|
Un troisième (1970)
Character: Le stagiaire
Shots of a sequence of a shooting: young girl who must shed tears.
|
|
|
|
|
|
|
La première séance (2009)
Character: N/A
For the first time, filmed by psychoanalyst Gérard Miller, famous and ordinary patients speak in a documentary about their “first session” of analysis—the one that sets the course for a personal journey that may last for years. Among them are Jacques Weber, Charles Berling, Marc-Olivier Fogiel, Marie Darrieussecq, and Carla Bruni-Sarkozy—who is the only wife of a sitting head of state to speak candidly about why and how she has been in analysis for the past eight years. But why did all these “analysands” go to see a psychoanalyst? What happened during their first session? Why did they continue? And why did some, like Karl Lagerfeld or Claude Chabrol, become critics of Freudian theory? The inside of the consulting room, where everyone dreams of being a fly on the wall and hearing what is said, but also… everything that goes on around, before, and after.
|
|
|
Les Bronzés, le père Noël, papy et les autres (2003)
Character: Self
Les Bronzés, le Père Noël, Papy et les autres....Discover or rediscover the emblematic scenes of these cult films that have crossed generations without getting old. Go behind the scenes of these unusual films through completely unpublished anecdotes and funny stories told by the authors themselves.
|
|
|
Le Fils de Gascogne (1995)
Character: Self
You're a provincial kid in Paris and suddenly you're the center of attention: Movie stars, famous directors and sexy women are doting on you because they all think you're the son of their long-dead legendary friend. You never knew your dad, but the facts of this famous guy's life suggest that he might have fathered you. Your mom tells you nothing. All the fuss makes you uncomfortable at first but soon you find it's rather fun to be the son of the famous Gascogne. And in the midst of it all you fall in love. It is, after all, springtime in Paris.
|
|
|
In viaggio con Adele (2018)
Character: Dumonde
Adele, a twenty-five year old girl who suffers from mental disorder, has never met her father and has always lived under the protective wing of her mother Margherita. Everything changes when her very existence is overturned by the latter’s sudden and unexpected death.
|
|
|
Pinot simple-flic (1984)
Character: Le voyageur incommodé
The film starts in the 13th arrondissement of Paris in 1984. Robert Pinot is a police officer as ordinary as clumsy. One day, he stops a certain Josyane, a young drug addict who is also doubled as a pickpocket, nicknamed Marylou. Having discovered that she comes from the same village, Nanteuil, then him, he takes compassion for the young girl and decides to take her under his wing to keep her away from Tony, a dangerous dealer with whom she is in love.
|
|
|
Tandem (1987)
Character: Le candidat malchanceux
Michel Mortez travels around France hosting a radio game show he created 25 years ago. He is famous among the average Frenchmen. Rivetot, his assistant and technician, always goes with him. He is the only one who knows what really lies under Mortez's appearance of a playful don Juan. When the program is canceled, Rivetot delays telling Mortez as long as possible...
|
|
|
|
|
Marche à l'ombre (1984)
Character: Man at the Katrina show (uncredited)
Two friends, one a musician the other constantly depressed wander around Greece and France till they get to Paris without a penny to their name. Here they spend nights in the underground, and squat in houses with the African immigrants. One day they both fall in love with Mathilde a blond dancer and follow her to New York.
|
|
|
Le cri du rhinocéros (2018)
Character: Self
Marc Labrèche, the Director of this documentary, himself an author, actor and host, meets other creators to ask them these questions that inhabit him. Do artists have an expiry date? Do we create our best works in our youth or, on the contrary, does experience allow us to develop a greater mastery of our medium? In this respect, are there important differences between the different forms of art such as music, cinema and literature?
|
|
|
Jean Rochefort, l'irrésistible (2020)
Character: Self
If Jean Rochefort remains so dear to our hearts, it is because this extraordinary actor alone embodies a cinema and a France imbued with freedom and carelessness. Through his films, archives and the testimony of those close to him, we discover a complex man, a sad clown saved by his taste for words and for fun.
|
|
|
|
|
Mes stars et moi (2008)
Character: Patrice Leduc
Robert, a fan of three French actresses is a bald-headed, potbellied man on the fifties, but fully devotes himself to them, and sometimes works for them without being recognized. But those star actresses find him a simple stalker fan and make fun of him, but later recognize he is sincere and genuine.
|
|
|
Josiane Balasko, un grand cri d'amour ! (2025)
Character: Self
This documentary looks back on a career of a woman who, very early on, refused to accept the roles assigned to her. In the 1980s, while others were trying to please, she wrote "Les hommes préfèrent les grosses" (Men Prefer Fat Women), a manifesto ahead of its time, funny, feminist, and blunt. Later, with "Gazon maudit" (Damned Grass), she tackled homosexuality with a freedom that is still shocking today.
|
|
|
René Goscinny, notre oncle d'Armorique (2017)
Character: Self
The career of French comic author René Goscinny was a living blend of cultures and an expression of the great importance this artist attached to the production and dissemination of sophisticated popular culture. Goscinny left behind an extremely extensive body of work: "Asterix", "Lucky Luke", "Isnogud", "Little Nick" and many more.
|
|
|
|
|
Belmondo, il était une fois le beau monde (2011)
Character: Self
A profile of Jean-Paul Belmondo by his peers. Besides appearing in over eighty films, the actor also delighted audiences with his dangerous stunts, his laughter, his jokes, and his refreshing ease and impertinence. Cultivating the art of the counterpunch, he spanned half a century of French cinema.
|
|
|
La La La (2018)
Character: Self - Director
When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.
|
|
|
Louis de Funès, le rire éternel (2023)
Character: Self - Filmmaker
On the occasion of the fortieth anniversary of the death of Louis de Funès, this documentary by Jacques Pessis pays tribute to the cult actor by retracing his career through excerpts of his greatest successes in the cinema and in the music hall, never-before-seen archives, as well as testimonies from personalities and relatives.
|
|
|
Les leçons du professeur Goudet (2013)
Character: Self
Stéphane Goudet is all over the Tati box-set as the preeminent Tati scholar, so it is only fitting that he conclude the disc with a half hour lecture that concludes the themes and methods of the filmmaker.
|
|
