|
Sugar Daddy (1968)
Character: Candy
Sugar Daddy likes his women young and sweet. He lives on short-term pleasures, seducing young girls for one night stands. He will soon find out the long-term consequences of his quick seductions.
|
|
|
|
Playpen Girls (1967)
Character: N/A
Probably-lost sexploitation quickie that, despite the IMDb's insistence, does not in any way showcase the talents of Jeff Bragg.
|
|
|
|
Tuck Me In (1970)
Character: N/A
A movie star's daughter is determined to become a star on her own without any help from her father, and will do anything--or anybody--she has to.
|
|
|
To Turn a Trick (1967)
Character: Angie
Working late one night at her job as a photographer's assistant, Inger is raped by a client while two nude models force her to submit. Overwhelmed by shame, she runs away and attends a party where drugs stimulate unrestricted sexual activity. Emotionally unstable, Inger turns to lesbianism. She is drawn deeper into a life of depravity, until she is killed by an overdose of drugs.
|
|
|
Lusting Hours (1967)
Character: Lesbian Model
Presented as an inquiry into the ways of lust, this film is staged as a documentary. It moves from rural prostitution (the roadhouse) to pornographers, then on to streetwalkers, male hustlers, and high-class call girls. The madam runs the bordello, she depends on the photographer to supply her with pornography; he's in the city, using his camera to lead him into depravity. The streetwalkers risk arrest from the cops and abuse from the johns. Even the call girls have a tough time: from their expenses to their lack of self-reflection. Their motto: "Live fast, die young, and make a beautiful corpse."
|
|
|
Venus in Furs (1967)
Character: Woman on Subway
A muscular hunk works selling shoes, but has a very overactive imagination. He falls asleep while reading "Venus in Furs" and dreams of Venus herself, speaking to him in poetry while he caresses her feet and waits on her as a servant. He also stares at women on the subway and imagines kissing and making love to them. After spending his day waiting on beautiful flirtatious women on his knees, he picks up Marna, a mysterious woman in the library, who invites him to her secluded mansion to join her assorted other guests for a weekend of sensual depravity.
|
|
|
|
All Women Are Bad (1969)
Character: Stripper #2 / Fortune Teller
A New York salesman goes on a self-destructive spree of sex after finding his wife cheating on him.
|
|
|
The Wall of Flesh (1968)
Character: Miss Walls
Anthropologist Laurie suggests her frigid friend Vera get sex therapy which opens up the floodgates when multiple women (including the anthropologist's sister and a sex therapist) find themselves drawn to the husband.
|
|
|
Death of a Nymphette (1967)
Character: N/A
Recently divorced, Robert Allan meets Peggy at a party and she soon becomes his mistress. The affair ends, however, when Robert discovers that Peggy is a nymphomaniac. Robert next has an affair with Gloria, but it also ends when he discovers that Gloria, unresponsive with men, is a lesbian. Robert finds happiness at last with Frenchy, but their idyl is shattered when two men break into the apartment, overcome Robert and assault and murder Frenchy. Her death drives Robert insane.
|
|
|
Come Play with Me (1968)
Character: Ruthie
Jan Cousins, brutally raped by her date, returns to boarding school, and there she is confronted by Clarice, a lesbian who seduces her. Jan seeks sexual fulfillment from her boyfriend, Roger, but his strict upbringing has left him with a perverse need to be spanked. Roger appeals first to a prostitute, then to Clarice, and finally to Jan for spanking, but she reacts with shock and tears. Her psychiatrist suggests that she find a normal man, but her successive dates are even more abnormal than Roger. She modifies her standards of normality and begins to accept all types of behaviour. She does some research on flagellation, whips Roger, and finally achieves sexual satisfaction.
|
|
|
Sexual Understanding (1970)
Character: N/A
Dr. Leonard Kleindienst hosts the educational white-coater about the importance of foreplay and the need to vary positions.
|
|
|
Private Relations (1968)
Character: Katie Mallory
A P.R. man having financial problems attempts to blackmail a country singer.
|
|
|
The Party at Kitty and Stud's (1970)
Character: Girl in Park (uncredited)
Kitty and Stud are lovers. They enjoy a robust sex-life, which includes fellatio and light S&M, specifically, Stud belt-whipping Kitty. Three women come over for a party and Stud services them, one after the other.
|
|
|
The Filth Shop (1969)
Character: N/A
A crime syndicate abducts young women and forces them into pornography.
|
|
|
|
Teenage Gang Debs (1966)
Character: Rosie (uncredited)
A girl from Manhattan moves into a neighborhood that is the turf of the Rebels, a female teenage gang. She quickly rises to the top of the gang, and sets her sights on the leader of the local neighborhood tough guys.
|
|
|
|
|
Is There Sex After Death? (1971)
Character: Clinic Patient
Driving through New York City in his Sexmobile, Dr. Harrison Rogers of the Bureau of Sexological Investigation, searches out luminary figures in the world of sex.
|
|
|
A Thousand Pleasures (1968)
Character: Belle
Henpecked misogynist Richard Davis murders his shrewish wife and goes out to dispose of her corpse. However, things go awry for Richard after he's abducted by a pair of insane lesbians who take him to their house where they keep a grown woman called Baby in a crib.
|
|
|
Breakfast at Tiffany's (1961)
Character: Woman (uncredited)
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
|
|
|
Professor Lust (1967)
Character: N/A
A sex-crazed Jekyll & Hyde riff wherein an elderly professor uses a maysterious chemical to turn himself into a swinger.
|
|
|
The Kiss of Her Flesh (1968)
Character: Mona
Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife's sister, Maria, is hellbent on putting an end to his orgiastic rampage.
|
|
|
Anything for Money (1967)
Character: Sue
Scheming Judy and her affable husband Jack move back east and shack up temporarily with her staid Aunt Edna. Edna's reclusive, auto-erotic roommate and business associate, Louise, takes an immediate dislike to them.
|
|
|
Mini-Skirt Love (1967)
Character: Janet
Billy is a teenager and enthusiastic photo hobbyist who takes pictures of his mother carrying on with another man, but is too naive to realize his mother is engaging in more than innocent horseplay. When he innocently shows his pictures to Daddy, he unwittingly starts a melee that ends in Daddy's accidental death and Mommy's mental collapse and confinement in a hospital. Enter Aunt Janet, Daddy's sister, to take care of Billy. Supposedly a frigid woman who "can't stand men", Aunt Janet is nevertheless loving and affectionate with young Billy, and when she sees the fatal snapshots, she even takes their relationship to the next level. But can their happy life together survive the return from hospital of a still-disturbed Mommy?
|
|
|
The Sex Cycle (1967)
Character: Nude Model / Spirit
The Cocoa Poodle bar is the central meeting place for the denizens of a bohemian suburban area. Janet, a rather colorless model, is jealous of her artist/mentor Tanya, who attracts the attention of all the local guys. An exotic card-reader offers her a pair of earrings which will give her power over others. She soon becomes the center of attention, but commits a fatal error.
|
|
|
Keyholes Are for Peeping (1972)
Character: Woman on the Stairs (archive footage) (uncredited)
After earning his degree through a correspondence course, Stanley uses his newfound knowledge to help his neighbors reignite the flames of passion. Little does anyone realize that their most intimate moments are all eye candy for the lonely maintenance man who has open access to the entire building.
|
|
|
The Beast That Killed Women (1965)
Character: Girl Waiting to Join Camp #2
Panic and fear strike the hearts of the terrorised sun-kissed nudist girls of a once peaceful nudist resort in sun-bleached Miami, when a mysterious, yet menacing intruder manages to find his way in the camp.
|
|
|
|
|
The Touch (1973)
Character: N/A
Las Vegas drug dealer Mario blackmails young lass Snow into selling $100,000 dollars worth of cocaine in only one week's time. However, Snow decides to come up with a plan of revenge against Mario for forcing her to push dope for him.
|
|