|
El amor de los amores (1962)
Character: N/A
Felipe Crespo, because of their anarchist ideology, Barcelona fleeing persecution for justice. Starving, he reaches the manor house and asks for protection Villares pretending repentance. He soon won the confidence of the wealthy owner of the land, a man of high moral and religious training, blind for years, who lives with his beautiful young wife. This, to know the true story of Philip, treats him with disgust, but over time, created in her a strong passion.
|
|
|
|
La patrouille des sables (1954)
Character: N/A
Three adventurers, Pierre, an engineer, Mailard, an escaped convict and Luis, a guitarist, are in search of gold in the Sahara. They happen to be captured by a group of Tuareg. Helped by Taina, a halfbreed, they manage to escape but their troubles are far from over.
|
|
|
Viento de cólera (1988)
Character: N/A
Two soldiers accompanied by two women enter the Baztán valley on horseback. They are deserters from the army of the Indies who are fleeing to Italy. They arrive to claim the inheritance of one of them, León de Balanza, Captain in Peru and soldier without fortune. They are looking for old Balanzategui who works the land of his ancestors. The old man's refusal to distribute the farmland's land causes a serious conflict.
|
|
|
Carta a una mujer (1963)
Character: Flora
Flora and Carlos have a marriage of convenience. Realizing that she did not love him, Carlos joined the Blue Division and soon disappeared in Russia. Flora lives with a famous conductor, but they have not married because the death of Carlos has not been formally communicated. But one day, a mysterious character who turns out to be an old enemy of his husband, sends Flora a message telling that her husband will return.
|
|
|
Cómicos (1954)
Character: Marga
Ana Ruiz, a young actress who works in a traveling theater company, plays only minor roles, but she hopes to succeed and prefers the success to the love of Michael. When the company decides to release "Heaven is not far," Ana hopes to be the young protagonist, however, the paper turns to fall on the veteran Carmen. The businessman Charles Marquez offers Ana to be the star in the new play if she becomes his lover
|
|
|
El batallón de las sombras (1957)
Character: Lola
Dreams, hopes and passions of the inhabitants of a populous and humble tenement in Madrid. Among them, an inventor who invents always what is already invented, a composer, a hostess, a locksmith, a delivery of a pastry ...
|
|
|
Fedra (1956)
Character: Estrella
Estrella, a wild young woman, is lusted after by every man and therefore hated by the female community.
|
|
|
La Regenta (1974)
Character: Ana Ozores - La Regenta
Adapted from the novel of the same name by Clarín, which narrates the difficulties of Ana Ozores to adapt to the sordidness of life in Vetusta, a provincial city of northern Spain inspired in Oviedo. The young Ana, married to a retired regent, lives oppressed by the provincial hypocrisy and the mystical fears of an absorbing religion. Sexually dissatisfied, beset by constant erotic dreams, she reveals in her confessional her intimate torments, and her confessor begins to feel a morbid passion for her. At the same time, Álvaro Mesía, a Don Juan, intends to seduce Ana.
|
|
|
Padre nuestro (1985)
Character: María
The story of a Spanish Cardinal who is told he only has one more year to live. He decides to return to his hometown, after an absence of 30 years, to sort out his affairs.
|
|
|
Un ángel tuvo la culpa (1960)
Character: Eulalia
Claudio is a kind mand who works as cashier in a company for several years. Whe he finds closed the bank where he has to deposit a millon of pesetas, he decides to go to a friends party. Due to alcohol effects, he share out the money to the people who need it more.
|
|
|
El guardián del paraíso (1955)
Character: La monjita
A serene mind a person is in a coffee some of their experiences: the story of a poet who gives shelter, a nun who takes off to find a drug habits in the black market, and his own witness of a robbery and as a lover.
|
|
|
Doña Francisquita (1952)
Character: Aurora la Beltrana
Francisquita secretly loves Fernando, but he is in love with the beautiful and fickle Aurora.
|
|
|
La muerte viaja demasiado (1965)
Character: Miss Wilma - segment 2 'La Mandrilla - Miss Wilma'
A unique black comedy consisting of three episodes on the same theme: death. In a circus, trapeze artist Wilma is going to get rid of a rival during a "magic act" performed by an amateur. A strange widow comes to inquire about the services of a new marriage agency. A peasant woman tormented by a bug in her ear barges into a healer's house.
|
|
|
¡Che, qué loco! (1953)
Character: Esperancita Couceiro
A bankrupt man tries to marry a millionaire woman, which triggers a whole series of misunderstandings.
|
|
|
Un marido de ida y vuelta (1957)
Character: Leticia Romero
Adaptation of the eponymous play of Jardiel Poncela. A husband dominated by his overbearing wife dies victim of a heart attack the day she forces him to shave his beloved beard to go to a costume ball dressed as a bullfighter. Its spectrum then begins to walk around the house and the most unexpected cause tangles. When she finally decides to settle definitely get materialize and get his wife, who has meanwhile become a being sweet and understanding.
|
|
|
El crimen de Don Benito (1991)
Character: N/A
July 18, 1902. A woman and her daughter are brutally murdered in the Extremaduran town of Don Benito. Everybody knows the depraved town boss was responsible, but nobody dares to declare against him.
|
|
|
Los ojos dejan huellas (1952)
Character: Lola
Martin, a frustrated lawyer who sells perfumes, is reunited with Robert, an old, bright fellow student, and falls in love with his wife. One night Robert enlists the help of Martin, because he believes he has killed a man who was about her lover. Martin sees an opportunity ...
|
|
|
Pídele cuentas al rey (2000)
Character: Carmen
Fidel, an Asturian miner, after the closure of the mine where he works, decides to walk to Madrid with his family, to ask the king why the Constitution is not met, specifically the article that points out that all the Spanish citizens have the right to have a decent work. Will the king receive him?
|
|
|
|
Los peces rojos (1955)
Character: Ivón
Ivón, a chorus girl, and Hugo, a failed writer, arrive at a seaside hotel on a stormy night, along with Carlos, Hugo's 19-year-old son. When they decide to lean over the cliffs of the coast to observe the wild dance of the turbulent waves down below, an unexpected event tragically happens.
|
|
|
La cuarta ventana (1963)
Character: Dora García
One day, three young seamstresses who love nightlife and fun, upon returning to the house they share, find a seriously injured girl in the bathroom.
|
|
|
El verdugo (1963)
Character: Carmen, la hija de Amadeo
An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.
|
|
|
Die goldene Göttin vom Rio Beni (1964)
Character: Dinah
An aviator of a commercial line disappears in the Brazilian jungle. Two friends organize an expedition to find him. As if there were not enough dangers in the Amazon, three members of the expedition have another goal: to steal a golden goddess.
|
|
|
|
FFG, el último gran conversador (2021)
Character: Self - Actress (archive footage)
Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.
|
|
|
Aventuras del barbero de Sevilla (1954)
Character: Duquesa de San Tirso
Bandits kidnap Figaro, the famous barber of Seville, and use his wonderful voice to attract travelers and rob stagecoaches. Because of this, the police chases him as an accomplice of the bandits. Then Figaro decides to join the army as a volunteer to fight in Puerto Rico. He returns covered with glory and his faults are condoned. However, the adventures of Figaro continue in Seville in the false scene of the aristocracy
|
|
|
La estanquera de Vallecas (1987)
Character: Doña Justa
Leandro, an unemployed mason and his friend, Tocho, attempt to rob a tobacconist in the Vallecas district of Madrid, but Mrs. Justa, the tobacconist, impedes it alerting the neighbors who notify police. Inside the shop, the confrontation between the two friends and their 'hostages', the tobacconist and her niece Angeles, is relaxing, and a budding sympathy arises between them.
|
|
|
I magnifici Brutos del West (1964)
Character: Lucy
I Brutos arrive in the town of Fresno during a gunfight and mistakenly think it is a celebration of their arrival and start shooting their guns and kill all the villains and the town undertaker. They take over the undertaking duties but bury the bodies in an Indian burial ground upsetting the local Indian tribe.
|
|
|
La busca (1966)
Character: Rosa
Manuel Jacques Perrin is a young man from the country who tries to make it in Madrid in this somber melodrama. He struggles to survive in the unforgiving city where only the strongest will prosper. Manuel defends himself and kills a murderous thief in a fight then quietly waits for the police to reach the scene of the crime.
|
|
|
Alegre juventud (1963)
Character: Violeta
Luis, Julio, Miguel and Carlos are four young men who, moved by a strong religious vocation, have left behind family, friends, work and a love of youth to enter a seminary and start a life consecrated to God.
|
|
|
El amor brujo (1986)
Character: Tía Rosario
In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.
|
|
|
Carne de horca (1953)
Character: Consuelo
Andalusia, Spain, 19th century. The roads are infested with bandits who sow panic among travelers. Although most of them are ruthless killers, Lucero is a true champion of the disinherited.
|
|
|
Fortunata y Jacinta (1970)
Character: Fortunata
Shows the unfailing love of two women for the same man, one as his mistress, the other as his wife. The lives of these characters intertwine and are determined by the variegated fabric of delicate tradition and established vices shaky politics and intrigue of the society they live in. Based on the major novel (1877) by Benito Perez Galdos.
|
|
|
Los novios búlgaros (2003)
Character: Remedios
Graying Spaniard Daniel has a healthy budget for indulging in the finer things in life. Daniel's favorite luxury is playing sponsor to younger men amid the lights and sights of Madrid's gay club scene. After Daniel shares a night with handsome Bulgarian emigre Kyril, he finds himself consumed with an insatiable lust for the charismatic foreigner. But, as their relationship takes shape, Daniel's latest conquest reveals his own manipulative tendencies.
|
|
|
La hora incógnita (1964)
Character: Prostituta
In a small Spanish town, is expected to explode a nuclear bomb to ten at night. All neighbors leave, except for thirteen people who are gathered in the church and, with the help of the pastor, will find that there is still a possibility of salvation.
|
|