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Cuento Chino (2019)
Character: Paco
Pili is a middle-age woman. She owns a tabacco shop in a working class neighberhood of Madrid, and she is a gambler. Enraged by the prize of a slot machine, she will chase Ying and Li-Sung throughout the neighborhood. How far will she be willing to go?
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Ida y vuelta (1968)
Character: N/A
Elena, a shy and unmarried girl, belonging to the upper middle class and somewhat marginalized from the general environment, embarks on a trip to the family farmhouse one morning, and when she returns to the city that same day, at night, she is forced to take a strange woman in her car.
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El pecador impecable (1987)
Character: El cura
Honorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.
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Cuentos eróticos (1980)
Character: Exhibicionista
A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
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Arrebatos (1998)
Character: N/A
The making of Iván Zulueta's film Arrebato (1979). Interviews with cast, crew, and producers.
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Howard Hawks, San Sebastián 1972 (2003)
Character: N/A
In 1972, the American film director Howard Hawks travelled to San Sebastian to preside over the jury of the Film Festival. Two young film buffs, Jesús Martínez León and José Luis Cuerda, came from Madrid in the hope of interviewing him. After thirty years of life and films we recover that unpublished interview.
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Matador (1986)
Character: Priest
A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.
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Aute retrato (2019)
Character: Himself
A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.
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El apóstata (2015)
Character: Padre Quirós
A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.
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Writing Heads: Hablan los guionistas (2013)
Character: Self
They are the first and the last, those who imagine stories and give voice to the characters who live them. However, they never speak. But now, they emerge from the shadows of a poorly lit room and tell their secrets, their tricks, their influences; they tell their own story, that of those who face the blank page, the absolute nothingness; that of those who are the true authors, those who create and destroy entire universes. They are the screenwriters.
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¿Qué he hecho yo para merecer esto? (1984)
Character: Cliente 'Striptease'
A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.
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El último arrebato (2025)
Character: Self
Arrebato (1980) is the great cult movie of today's Spanish cinema and Iván Zulueta, its director, an accursed filmmaker. Arrebato was the film that forecast the end of the movida, a dark and harrowing reel whose history and intra-history are intimately linked. Arrebato acts as a premonition of the director’s own life. Just like his actors, Zulueta will end up being brought down by drugs and the cinema and, like them, will also disappear.
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Un cine como tú en un país como éste (2010)
Character: N/A
Salamanca director Chema de la Peña recalls in this feature documentary professionals early filmmakers like Fernando Colomo, Fernando Trueba, Imanol Uribe, Carmen Maura and Antonio Resines, protagonists of the so called 'New Spanish Cinema' in the 80s. His first films were produced between friends, her back to the industry. Rolled with minimal budget and with the sole intention of having fun ... And big surprise were critical and box office successes. And also true generational manifestos.
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Berlanga!! (2021)
Character: Self - Filmmaker
How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.
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Pastel de sangre (1971)
Character: Henry Clerval (segment "Victor Frankenstein")
Four part anthology horror film, with segments featuring witchcraft, ghosts, Frankenstein and his monster, and ancient Christians battling Celtic vampires.
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Un fantasma en la batalla (2025)
Character: Txiki el Viejo
A young agent leaves everything behind to pose as a member of ETA, risking her life to uncover the terrorists' hideouts in the south of France.
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La noche que no acaba (2010)
Character: Self
Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.
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Patrimonio nacional (1981)
Character: N/A
After the death of General Franco, the Leguineche family leaves their estate of Los Tejadillos, where they have remained for decades in voluntary exile, with the purpose of returning to Madrid to actively participate in the social events of the aristocracy and to get closer to the closest circle of the Spanish monarch. The obsession of the old marquis is centered on getting in touch with the most illustrious surnames, to ascend socially and to resume the pomp and courtly life that his family lost a long time ago. To this end, he decides to move into an old palace he owns, located in the center of the capital, but not before overcoming the difficulties posed by his wife, who deeply hates both her husband and her son. To regain control of the palace, the Marquis of Leguineche tries to handicap his wife, arguing an incurable mental illness, and then undertake a reform of the place in order to adapt it to aristocratic life.
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Un, dos, tres, al escondite inglés (1970)
Character: Spot Producer (uncredited)
A band of young musicians will do the impossible to boycott a song they didn't like that's supposed to represent Spain in a famous musical contest.
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