Character: (uncredited)
In a factory working for the National Defense, an employee steals a prototype. In charge of the investigation is Francis Coplan.
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Monsieur Vincent (1947)
Character: La mère de famille (uncredited)
The life of Vincent de Paul, the 17th-century author and priest who founded two religious orders.
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Le Soleil des voyous (1967)
Character: Angèle (uncredited)
An American talks a retired French crook into robbing a bank, but kidnappers demand the loot as ransom.
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Le Vieil Homme et l'Enfant (1967)
Character: Mémé
A story of the caring friendship formed between a crusty, old anti-Semite and an eight-year-old Jewish boy who goes to live with him during World War II.
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Comment réussir en amour (1962)
Character: (uncredited)
Bernard, a young, serious publisher of religious books, finds himself embroiled in amusing and eventful adventures with Sophie, a wacky twist dancer. Having lost his own situation, he joins Editions du Soleil thanks to his friend Marcel's manuscript "Comment réussir en amour". Freed of his shyness, he succeeds brilliantly in his career; and having put to good use the teachings of the manuscript, Bernard ends up marrying Sophie. But he soon finds himself confronted by the impetuous young woman's fantasies.
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Cécile est morte (1944)
Character: Madame Petitot, la concierge
Cecile, a young girl who goes to the offices of the Judicial Police several times in a row to complain about nightly visits to the apartment she occupies with her aunt, is not taken seriously by the police until she the day she is found murdered.
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La Fausse Maîtresse (1942)
Character: (uncredited)
Guy Carbonnel, a rich industrialist, has more eyes for rugby than for his wife Hélène. René Rivals, his long-time pal, takes advantage of it to court her but Guy is becoming suspicious so René has to find a way to deflect his friend's suspicion. He finally has an idea: he asks Lilian, a circus acrobat, to pose as his mistress. Lilian accepts and they embark on a series of eventful moments.
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Adhémar ou le jouet de la fatalité (1951)
Character: (uncredited)
Is it because his father was a groom that Adhémar Pomme has a long horse head and a horse- toothed smile? Maybe but the fact is that his head has invariably caused laughter whatever the circumstances, which is the tragedy of his life. After having worked as an undertaker, a theater prompter, a casino bouncer, and so on, and failing at each job, he applies out of desperation to an institution where those rejected for physical reasons can hide and live together. But Adhémar immediately starts... laughing at them and gets kicked out as a result! In the end though, he finds his way as a circus artist.
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