|
Villa Alegre (1958)
Character: Tío Juan
Pepe and his partner are two truck drivers in the middle of a trip, they decide to stop in the road and stop at the nearest town. This town, which is called Villa Alegre of Songs, apparently normal, but they do not need much time to realize that it is not at all. There the men spend their days fighting with each other, and as women, do not know any until Pepe, an inveterate conqueror, make a little water to the car to Dolores, a beautiful young woman with no takes to make friends and that he also has his little sister, Encarna.
|
|
|
Les Amants de Tolède (1953)
Character: Anticuario
Toledo, 1825. To save her fiancé, an opponent of the regime, the beautiful Inès agrees to marry the chief of police.
|
|
|
La familia Vila (1950)
Character: Señor Vila
Mr. Vila is a family father who has worked a lot during his life to achieve a good life for his family. His oldest daughter, Elvira, causes him many problems because she acts as a rebel.
|
|
|
La vida empieza a medianoche (1944)
Character: El abuelo
Silvia Heredia, since her arrival to Madrid is staying at her best friends' house, Mary. Her aim is to work as a secretary of a famous novelist. But at night the house is full of people and they confuse her with the owner of the floor. A series of misunderstandings makes her meet Ricardo Ariaga, the musician whose opera "Life begins at midnight" is about to debut. Ricardo convinces Sylvia to act as his wife. With a "rented" child they try to be the perfect family of a lonely old man.
|
|
|
El señor Esteve (1948)
Character: Painter
Barcelona, 1860. Mr. Esteve, owner of a haberdashery and proud of his son, attends the christening of his grandson who, years later, determined to become a renowned artist, seems unwilling to continue the tradition and take over the family business. (Only badly preserved and severely mutilated copies of this film survive, just 69 out of a total of 108 minutes.)
|
|
|
El Litri y su sombra (1960)
Character: Hermano Alejandro
Biopic about Miguel Báez "El Litri", a descendant of two generations of bullfighters: his older brother touched the glory before he died at twenty years after being gored and complicated by gangrene. His father begged everyone until the last minute that they keep him away from the arena, but "El Litri" knew since childhood that his destiny was to succeed in the world of the bulls
|
|
|
Tarde de toros (1956)
Character: Don Felipe
Right-handers Ricardo Puente, Juan Carmona and Rondeño II, which will take the alternative are advertised in the poster. The first is an old bullfighter, famous in the past, as now, bitter and full of rancor, lives with Paloma, a woman who is not resigned to continue to be the lover of a man who has fallen into oblivion. Carmona, the Bullfighter of fashion, has a major contract to fight in America, but his wife Isabel wants to reject the offer. Ana Maria, the sister of Carmona, hopes that his brother adopted its relations with Rondeno II; but Carmona was opposed because considers it it a bad Bullfighter
|
|
|
Lola la Piconera (1952)
Character: Soldado José Rodríguez
Cadiz, during the War of Independence. The Lola singer in love with a French military entrusted an important message ...
|
|
|
Nuits andalouses (1954)
Character: Chófer de taxi
When her father died, Dominique de Bellocombes inherited her ancestors' château, some worthless shares and a mine in Spain. To save the castle, which is in danger of falling into ruin, and pay off her debts, she is determined to marry Armand de Puysherbeux, whom she doesn't love, but who is rich. The situation changes abruptly, however, when news comes through that the Spanish mine holds a vein of untapped gold. Dominique leaves for Andalusia, abandoning her fiancé. Her fiancé, determined not to give up on the beautiful Dominique, precedes her to the site, destroys the plans and claims that the engineer is mad...
|
|
|
Sin uniforme (1950)
Character: Levi
Several different people meet in Tangier, where they will have to join efforts to survive.
|
|
|
Cupido contrabandista (1962)
Character: Recién casado
John is a shy and good-natured man who lives in Ceuta and does everything by correspondence, from studying a career or learning judo to getting a girlfriend. She is from Madrid and the time has come for Juan to meet her so he takes a boat to the peninsula. In the boat he coincides with Maria, a beautiful young woman who goes to the capital to study chant and which he had previously met accidentally. During the trip, foreign smugglers try to use John to pass inadvertently stolen diamonds in Tangier.
|
|
|
Despedida de soltero (1961)
Character: Don Pablo
A couple of friends, "Carmen" (Silvia Solar) and "Miguel"(Germán Cobos), fail to raise the money needed to marry. These difficulties encouraged the illusion of the boy, who wants a shot leaving for another country. The dreams of "Miguel" are approved and encouraged by "Don Pablo", (Pepe Isbert) musician of the Municipal Band and uncle of Carmen, in his years young was unable to reach them. On the other hand, Carmen lives with his aunt "Antonia" (Matilde Muñoz Sanpedro), which does not speak with his brother "Don Pablo", and whose sole ambition is to see married her niece, because in order to "maid" in the family there is enough with her. But with the arrival in Cádiz of the president of a south American country, everything is going to change course.
|
|
|
Cuentos de la Alhambra (1950)
Character: Don Cosme - el escribano
Mariquilla is a beautiful gypsy who is in love with Lucas, a soldier of the garrison in the Alhambra, but her father wants to marry her with Don Cosme, a rich old clerk for the service of the mayor. Soon, the girl asks for help to the governor of Granada, a gentleman who has always had a great adoration for the girl.
|
|
|
Fulano y Mengano (1957)
Character: Eudosio
Eudosio and Carlos were imprisoned by mistake. Now out of prison, are trying to get a job and to adapt to a society that rejects them.
|
|
|
Así es Madrid (1953)
Character: Dimas
In Madrid during the fifties' the calm life from some neighbors will be changed since the arrival of Antonio, a man without scruples who lives running the risk.
|
|
|
Sucedió en mi aldea (1956)
Character: Guarda de las barcas
Two young and innocent altar boys leave in search of money to buy a new bell for the tower of the village church.
|
|
|
Todo es posible en Granada (1954)
Character: Joaquin
Following meetings between Spain and the United States a delegation of a mining company arrives to Granada in search of uranium. The company contacted with the landowners, who agree to sell less of them. Such owner refuses because his ground a treasure supposedly hidden Muslim and refuses to sell them to Margaret, representative of the company. When he refused, Margaret convinces the owner to locate the treasure on your own and sell it in case you find it ... but love gets in his plans.
|
|
|
Tú y yo somos tres (1962)
Character: Presidente
When Manolina saw a picture of Rodolfo, a South American poet, she falls in love for him. Three months after marriage by proxy, Rodolfo meets with her, which takes a major surprise to meet the twin brother of her husband.
|
|
|
El guardián del paraíso (1955)
Character: José
A serene mind a person is in a coffee some of their experiences: the story of a poet who gives shelter, a nun who takes off to find a drug habits in the black market, and his own witness of a robbery and as a lover.
|
|
|
Doña Francisquita (1952)
Character: Maestro Lambertini
Francisquita secretly loves Fernando, but he is in love with the beautiful and fickle Aurora.
|
|
|
La vida por delante (1958)
Character: Testigo accidente
Finished their careers of Law and Medicine, respectively, Antonio Redondo and Josefina Castro, a pair of young Spanish newlyweds, are looking for work to buy an apartment and start a life together, but they will face enormous difficulties throughout the process.
|
|
|
Don Lucio y el hermano pío (1960)
Character: Hermano Pío
Brother Pío, intending to collect charity for a group of nuns who run an orphanage, travels to Madrid with a statue of the Baby Jesus. On the train ride there, he meets Lucio, a slick-talking small-time thief, who steals the statue from him in order to collect the donations for himself.
|
|
|
Congreso en Sevilla (1955)
Character: Señor sordo y despistado
Carmen is a Spanish emigrant in Stockholm who does not have the money to run her business or buy a ticket back to Spain. Thanks to a misunderstanding she meets Dr. Petersen who has an invitation to a medical congress in Seville and does not plan to attend. Carmen uses the ticket and impersonates the doctor just enough time to get to the city, but then she will be forced to keep the lie.
|
|
|
Los que no fuimos a la guerra (1962)
Character: Don Arístides
First World War. In a largely rural area of neutral Spain, two families confront one another and play a part in embarrassing situations because they don't support the same side in the war. This will influence the breakup of an engagement.
|
|
|
Once pares de botas (1954)
Character: Padre Roque
Ignacio, a professional footballer, has sentimental and labor problems. His girlfriend is about to abandon him because of the constant displays of affection that the player receives from an attractive admirer. At the same time, Ignacio discovers that two of his teammates have been bribed by another team.
|
|
|
Ella, él y sus millones (1944)
Character: Ramón, duque de Hinojares
Arturo Salazar is a powerful businessman who wants to be related to the nobility, so he asks an aristocratic friend to find him a blue-blooded bride.
|
|
|
Una chica de opereta (1944)
Character: Fabián Pérez
A poor composer sells his songs to a music publisher who attributes them to his son, who sells them to a famous singer. Seeking the son, the musician's daughter will unexpectedly find a job as secretary to the singer, disguised as an unattractive and authoritative woman who effectively controls his careless lifestyle.
|
|
|
¡Che, qué loco! (1953)
Character: Don Ramiro
A bankrupt man tries to marry a millionaire woman, which triggers a whole series of misunderstandings.
|
|
|
Operación Dalila (1967)
Character: Abuelo
A couple try to help the residents of a small Caribbean island overthrow a dictator.
|
|
|
Asesinato y entierro de Don José de Canalejas (1912)
Character: Manuel Pardiñas
Film based on the assassination of the Spanish politician José Canalejas at Manuel Pardiñas's hands on 12 November of 1912. It has two parts: The first one is a fiction representation of the assassination. The second one is a real-life filming of the funeral.
|
|
|
|
|
Mi adorado Juan (1950)
Character: Pedro
The strange disappearance of the dogs of his neighbors leads Juan to investigate the case on his own. It ends up finding out that the author of the robberies is a young woman called Eloísa, the cocky daughter of a scientist who uses dogs to create an antidote against sleep. Juan and Eloísa fall in love, but he will ask her to leave her luxurious mansion to live only with his salary.
|
|
|
Pacto de silencio (1949)
Character: Matías Orellano
A woman is told his military husband is considered dead, the truth is he has been transferred to the secret service. When he returns to Spain and they get reunited he ends killing a German spy, and then she gets prosecuted.
|
|
|
Siempre vuelven de madrugada (1949)
Character: Don Jacobo
A good-for-nothing young man and his friend are involved in a woman's death. To escape Police and wanting a change he goes to the small country village he used to visit with his family. Yet his past will find him there.
|
|
|
Faustina (1957)
Character: Sacerdote - tio de Guillermo
A conquering woman of love, power, and fame is challenged by the devil, as he too wants to conquer all. Even the devil learns that there is no wrath like a woman’s scorn.
|
|
|
Lo que cuesta vivir (1967)
Character: Don Antonio
Mr Antonio is undergoing a bad economic situation that shares with his daugther Leonor, a lovely teenager who makes him happy and helps him sewing to make end meet. But its not enough and Mr Antonio has no other choice than working as a thug of a night club. A job that brings unexpected changes tto his life.
|
|
|
Amor sobre ruedas (1954)
Character: Representante Carmona
A taxi driver participates in a singing contest of a radio station for non-professionals and enters the final round. Being among the finalists he meets at the radio station a famous singer and falls in love with her.
|
|
|
Ronda española (1951)
Character: Capitán del barco
Over a hundred members of the chorus girls and dance groups from the Spanish "Sección Femenina" embark to America to show the richness of their national folklore. The girls have left parked their daily tasks to enjoy this great adventure aboard "Mount Albertia". During the trip, the relationship between the girls and the crew is very lively and in all scenarios where they perform, success always accompanies them.
|
|
|
Un caballero andaluz (1954)
Character: Joaquín
In the farmhouse Los Laureles, owned by Don Juan Manuel Almodovar, wealthy Andalusian landowner, everything is being prepared to receive José Luis, only child of Juan Manuel, who is being educated in a Jesuit school in England and is returning for a holiday with his father. Since the death of his wife, Juan Manuel has set all his love in his son. The father does everything his child says, even when he is asked to accompany him to the Venta del Remedio where a blind gypsy called "Colorín" lives. But at the after party a serious accident occurs
|
|
|
|
|
El fantasma y doña Juanita (1945)
Character: Don Pancho
Fearing that her niece Rosita will abandon her true love and enter into a marriage of convenience, doña Juanita tells her the story of when, many years ago, she fell in love with an accountant who worked in a circus.
|
|
|
Manolo guardia urbano (1956)
Character: Don Andrés, el párroco
Manolo, a cheerful and kind traffic policeman is happy at the birth of his first child, after twenty years of marriage. His happiness contrasts with the restlessness of Paloma, a girl who they have adopted, who fears losing the love that until now she has enjoyed
|
|
|
La Familia Y Uno Más (1965)
Character: (archive footage) (uncredited)
The life of the family inordinate surveyor Carlos Alonso has undergone several changes over the course of the years: the birth of child number 16, little Maria, coincided with the death of the mother, who left behind a hollow refillable. The grandfather also died. The Godfather pastry married, and the boys have been growing rapidly ...
|
|
|
El bailarín y el trabajador (1936)
Character: Don Carmelo Romagosa
The wealthy father of a young girl who has a relationship with a boy who has just won a waltzing contest employs him in a factory in order to make him a profitable man.
|
|
|
Mi tío Jacinto (1956)
Character: Sánchez
Hyacinth, a former matador who lives miserably with his nephew Pepote, receives a letter reminding him that, as agreed a few days before, he must participate in a bullfight to be held that same afternoon.
|
|
|
La primera mirada. Historia de una escuela de cine (2023)
Character: N/A
The foundation in Madrid of the Institute of Investigations and Cinematographic Experiences (IIEC) in 1947, has been the most important event in the history of Spanish cinema. From there would come directors such as Luis García Berlanga, Juan Antonio Bardem, Carlos Saura, Miguel Picazo, José Luis Borau, Mario Camus, Antonio Mercero and Víctor Erice. Through their first film practices, we will learn about the history of the school and an entire country.
|
|
|
Bombas para la paz (1959)
Character: Mauricio Dupont
Professor Don Carlos is a scientist who, after much research, discovers a chemical compound that, in the form of bomb, is capable of making people become peaceful beings. Just before his death, Don Carlos reveals to his friend and collaborator Alfredo the secret of his discovery
|
|
|
Historias de la radio (1955)
Character: Inventor
Three short stories based on radio competitions, all linked by speaker Gabriel and his fiancee. Two inventors who want to patent a piston and need money, a thief who answers a phone call while robbing and a child who needs to go to Sweden for an operation are the protagonists of these stories around the radio.
|
|
|
El capitán Veneno (1950)
Character: N/A
In Madrid, under Queen Isabel II reign, rebellions are frequent events. During one of them Captain Jorge de Córdoba, nicknamed Veneno (poison) for his quarrelsome disposition, bad temper and outright misogyny, is hurt and taken to a house where two women, a widow and her daughter, are to take care of him.
|
|
|
El verdugo (1963)
Character: Amadeo, el verdugo
An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.
|
|
|
¡Bienvenido, Mister Marshall! (1953)
Character: Don Pablo, el alcalde
A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.
|
|
|
Cielo negro (1951)
Character: N/A
A woman who works as employee in a fashion store has to care for her ill mother. At the same time she falls in love with a bohemian man.
|
|
|
Los dinamiteros (1964)
Character: Don Benito
Doña Pura, don Benito and don Augusto are three venerable old people who usually coincide each month in the queues of the mutuality windows to collect their pension, an opportunity they take advantage of to talk about life. When they learn that the old don Felipe, an acquaintance, is very sick and is alone and without money for a decent funeral, they decide to ask for a loan to help him, but, as they do not grant it, they decide to rob the savings bank. To do this, they will plan everything thoroughly and manufacture a homemade explosive.
|
|
|
Aventuras del barbero de Sevilla (1954)
Character: Don Faustino
Bandits kidnap Figaro, the famous barber of Seville, and use his wonderful voice to attract travelers and rob stagecoaches. Because of this, the police chases him as an accomplice of the bandits. Then Figaro decides to join the army as a volunteer to fight in Puerto Rico. He returns covered with glory and his faults are condoned. However, the adventures of Figaro continue in Seville in the false scene of the aristocracy
|
|
|
Perro golfo (1963)
Character: Sr. Gaspar
A widower butcher uses the grace of his child's pet, a tramp dog, to attract customers to his post. One day, seen how effective is this system, he decides to use the same trick for a more delicate issue: conquering the florist who has a stall in front of him, which he has always loved.
|
|
|
Sabían demasiado (1962)
Character: Don Sebastián Guzmán, el secuestrado
A gang of Spanish pickpockets decide to send one of them to Chicago to learn how to be a gangster...
|
|
|
Séptima página (1951)
Character: Vendedor de bolsos
Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.
|
|
|
Aeropuerto (1953)
Character: Manolo
Different kind of people arrives to Madrid airport. Some goes with their heads and others just landed. Fernando is a pilot who he brings a girl for his relatives. Ceferino and his wife have won a contest and will travel soon to Paraguay and they are there because they want to know the airplane. Mr. Beltran is very nervous because he returned to Spain after many years of exile.
|
|
|
Los jueves, milagro (1957)
Character: Don José
In Fontecilla, a Spanish village in decline, the mayor and other illustrious citizens hatch a crazy plan to revitalize tourism.
|
|
|
Carne de horca (1953)
Character: Don Félix
Andalusia, Spain, 19th century. The roads are infested with bandits who sow panic among travelers. Although most of them are ruthless killers, Lucero is a true champion of the disinherited.
|
|
|
Los ladrones somos gente honrada (1956)
Character: El Tío del Gabán
A gang of robbers enters a house, hosting a party with intent to commit a robbery. But the leader of the gang met the daughter of the house ... and falls for her. Free version of the play of Henry Jardiel Poncela.
|
|
|
2 cuentos para 2 (1947)
Character: Gordón
Berta is a young manicurist whose boyfriend, Jorge, is too shy to ask for a raise, something she always blames him for. On the occasion of a special job that Berta must do in a big house, owned by Mr. and Mrs. Gordon, the couple fantasizes about what their life would be like in the midst of so many comforts.
|
|
|
El cochecito (1960)
Character: Don Anselmo
Don Anselmo, a retired old man, decides to buy a motorized disabled stroller since all his pensioner friends own one. His family strongly refuses him to purchase the vehicle, so don Anselmo decides to take extreme measures to achieve his goal…
|
|
|
Los ángeles del volante (1957)
Character: Cristóbal
A group of taxi drivers try to reanimate a young woman who has been close to being run over by one of them. To improve her mood all of them tell her curious anecdotes featured by peculiar customers
|
|
|
Una cubana en España (1951)
Character: Jose Holmes Pérez
Blanquita, a very superstitious Cuban young woman, visits a fortune teller on the eve of her wedding to Roberto. She predicts that her first husband is destined to die, as well as would not make her happy. Believing this and according to her uncle, Blanquita starts looking for a man about to die, with the intention to marry him, then become widower and take Roberto as her second husband, thus freeing him from the curse.
|
|
|
Policarpo, ufficiale di scrittura (1959)
Character: Maresciallo Fausto Venanzio
Policarpo De Tappetti is a calligrapher who works under the orders of Don César Pancarano de Rondò. For many years, Policarpo has been seeking a promotion and a raise that never comes, and, it seems, will never come. One day, Jerónimo, the son of Don César, meets Celeste, the daughter of Policarpo, and falls in love with her. Policarpo sees in that relationship the solution to his aspirations at work, and does everything in his power to make this relationship fruitful. Don César, who presumes to be a count, sees with very bad eyes that his son meets a girl from such a different social position, and does just the opposite. But the efforts made by both parties will be of no use, since Celeste has fallen in love with Mario Marquetti, a "specialized mechanic" (typist) who is giving private lessons in the offices of the businessman Franquinet .
|
|
|
Margarita se llama mi amor (1961)
Character: Don Severino, profesor de historia
Margarita is a beautiful and explosive girl studying in the Faculty of Arts somewhere in Galicia. To the chagrin of the rest of the girls in the class, all the boys want to date her, to the point moniker of "the bride of the Faculty". However, who really steals the heart Margarita is another person ...
|
|
|
Calabuch (1956)
Character: Don Ramón
Professor Hamilton, a naive Nuclear scientist who once thought bombs were good for humanity, realizes his mistake and runs away from his inventions. He hides in Calabuch, a beautiful seaside town where people still believe in humor and friendship.
|
|
|
Spanish Western (2015)
Character: Don Pablo, the mayor (archive footage)
A vindication of the role of the technicians and artists who made spaghetti western genre possible, and a walk through the landscapes that made it possible to recreate in Spain, mainly in the desert of Almería, hundreds of adventures set in the remote American Far West.
|
|
|
Don José, Pepe y Pepito (1961)
Character: Marcelo
The arrival of Francis, who owns a factory of surgical material in New York, caused a real stir in a family composed by her grandfather, Pepe, the son, Jose, and grandson, Pepito. Pepito falls in love with her even though Francis consider him a child. But Don Jose is also in love with the American. This situation creates a difficult situation between parent and child, that Francis seeks to remedy returning to the United States. But the grandfather, Pepe, has the solution ...
|
|
|
La pandilla de los once (1963)
Character: El Duque
Inspired by the American gangster films, a group of thugs decides to dock the Bank of Spain. "El Rubio" explains to his men that, to commit the armed robbery, they will have to dig a gallery in the Cibeles. But, due to the threats of a rival band, "El Rubio" decides to disguise itself and pretend to be one of the most famous actors of the moment.
|
|
