Eduard Wandrey

Personal Info

Known For

Acting

Known Credits

0.0311

Gender

Male

Birthday

26-Jul-1899

Age

(127 years old)

Place of Birth

NO INFO PROVIDED

Also Known As
  • NO INFO PROVIDED

Eduard Wandrey

Biography

NO BIOGRAPHY AVAILABLE


Credits

Unser täglich Brot Unser täglich Brot (1949) Character: Fürbringer
A story about a family after the Second World War. The petty bourgeois cashier Karl Weber of Berlin observes from a distance how his son Ernst participates in the building of a new socialist society. Karl does not understand Ernst's visions, instead he confides in his other son Harry. However, Harry becomes involved in illicit business and Karl quickly realizes that it would be best to join his son Ernst in the citizen-owned factory.
Das kunstseidene Mädchen Das kunstseidene Mädchen (1960) Character: Monsieur Schneidewind
Doris Putzke is fond of dating men in her quest to find the perfect one. In her brief relationships, she goes from one disillusionment to another, constantly deluding herself about the intentions of her lovers.
Lange Beine - lange Finger Lange Beine - lange Finger (1966) Character: N/A
Baron Holberg, who looks back with pride on a long family tradition as hotel thieves, is horrified when his daughter Doris falls in love with the lawyer Robert Hammond, of all people, rather than choosing the art thief Sammy, as he would wish. Under the pretext that they are being pursued by the police, he lures his daughter away from the lawyer, but when he confesses the deception to her, Doris immediately sets off for Hammond's country estate near London. However, Hammond's father is not too fond of the connection either...
Straßenbekanntschaft Straßenbekanntschaft (1948) Character: N/A
The film centres around the young woman Erika, desperately seeking for love and escape from the depression of the times, drifting, and in the end becoming involved with a circle of rich people who sell goods for sexual favours.
Die Halbstarken Die Halbstarken (1956) Character: Pepe Garezzo
The drama of a youthful triangle among gang leader Freddy, his brother Jan, and bad girl Cissy, in one of the first considerations of juvenile delinquency in post-war West Germany.
1-2-3 Corona 1-2-3 Corona (1948) Character: Hugo Grandini
Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.
Die Försterbuben Die Försterbuben (1955) Character: N/A
When seminarian Martin Rufmann arrives in St. Eustachen, idyllically located in the Carinthian mountains, the local choral society is celebrating a joyous festival. Martin is the youngest son of the widowed head forester Thomas Rufmann. Martin's older brother Friedolin has inherited his father's love of hunting and is one of the best hunters in the area. He is also engaged to the pretty innkeeper's daughter Helene Schwarzaug. At the feast, Friedolin and his cronies drink heavily to the black liquor of the charcoal burner Krauthaas. Friedolin and the townspeople Günther have a loud argument in front of everyone. When Günther is found murdered a short time later, suspicion immediately falls on Friedolin. To save his brother, Martin accuses himself of the crime. The two brothers are arrested. The real culprit soon turns himself in, but in the meantime Thomas Rufmann has disappeared without a trace.



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