|
El cerro de los locos (1960)
Character: Don Daniel
Some bizarre figures (bullfighters and future fighters, athletes and boxers) get together in a park from Madrid to improve and rehearse their techniques.
|
|
|
De Madrid al cielo (1952)
Character: Cochero
In the Madrid beginning of the 20th century two young people try to make it as artists: Elena intends to succeed in the music world and Pablo wants to become a famous painter.
|
|
|
El cerco del diablo (1952)
Character: Cajero
Divided in several episodes, this film presents different stories that share the fantasy theme.
|
|
|
El anacoreta (1976)
Character: Álvarez
Eleven years ago Fernando Tobajas, a man of a certain age, decided to live in the bathroom, in which he created a small apartment, and never leaves it. Tobajas has given up everything except vanity, and his contacts with the world are reduced to visits from friends and messages sent through the toilet inside aspirin tubes in the hope that someone will receive them and know about his existence. Arabel Lee, a beautiful girl, finds one of those messages.
|
|
|
Tres huchas para Oriente (1954)
Character: Cliente de José
Pedro Manolo and Juan, three naughty and full of enthusiasm children go out with their piggy banks collecting money for missions. Near the end of the day, a car ran over one of them and is driven to a nearby hospital. The head of school, not knowing which of the children was injured calls the parents of the three to attend the health center. In parallel, we know the story of the three families. In the upper-class family, the father will leave his mother for another woman, in the middle class one, one sister invites her boyfriend to lunch and family revolutionizes and, finally, in that of lower class, the boy's father is about to be complicit in a crime
|
|
|
La guerra de Dios (1953)
Character: Tendero (no acreditado)
A young priest encounters major problems in the diocese where he must preach the word of the Lord, mainly as a result of hatred caused by differences in classes
|
|
|
Currito de la Cruz (1965)
Character: Don Antonio
The rivalry between the old bullfighter Manolo Carmona and young Romerita it takes to seduce Rocio, the Carmona's daughter, and elope with her. After a year, Romerita leaves the girl and the daughter, who spend all kinds of calamities. Some time later, Romerita dies. At the same time, Currito de la Cruz, a young bullfighter sponsored by Carmona, who has always been in love with dew, waiting patiently for the girl forget the past.
|
|
|
El gran Galeoto (1951)
Character: Señor en reunión
A young musician and dreamy, called "Ernesto", is forced to live in Madrid to die his father, in the house of executor of the testament, "don Julio Villamil", who is married to actress Teresa Labisbal, of which "Ernesto Acedo" was enamored platonic. Although the conduct of the young is flawless, a third person causes slander which oblige "don Julio" to fight in mourning to death.
|
|
|
Lola la Piconera (1952)
Character: Parroquiano
Cadiz, during the War of Independence. The Lola singer in love with a French military entrusted an important message ...
|
|
|
Guerreras verdes (1976)
Character: Sacerdote
Dolores, a rich landowner, is in love with a Sergeant of the Civil Guard. Her twin sister Rosa comes to supplant her, while a false cousin sets up a smuggling network with the farmhouse administrator and the mayor's son
|
|
|
Pequeñeces (1950)
Character: Criado de Jacobo
Madrid in the 1870s. Amidst political intrigues against King Amadeo de Saboya, wealthy and strong-willed countess Curra de Albornoz makes her own way in spite of her son and husband, considering her indiscretions as merely trifles ("pequeñeces") until tragedy strikes her. Period drama with a luxurious production design.
|
|
|
Eroe vagabondo (1966)
Character: N/A
Noah earns his living as a plastic flower seller and despite his crushes and hardships, his sweet and dreamy character pushes him to go forward, as well as the love for a girl to whom he usually gives a flower every week . One day he discovers that his loved one has lost her life and begins to wander aimlessly, eventually becoming a hero after saving a clown from certain death but at the same time remains a slave to interest games by shady individuals. When he attends the representation of Romeo and Juliet, he finds in the female protagonist the features of the girl he loved.
|
|
|
Erdbeben in Chili (1975)
Character: Bishop
Tutor Jeronimo and heiress Josephe fall in love but are quickly torn from one another by execution and jail. However, when fate intervenes in the form of a massive earthquake, the two lovers have no idea what is in store for them.
|
|
|
|
|
Nunca es tarde (1977)
Character: Abuelo
Antonio and Teresa are a couple who live in a flat in San Sebastian. Ursula Michelena, an elderly woman over 70 years old, lives on the top floor. Ursula is secretly in love with Antonio, whom he continually spies from one of the windows of her house. One night she sees Antonio and Teresa making love and that fact excites her violently, in such a way that she asks Antonio for a secret appointment and tells her that she is pregnant and that the son she is waiting for is his. Úrsula, according to her version, has become pregnant looking at Antonio and Teresa making love.
|
|
|
Pasto de fieras (1969)
Character: N/A
The orphan shepherd boy Tino loses his flock to save a lost sheep. After this event, he tries to embark for America.
|
|
|
Júrame (1964)
Character: N/A
Alberto wants to conquer the artist Laura Céspedes and invites her to a student party at the Faculty of Medicine. After being rejected, he decides to go to Africa.
|
|
|
Noche de tormenta (1955)
Character: N/A
An outsider seduces and deceives a small-town girl, taking advantage of her innocence, in order to kill her mother.
|
|
|
Cupido contrabandista (1962)
Character: N/A
John is a shy and good-natured man who lives in Ceuta and does everything by correspondence, from studying a career or learning judo to getting a girlfriend. She is from Madrid and the time has come for Juan to meet her so he takes a boat to the peninsula. In the boat he coincides with Maria, a beautiful young woman who goes to the capital to study chant and which he had previously met accidentally. During the trip, foreign smugglers try to use John to pass inadvertently stolen diamonds in Tangier.
|
|
|
Despedida de soltero (1961)
Character: Guardia
A couple of friends, "Carmen" (Silvia Solar) and "Miguel"(Germán Cobos), fail to raise the money needed to marry. These difficulties encouraged the illusion of the boy, who wants a shot leaving for another country. The dreams of "Miguel" are approved and encouraged by "Don Pablo", (Pepe Isbert) musician of the Municipal Band and uncle of Carmen, in his years young was unable to reach them. On the other hand, Carmen lives with his aunt "Antonia" (Matilde Muñoz Sanpedro), which does not speak with his brother "Don Pablo", and whose sole ambition is to see married her niece, because in order to "maid" in the family there is enough with her. But with the arrival in Cádiz of the president of a south American country, everything is going to change course.
|
|
|
Historias de Madrid (1958)
Character: Lucas
Dawn in Madrid. In the Plaza de la Cibeles begins the daily grind. The statue of the goddess, from its source in the center of the square tells the story of a man, petty speculator, owner of an old building that is going to ask Saint Nicholas for his cooperation to make it sink, and thus be able to lift a twelve-story modern building. But the inhabitants of the block have also implored the Saint to prevent this from happening.
|
|
|
La luna vale un millón (1945)
Character: Financiero (uncredited)
An unfortunate accident changes forever the fate of two men who look alike: one of them is desperately poor; the other one is extremely wealthy.
|
|
|
Una chica casi decente (1971)
Character: Juez
Cesar Martin, better known as El Duque, is an elegant, charming and intelligent man, who has been obliged to be known by heart the Penal Code, as their profession is the scam. Cesar has another weakness: his beautiful daughter Silvia is always a decent person.
|
|
|
La vida alrededor (1959)
Character: Don Heliodoro
Josephine and Antonio have reached a delicate economic balance after marriage. The salary of lawyer from him, and wins her in the hospital, allows them to survive and fantasize about some freak. The situation is complicated by the news that Josephine is pregnant. Ahead of the debacle that may involve having a "child who eats everything, including food," Josephine teaches the baby still in her womb, higher education courses in order to save some money in schools. Meanwhile, Antonio enters the underworld scene, looking for customers who offer their services as a lawyer.
|
|
|
Doña Francisquita (1952)
Character: Un señor
Francisquita secretly loves Fernando, but he is in love with the beautiful and fickle Aurora.
|
|
|
La becerrada (1963)
Character: Chamorro
San Ginés de la Sierra is a small village lost in the mountains in southern Spain. It is known throughout the region for two peculiar characteristics: its "persistent" drought and a "Home of the Vanquished". This "home" is an institution that houses some twenty old people, to whose care are eleven nuns and crosses a distressing economic situation. The nuns are desperately seeking a solution and decide to hold a charity bulls run.
|
|
|
Las muchachas de azul (1957)
Character: Payaso
Serving the customers of a department store, the salesgirls in their blue uniform go out of their way to serve them. But in their young minds, one idea surpasses all: the hunt for a husband. Ana is in love with Juan, who seems to be very well in his condition of single. Olga has aspirations of the highest level, as her boyfriend must own a great car. Pilar aims to win a radio contest. And there is also Álvaro, the lawyer whose only cause capable of defending, and even with a resounding failure, is the freedom of the bachelor.
|
|
|
Celos, amor y Mercado Común (1973)
Character: N/A
The film follows the adventures of several couples in Spain in the early 70s, whose stories intermingle: Luis is an unfaithful husband to his wife Juana, Felipe is a plumber who seeks extra-spousal adventures to hidden from his wife, Rosario, who works as an assistant. Ramón is a pathological jealous whose obsession is that his girlfriend Charity confess the hypothetical adventures he had with other men before meeting him, Irene is a jealous wife of her husband, Carlos, whose professional life gives him numerous opportunities for infidelity, Domin he is a pimp who frequents the brothels of Madrid .
|
|
|
Mi marido y sus complejos (1969)
Character: Ernesto
A married man with mother expected every day and especially forward to the arrival of the night to let off steam in a nightclub and escape from the daily drudgery family.
|
|
|
Los que no fuimos a la guerra (1962)
Character: Fernández
First World War. In a largely rural area of neutral Spain, two families confront one another and play a part in embarrassing situations because they don't support the same side in the war. This will influence the breakup of an engagement.
|
|
|
Tres eran tres (1954)
Character: (segment "Introducción: Tribunal")
An anthology film centered around a film company called Tiacapa.
|
|
|
El crimen de Pepe Conde (1946)
Character: N/A
Pepe Conde, a poor simple man, is tricked by a rich marquis to believe he has sold his soul to the devil to win the attention of the woman he is in love with.
|
|
|
Ana dice sí (1958)
Character: Portero
Juan does not have a cent but lives beautifully. His nights of revelry and cabaret are famous in the night city environments. As heir to his old and very rich uncle Don Patricio, lives subsidized by creditors on account of his future inheritance. But John keeps a terrible secret: he has long been disinherited. When a telegram arrives announcing the death of the uncle, Juan returns to the family home in the Costa Brava. There he meets Anna, a wonderful woman who is the current heir to the family fortune.
|
|
|
El hombre que viajaba despacito (1957)
Character: Marcelino
A tank regiment soldier needs a permit to go to his village to meet his newborn son. It will not be easy, leading to absurd situations featuring the legendary humorist Miguel Gila.
|
|
|
Operación Dalila (1967)
Character: Botín
A couple try to help the residents of a small Caribbean island overthrow a dictator.
|
|
|
La señora de Fátima (1951)
Character: (no acreditado)
The story of the 1917 miracle of Fatima, in which the Virgin Mary appeared to three children--two girls and one boy..
|
|
|
Verflucht, dies Amerika (1973)
Character: N/A
After years in prison, a gang of criminals are deported from Bavaria and arrive as free immigrants to America. They kill an Indian by accident and do different jobs such as cleaning latrines, until they get installed in an abandoned house next to an Indian woman. One day someone will propose to perpetrate a robbery ...
|
|
|
En un mundo nuevo (1972)
Character: Taxista
When spirited governess Karina arrives at a grand mansion to teach a group of musically gifted children, she brings harmony through song—but discord brews behind the scenes. As Spain’s top star Marta prepares for Eurovision glory, her composer boyfriend Carlos finds unexpected inspiration in Karina. Jealousy, ambition, and romance collide when Marta issues a dramatic ultimatum: either Karina leaves, or Spain loses its voice at Eurovision.
|
|
|
Un marido de ida y vuelta (1957)
Character: Sacerdote
Adaptation of the eponymous play of Jardiel Poncela. A husband dominated by his overbearing wife dies victim of a heart attack the day she forces him to shave his beloved beard to go to a costume ball dressed as a bullfighter. Its spectrum then begins to walk around the house and the most unexpected cause tangles. When she finally decides to settle definitely get materialize and get his wife, who has meanwhile become a being sweet and understanding.
|
|
|
Camarote de lujo (1959)
Character: Padrino
Aurelio leaves his village and goes to the capital to work with a relative in an emigration shipping company. He soon discovers that his relative earns a bonus extorting migrants who sell tickets. But Aurelio is an honest, sensible man who cannot allow such injustice, and he gets fired. Without telling his parents or girlfriend anything about what happened, he decides to stow away on a boat to America.
|
|
|
El inquilino (1958)
Character: Consejero
One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.
|
|
|
El marqués de Salamanca (1948)
Character: Recepcionista hotel
José de Salamanca was arguably one of the most influential figures of the Spanish 1800s. This films tells his story.
|
|
|
Esa voz es una mina (1956)
Character: Miembro Consejo de Administración
A young miner, married to a lovely woman crippled, lives happily proving to have a wonderful singing voice while hauling trucks in the mine. One day, to hear a clever promoter, gets its hands on an interesting contract to sing in the most cosmopolitan nightclubs, waking him good prospects for a revenue amazement while he meets another woman who might get put endanger their marriage.
|
|
|
Nosotros dos (1955)
Character: Cliente (no acreditado)
After the death of her father, María returns to her hometown with Maria, her mother. Lupo and Beto fall in love with her, two brothers whose family is at odds with hers. While Beto tries to rape her, Lupo becomes the girl's protector.
|
|
|
Soldados (1978)
Character: N/A
Dramatic portrait of men and women discouraged in the midst of the Spanish Civil War, after the odyssey of a group of Republican soldiers trying to reach the east coast to go into exile. Agustín must bear that his libertine father lives with the ironer Remedios, although she does not love him. She escapes and he goes to war; when they finally meet again, anxious amid bursts, it will be impossible to consummate their desires repressed for so long.
|
|
|
Corazón solitario (1973)
Character: Sacerdote
Antoñito is a bachelor who works in a cabaret as a clarinetist. He has put an advertisement in the newspaper, looking for a good and honest girl, and to which responds Rocío, who escapes from her native Córdoba to hide the embarrassment of her pregnancy. The coexistence with the naive clarinetist, who refuses the insinuations of a co-worker dedicated to prostitution, who idolizes his deceased mother and keeps as a relic the orthopedic leg of his late father, is not easy. The other men will tend their ties around Rocío, that makes way in the world of the spectacle pretending to be blind. When she can no longer conceal that she is pregnant, Antoñito decides to give his name to the fruit of sin.
|
|
|
Tercio de quites (1951)
Character: Criado (no acreditado)
Spanish bullfighter and a Mexican one have a friendly rivalry spanning decades.
|
|
|
|
|
Un paso al frente (1960)
Character: Cocinero
Rafael, Miguel and Gabriel are three boys of different social status, who come to the call of the Flags of Hunters Parachute enroll in their ranks. Between them comes a great friendship and starring a host of incidents, until Rafael starts a relationship with Milagros, an attractive girl of Alcala.
|
|
|
Agustina de Aragón (1950)
Character: Defensor de Zaragoza (no acreditado)
1808. During the Spanish Independence war the city of Zaragoza is besieged by French troops. Spanish forces under General Palafox are scarce. Brave Agustina doesn't hesitate to lead the battle and even fire a cannon to stop the invaders when others run away. Based on historical facts.
|
|
|
El alijo (1976)
Character: Agente
Paco, a truck driver who has always been dedicated to smuggling, hires Curro as an assistant, a young man wanting to make money without caring about the way to get it. The two drivers are surprised by an offer that far exceeds what they use to perceive: they have to transport illegal immigrants from Portugal to the French border.
|
|
|
|
|
|
|
La montaña rebelde (1971)
Character: Don Fabián
Abel Garrido, a doctor, returns to his hometown to stay. There he meets Mingo and his girlfriend Rita, and they become good friends. But when war comes in 1936, he must go and fight. The events that happen afterwards will take him to confront with Mingo.
|
|
|
Crossfire in Caracas (1967)
Character: N/A
After escaping from a prison camp, an undercover Policeman infiltrates a Revolutionary Movement bent on stealing guns and ammo for their cause. He finds that he must combat the entire group single-handed. Larry Anderson
|
|
|
Der Löwe von Babylon (1959)
Character: Kepek
In the ruins of Nim Bis Rub, in Babylon, is a band of smugglers den. There goes Nemsi Kara Ben and his faithful friend. One night, while camping, they surprise three smugglers and, after a hard-fought struggle, manage to reduce them and take possession of the rings that are their trademark. Then they go to Baghdad and there, a character who wears a ring of smugglers, which has seen Kara's, confuses him with one of the band.
|
|
|
Django (1966)
Character: Nathaniel the Bartender
A coffin-dragging gunslinger and a prostitute become embroiled in a bitter feud between a merciless masked clan and a band of Mexican revolutionaries.
|
|
|
Con la vida hicieron fuego (1959)
Character: N/A
The sailor Quico Carola, alleged war hero of the Francoist side, emigrated to America and amassed a great fortune. Fifteen years later he returns to Ferrera (Asturias), his homeland, in search of a wife who makes him forget his late girlfriend. There he will see his old friends and Armandina, the widow of a Republican shot during the Spanish civil war.
|
|
|
Les Quatre Vérités (1962)
Character: (segment "La mort et le bûcheron")
"Les quatre vérités" aka "The Four Truths" is a movie anthology that consists of four segments, all loosely parodying fables from the 17th-century French poet Jean de la Fontaine. The US cut usually features only 3 segments.
|
|
|
Madamigella di Maupin (1966)
Character: Monsignor de Maupin
Mademoiselle de Maupin escapes from her uncle's castle, invaded by Hungarian troops, under the guise of a clergyman named Theodore. An army recruiter forces Theodore to enlist in the King's army, and not even the religious robe is an insurance against it. Theodore is assigned to be aide-de-camp to Alcibiade, a man as virile in combat, as he seems troubled for the figure of his aid. D'Albert, an aristocrat, will expose Theodore's true sex, and after a number of confusing, comedy situations, Alcibiade will appease his troubled feelings.
|
|
|
Fulano y Mengano (1957)
Character: Encargado de obra
Eudosio and Carlos were imprisoned by mistake. Now out of prison, are trying to get a job and to adapt to a society that rejects them.
|
|
|
Ricco (1973)
Character: Giuseppe Calogero
Fresh out of the joint, young Ricco is eager to get home to see his family. He was cut loose a year early for good behavior, but it certainly wasn't good behavior that got him in the big house in the first place. Two years prior, Ricco took it upon himself to go after Don Avito, the man who killed his pappy and took his girlfriend. Yet Ricco came out of prison a changed man. He had a lot of time to think, and the anger and thirst for revenge is no longer there, much to his mother's chagrin. She is quite upset that her son is not interested in paying back Don Avito for his deeds, and she needles Ricco relentlessly until he reluctantly gives in to her demands.
|
|
|
Dove si spara di più (1967)
Character: Padre
Two family clans have always been enemies; they spend their time hating and killing each other. The daughter of the Campos family and the son of the Mounter family fall in love, thus causing further hatred and deaths.
|
|
|
Le tre eccetera del colonnello (1960)
Character: (uncredited)
In Spain, during the Napoleonic rule, the French Governor of Andalusia is besieged by the locals who have countless demands and wishes.
|
|
|
Réquiem para el gringo (1968)
Character: Samuel, Saloon Owner
Returning home, Ross Logan immediately gets into conflict with the Carranza gang, which had just crossed the Mexican border and has occupied a nearby Hacienda. After his brother is killed he plans a cold blooded revenge for which he separates the gang's most dangerous members by using their individual weak points and the general discordance amongst them. The time for the final confrontation is set by the astronomically interested Logan amidst an eclipse.
|
|
|
Le legioni di Cleopatra (1959)
Character: Slave Trader
Octavio secretly sent his consul Curridio to Alexandria in a final attempt to reach peace. In the city, he meets Berenice, a mysterious and beautiful dancer who falls in love. Actually, the dancer is the queen Cleopatra who leads a double life using this name.
|
|
|
Accidente 703 (1962)
Character: Mariano (uncredited)
Hector travels with Luisa by the road linking Madrid with Barcelona. When another car suddenly crosses his path, his vehicle leaves the road and plunges into a tree. Hector dies and she is seriously injured. The other car was occupied by Jorge and Paula, her lover. Several vehicles cross before the car crash and do not stop, each for a different reason. Among them is Julio, a truck driver who does not stop in order to reach his destination on time, not knowing that at the wrecked car travels his old girlfriend.
|
|
|
El pisito (1959)
Character: Sáenz
Rodolfo and Petrita each live in separate quarters in dilapidated Madrid, while looking to have a little apartment (or "pisito", in Spanish dialect). Unfortunately their low salaries prevent them from acquiring one. Soon, Rodolfo's co-workers urge him to marry the old and frail Doña Martina, who is the main tenant in the apartment he boards in. According to Spanish rent-control law, he could inherit the lease from his spouse. Thus begin his misgivings and Petrita's. Written by Emilio
|
|
|
El balcón de la Luna (1962)
Character: Cura
The lives of 3 singers during their last few months working at a venue called "The Moon's Balcony"
|
|
|
La venganza del Zorro (1962)
Character: Ciudadano
Don Jose disguises himself as Zorro, the masked freedom fighter, who tries to protect his people from the wrath of an evil military officer who is using his position to his own advantage.
|
|
|
¿Dónde vas, Alfonso XII? (1959)
Character: Tabernero (uncredited)
Alfonso de Borbón and his cousin María de las Mercedes de Orleans fall in love and, although both families do not maintain good relationships, young people marry when Alfonso became king of Spain.
|
|
|
Nacional III (1982)
Character: N/A
In order to solve economic problems, "Leguineche" family decide to move to France with their limited belongings.
|
|
|
¡Qué cosas tiene el amor! (1973)
Character: N/A
The Loinaz siblings live off petty theft in refined environments. When they find out that Peret is going to shoot a movie in Marbella, the whole family moves their headquarters to Marbella.
|
|
|
En Baldiri de la costa (1968)
Character: Rector
Baldiri, a farmer on the Catalan coast, is reluctant to sell his garden, where they want to build a tourist hotel. Through a stratagem, they convince him and sell the land. Loaded with money and after a series of experiences, he realizes that that life is not what he wants, he abandons everything and goes to live in the mountains.
|
|
|
Don Quijote de la Mancha (1947)
Character: Segundo Fraile (Second Friar) (uncredited)
The old hidalgo Don Alonso Quijano, maddened by the excessive reading of books on chivalry and determined to become a famous and heroic knight-errant, leaves his village and sets out on the road in search of adventure, accompanied by his faithful friend Sancho Panza.
|
|
|
Ligeramente viudas (1975)
Character: N/A
Leonor and Engracia suddenly become widows, but both will take their new social situation in different ways. When they meet Jose Luis and Eugenio, all the plans made will change with the intention of reaching the altar.
|
|
|
Los chicos (1959)
Character: (uncredited)
Four young men are cited in a kiosk during a rainy afternoon. One has to study and the other three go to the cinema, although they are not allowed to entry because their young age. The group consists of Andrés, who works as bellboy in a hotel and dreams of becoming a bullfighter; Chispa, who follows the orders of an old grumpy man; Carlos, a student; and Negro, a shy boy. All they want is to have fun; but reality forces them to confront the problems of the adult world.
|
|
|
El verdugo (1963)
Character: Álvarez, el enterrador
An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.
|
|
|
¡Bienvenido, Mister Marshall! (1953)
Character: Pedro
A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.
|
|
|
Cariño mío (1961)
Character: N/A
Miguel and Verónica meet in a plane and lie to each other about their true self: she tells him she's a secretary while she actually is the billionaire niece of a duchess, and he tells her he's a trumpet player while he is a Teutonic king. Eventually they fall in love, without knowing about each other's true identity, all of this while Miguel is being urged by his ministers to choose a wife of royal blood and get married as soon as possible, and a revolutionary group, one of which members is Verónica's brother, plans a terrorist attack against the king.
|
|
|
Sweet Pain (2019)
Character: N/A
Carlo, a young music composer from a wealthy family, is going through an emotional crisis. When he moves to a new house he recalls the events and factors that led to his condition: the moment he met Maria, his first marriage, his obsession with music, his marriage, infidelity and the consequences of it. While the past returns in the form of memories, Carlo fights to recover his life and desire to compose music. Dolorosa Gioia tells the story of the tragic life of Renaissance music composer Carlo Gesualdo, although the story is set in the present.
|
|
|
Il mercenario (1968)
Character: Notary (uncredited)
While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.
|
|
|
Il prezzo del potere (1969)
Character: J. B. Cotton
In 1881 Dallas, an ex-Union soldier attempts to expose a conspiracy of Southerners that killed his father, his friend and President James A. Garfield.
|
|
|
La escopeta nacional (1978)
Character: N/A
A catalan manufacturer of intercoms travels to Madrid, accompanied by his mistress, to attend a hunt that he has organized. Its main purpose is to mix with people of high society to improve their business. All seems well until the owner of the farm shows full authority over James, who is the real organizer of the meeting. The celebration is diverse characters who live next to absurd situations.
|
|
|
|
|
Aventuras del barbero de Sevilla (1954)
Character: Dueño de la posada
Bandits kidnap Figaro, the famous barber of Seville, and use his wonderful voice to attract travelers and rob stagecoaches. Because of this, the police chases him as an accomplice of the bandits. Then Figaro decides to join the army as a volunteer to fight in Puerto Rico. He returns covered with glory and his faults are condoned. However, the adventures of Figaro continue in Seville in the false scene of the aristocracy
|
|
|
Mi calle (1960)
Character: Tratante de caballos (uncredited)
Life events around a city street and its residents are told along the years while time goes by, wars break out and end and life evolves.
|
|
|
Sabían demasiado (1962)
Character: El Sésamo
A gang of Spanish pickpockets decide to send one of them to Chicago to learn how to be a gangster...
|
|
|
Los peces rojos (1955)
Character: N/A
Ivón, a chorus girl, Hugo, a failed writer, and Carlos, Hugo's young son, arrive at a seaside hotel on a stormy night.
|
|
|
I promessi sposi (1964)
Character: (uncredited)
Renzo Tramaglino and Lucia Mondella are two poor farmers who are in love, but they are hampered by the wickedness of the powerful Don Rodrigo, who secretly loves Lucia. The two run away from Lake Como where they live, and take refuge inland.
|
|
|
Une corde, un Colt... (1969)
Character: Barkeeper (uncredited)
A melancholic gunfighter is drawn into a vengeful and tragic kidnapping plot by his widowed ex-lover.
|
|
|
Navajo Joe (1966)
Character: Oliver Blackwood
The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.
|
|
|
Tintin et les oranges bleues (1964)
Character: Professeur Zalamea
Professor Calculus's friend develops a blue-skinned orange that can grow on any kind of land and survive harsh weather (in the manner of Lue Gim Gong) and therefore solve world hunger. The Professor and his friends, however, run afoul of gangsters who also covet the fruit. The adventure takes them from their home in Marlinspike Hall (Moulinsart), a fictional mansion that is presumably in Belgium, to Spain, where Calculus and another scientist are kidnapped.
|
|
|
Aeropuerto (1953)
Character: N/A
Different kind of people arrives to Madrid airport. Some goes with their heads and others just landed. Fernando is a pilot who he brings a girl for his relatives. Ceferino and his wife have won a contest and will travel soon to Paraguay and they are there because they want to know the airplane. Mr. Beltran is very nervous because he returned to Spain after many years of exile.
|
|
|
El cochecito (1960)
Character: Álvarez
Don Anselmo, a retired old man, decides to buy a motorized disabled stroller since all his pensioner friends own one. His family strongly refuses him to purchase the vehicle, so don Anselmo decides to take extreme measures to achieve his goal…
|
|
|
La venganza (1958)
Character: Master #2
After spending ten years in prison for a crime he did not commit, Juan is released.
|
|
|
La máscara de Scaramouche (1963)
Character: N/A
Robert Lafleur (Scaramouche) is an actor in 18th century France who spends most of his time, including when he should be on stage, light-heartedly having love affairs and generally enjoying life. One day, a marquis visits him and asks him questions about the birth mark on his shoulder...
|
|
|
Der scharlachrote Buchstabe (1973)
Character: Rev. Wilson
In 17th-century Salem, Hester Prynne must wear a scarlet A because she is an adulteress, with a child out of wedlock. For seven years, she has refused to name the father. A vigorous older stranger arrives, recognized by Hester but unknown to others as her missing husband. He poses as Chillingworth, a doctor, watching Hester and searching out the identity of her lover. His eye soon rests on Dimmesdale, a young overwrought pastor. Enmity grows between the two men; Chillingworth applies psychological pressure, and the pastor begins to crack. A ship stops in Salem, and Hester sees it as a providential refuge for her daughter, herself, and her lover. But will Dimmesdale flee with her?
|
|
|
|
|
|
|
La justicia del Coyote (1956)
Character: N/A
California, 1840s. Wealthy landowner César de Echagüe, secretly acting as El Coyote, the legendary masked hero, continues his fight against the injustices and abuses suffered by the Hispanic population at the hands of the US Army.
|
|
|
Avisa a Curro Jiménez (1978)
Character: N/A
Córdoba, Spain. Lord Killarney, representative of the British Museum, acquires an Arabic incunabulum at an auction; but he is murdered and the book disappears. All suspicions fall on El Lince, an antique dealer with a shady background, who asks his nephew to warn Curro Jiménez.
|
|
|
091: Policía al habla (1960)
Character: Melonero
A police inspector makes his service in a patrol car attenging emergency calls. A memory hauns him, the death of her daughter, who was killed hit by a car that fled. The car is located and the inspector goes there and confrontation will be violent.
|
|
|
Die Sklavenkarawane (1958)
Character: Bimbaschi (uncredited)
The dreaded slave hunter Abu el Mot attacks the caravan and abducts the travelers, including Kara Ben Nemsi, his faithful companion Hadschi Halef Omar, the quirky scholar Ignaz Pfotenhauer and the English explorer Sir David Lindsay. Kara Ben Nemsi manages to escape with Hadschi Halef. To get help, they set off on a long journey full of impassable adventures...
|
|
|
Margarita se llama mi amor (1961)
Character: Manolo, hombre sentado en el baile
Margarita is a beautiful and explosive girl studying in the Faculty of Arts somewhere in Galicia. To the chagrin of the rest of the girls in the class, all the boys want to date her, to the point moniker of "the bride of the Faculty". However, who really steals the heart Margarita is another person ...
|
|
|
Non faccio la guerra, faccio l'amore (1966)
Character: Don Alvarez
Twenty years after the end of the war, a German submarine has not yet surrendered and continues to wander the seas. Its travelers include a half-witted officer, a meager and dazed crew, and Ombrina, a girl rescued from a shipwreck when she was only one year old and adopted by the men of the strange vessel.
|
|
|
La gran familia (1962)
Character: El frutero
Carlos Alonso and Mercedes Cebrián are parents of fifteen children of different ages.
|
|
|
La Folie des grandeurs (1971)
Character: Representative of the poor village racketeered (uncredited)
Don Sallust is the minister of the King of Spain. Being disingenuous, hypocritical, greedy and collecting the taxes for himself, he is hated by the people he oppresses. Accused by The Queen, a beautiful princess Bavarian, of having an illegitimate child to one of her maids of honor, he was stripped of his duties and ordered to retire to a monastery.
|
|
|
La quiniela (1960)
Character: N/A
Don Cándido is a modest old office clerk who makes his first pool coming off of a bad streak at work. He has thirteen hits and wins a considerable sum of money. This causes him to be blinded by ambition, changing his character, spreading his newfound hobby to his family, and gambling becoming the center of his life.
|
|
|
Viaje al centro de la Tierra (1977)
Character: Professor
A 19th-century expedition to the Earth's core reveals primordial wonders, prehistoric monsters and a subterranean civilization that may convey the greatest discovery of all.
|
|
|
Esa mujer (1969)
Character: N/A
At the end of the 19th century, Soledad Romero, a well-known singer, is accused of murder. During the trial her tragic story is revealed.
|
|
|
La gran mentira (1956)
Character: Sándalo's Screenwriter (uncredited)
César Neira, an almost forgotten Spanish actor, gets involved by chance with Teresa, a teacher from a small village in the province of Cáceres, who has won a radio contest. The prize is a trip to Madrid to experience just for a fortnight the life of the famous and wealthy people.
|
|
|
Letti selvaggi (1979)
Character: N/A
8 comic sketches set in Italy, with 4 of the most famous European sex symbols of the 70's playing 2 roles each.
|
|
|
|
|
Un rolls para Hipólito (1983)
Character: Huésped
Hipólito, a factory janitor whose workers are on strike, is choosen as spokesperson for your workers' complaints to the principal. He, who is not willing to budge, decides to earn the concierge, naming his personal secretary.
|
|
|
El día de los enamorados (1959)
Character: Cliente en Tienda de Deportes
Several independent histories in the St Valentine's Day, which they have jointly that a celestial emissary collaborates in solving his conflicts.
|
|
|
La vida en un bloc (1956)
Character: Cura párroco (uncredited)
Dr. Nicomedes Gutiérrez carefully points out to the last detail everything that happens in his life. Doctor in a small village, he is in love with the village teacher, but, before getting married, he decides to treat himself to having his last fling.
|
|
|
Tedeum (1972)
Character: N/A
A con man inherits a gold mine. Knowing that his family are even bigger con artists than he is, he assumes the mine is worthless, and teams up with a partner in a scheme to unload it on some unsuspecting chumps. However, the other members of his family discover that the gold mine is actually worth a lot of money, and they set out to take it from him before he realizes what he has.
|
|
|
Marisol rumbo a Río (1963)
Character: Cliente en gasolinera
Separated by continents, twin sisters Marisol and Mariluz live worlds apart—one in Madrid with her struggling mother, the other in Rio under the care of a wealthy uncle. When Marisol’s mother sacrifices everything to reunite the family in Brazil, their arrival threatens a sinister scheme: Mariluz’s governess and her lover are plotting to steal the uncle’s fortune. With the truth unraveling and danger closing in, the twins must fight not just for reunion—but for survival.
|
|
|
El insólito embarazo de los Martínez (1974)
Character: Hombre en combate de boxeo
One man becomes each day more and more fat. The exercise does not help him. Finally he goes to the doctor that finds out his problem: he is pregnant.
|
|
|
Nosotros, los decentes (1976)
Character: Don Domingo
A businessman's sex life is null because of his sick wife. So he hires a young widow to take care of her. He finds her very attractive and falls in love, so he seeks the consent of his children to be able to marry again.
|
|
|
Doña Perfecta (1977)
Character: Deán
Pepe Rey, Doña Perfecta's nephew, arrives in Orbajosa, a quiet and provincial city, with the task of building a reservoir. However, the presence of Pepe, a man of liberal ideas to whom unfounded revolutionary and even anticlerical intentions are attributed, is not well received in the town. So each of its inhabitants will have a reason not only to hate Pepe, but to want him to get out of there as soon as possible
|
|
