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Би харимаар байна (1992)
Character: Khavsai
It tells about three men from the countryside coming to the city to have fun. The characters of the film show how the natural character and humanity of the three are manifested in the noisy environment of the city in a comical way, criticizing the loss of human conscience and the fact that the people living in the city are becoming more and more selfish and selfish, and the characters of the film show that the kindness and trusting nature of Mongolians are no longer compatible with city life. shown as running away.
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Бэрсүүт жүрж (1992)
Character: N/A
The sad situation of the three families is told in a humorous tone, represented by a poor young man who married into a rich family, trying to get his alcoholic husband to stop drinking, a woman who became an alcoholic after drinking alcohol, and a single man who was left alone without a spouse until he found out.
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Талийгаач (1993)
Character: Fortune Teller
At the beginning of transformation and democratization, ordinary people will be pushed out of their jobs and will find themselves in a difficult situation. Everyone begins to be born according to his own strength. Two friends find a bundle of money doing earthwork. In this way, the movie unfolds as the two men dress up in exotic and elegant clothes and spend a lot of luxury, but it is always stressful.
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Илүү сартай зун (1987)
Character: Galbadrakh
In the role of Ganaa, a kind-hearted and helpful young man who lived in a small settlement on the shores of Khuvsgul Lake, he criticized the bureaucracy in the Mongolian society at the time, and tried to make life brighter by providing emotional support with the power of goodwill. A film with the theme of humanity and compassion.
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Уул усны үр сад (1988)
Character: Altangerel
He talked about the "Worship between Man and Nature" to make the next generation aware that it is our responsibility to protect and protect the environment, wildlife, beautiful land, mountains and water.
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Догшин Хутагтын Сахиус (1997)
Character: Ravjaa
A lavish period costume picture that traces, from birth to death, the life of Ravjaa Khutagt, a 19th century Mongolian priest, "a living Buddha" who exerted a large influence over his country's literature, music, and drama.
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Цөвүүн цагийн богд (1992)
Character: Chakhundorj
Based on the novel "Zanabazar" by folk writer Seng Erden, this film reflects the historical life and creative path of Zanabazar, popularly known as "High Saint". Gombodorji Zanabazar (1635-1723), the first head of Mongolian Zoroastrianism, the first Bogd, and sculptor, was born in the area of Usan-i-sum in Tusheet Khan Province, now in Uvorkhangai Province. Zanabazar was brought up in a religious school from a young age, and at the age of 15 he was recognized as the incarnation of Jawzandamba. G. Zanabazar's mistakes cannot be forgiven as he played a dark role in losing the country's independence by subjugating Manchuria. However, as he was a man who spoke several Eastern languages, composed the Mongolian Soyombo alphabet, wrote poems, was a sculptor, and a multifaceted scholar, his artistic works became very famous.
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Их хааны удам (1996)
Character: Mijiddorj Khanddorj
This film "Under the banner of the dragon" is the first part of the historical work reflecting the historical life of Namnansuren (1878-1919), the first prime minister of the Bogd Khanate of Mongolia and the good lord Khan Tomp-Ochir. He was born in the lunar month of 1878, or at the time of the day of the day of the month of the month of the month of the month of the year of the 61st year of the 18th century. In 1911, Namnansuren was appointed as the Prime Minister of Mongolia when Mongolia was established.
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Чи нэг нь (1992)
Character: Father
A young singer became an alcoholic after partying. His wife leaves his only daughter with his old mother and goes to a foreign country to live with a foreigner. When a young alcoholic goes out on the streets, no one will miss him anymore, and when he dies, he will have no one to bury him. Later, the only daughter became a medical student and repeated her studies on skeletons. When the cleaning lady talks about who this skeleton belongs to, the girl realizes that it is her father's bone. This film is based on the sad life of the famous singer Tserenjav.
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Намрын халуун өдрүүд (1985)
Character: Bavaasan
In this film, based on the historical facts of the 3rd Congress of the Mongolian People's Revolutionary Party, which was held in 1924, Choibalsan and Renchin Elbegdorj, who were supporters of the revolutionary Bolsheviks (representative of the Kamintor), the party leader and the minister of the military ministry, Danzang, expressed the view that Mongolia should be developed on the path of bourgeois development, not socialism. strongly criticized, and right before the bloodshed, Danzang was arrested in the middle of the meeting under the pressure of Elbegdorj and executed on a rock, showing that the party's general line was winning.
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Монголын гурван өдөр (1993)
Character: N/A
When describing the deterioration of people's morals during the disintegration of socialist society, it is shown through the differences in urban and rural life and the changes in people's behavior.
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Тэнгэрийн андгай (2006)
Character: Genghis Khaan
The main theme of this film is to tell about loyal friends. In other words, rather than Genghis, the film aims to show what kind of person his close friend Jamukh was and how loyal they were in their relationship. Is it true that Genghis and Jamukh made a vow to each other? You can see in this film what caused them to break off their friendship.
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Амьдралын нахиа (1988)
Character: Tsevel
A dark cloud of sadness covers a family that raised children and lived in harmony. Tsevell, resentful of the success of the landlord Bayaraa's work, tries his best to drive her out of her job. Bayaraa, who used to drink alcohol to relieve her frustrations, changed her behavior and began to harass her children and spouse, and her daughter Naran became a victim of her father's cruel actions and lost her life.
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Халаасны өрөө (1994)
Character: N/A
When there is an explosion in the society and the migration from the chosen path is difficult, the main conflict begins when the owner of the house, who has lost his grip on the economy, sells his house and goes into business, leaving his young wife and young son in the pocket room.
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