|
Quai du Point-du-Jour (1960)
Character: A worker (uncredited)
Emile is a steelworker in a car factory ;a confirmed bachelor going on fifty, he leads a peaceful life .One night, he is woken up by a burst of machine gun fire. The cafe in the corner of the street has been burglarized.A distraught young girl rushes into his apartment building and hides in his room .When the police make a search, he makes her out to be his lover for the night.Madeleine tells her about her sad past : she has severed all links with her parents ,she's an unwed mother and in the underworld's clutches. Emile sends his protegee to old mommy Dupont's place ,in the suburbs of Paris.
|
|
|
Vous n'avez rien à déclarer ? (1959)
Character: N/A
Married against her will to the Comte de Trivelin, Paulette Dupont shares her anxieties with her childhood friend Labaule. Warned too late to prevent the ceremony from taking place, Labaule follows the couple on their honeymoon and prevents the consummation of the marriage by repeatedly intruding on the couple's privacy. Put on notice by Paulette's parents to consummate the marriage, Trivelin - who believes himself to be at fault - consults a psychiatrist. The latter advises him to visit a lady of lesser virtue: Gloria. But Gloria's clientele includes Dupont himself - Paulette's father - and Labaule!
|
|
|
L'Abominable Homme des douanes (1963)
Character: Police Inspector at the Bar
Two rival gangs fight over drug trafficking. An American killer named Timetti Le Muet arrives at Marseille airport to make a delivery to Arnakos' gang. He is denounced to the police, and the peaceful customs officer Camposantos is put in charge of his arrest. Following a mix-up, Camposantos is mistaken for the killer himself. Taken in by Arnakos' men, the innocent customs officer is forced to play a rather unexpected role.
|
|
|
Mimi Pinson (1958)
Character: N/A
Dany Robin plays the title character in the French comedy Mimi Pinson. The plot is strictly formula stuff, with Mimi being thwarted on all sides by those who have designs on her money and her virtue. Happily, our heroine triumphs over her foes and predators, finding true romance in the arms of Raymond Pellegrin.
|
|
|
Les Déracinés (1972)
Character: N/A
1962: events in Algeria. Captain Sainbenin has just taken over the leadership of a newly created fighter commando. His relationship with the hierarchy is strained. To this war of a new type, Sainbenin intends to apply methods of a new kind. Everything is good to find the "rebels": new intelligence system, new interrogation system. When in Algiers a putsch is organized against De Gaulle by 4 of his generals, Sainbenin's men are divided: should they remain faithful to De Gaulle, or take the side of French Algeria against all odds? tragic fate of a handful of uprooted people fighting for a patriotic ideal and sacrificed in the name of this ideal.
|
|
|
Ballade pour un voyou (1963)
Character: Martial
Vincent Vivant agrees to Stephan the spy's proposal: he is to cross the border with a mysterious suitcase.
|
|
|
Chair de poule (1963)
Character: Marc
An escaped convict makes a remote gas station his safe haven. But soon the cunning, devious wife of the owner seeks a chance to use him to get what she wants.
|
|
|
Oh! Qué mambo (1959)
Character: Le portier du cabaret
Miguel foils a bank robbery and becomes a successful nightclub singer, but he doesn't know that his wife is being courted by an Italian fitness instructor.
|
|
|
Du mou dans la gâchette (1967)
Character: Raoul Bertrand
Nicolas Pappas and Léon Dubois, two particularly calamitous killers, arrive in Paris, where a gangster boss in need of "staff", Jo Laguerre, hires them to cover the escape of the perpetrators of a hold-up. They get away with it as best they can and then find themselves in charge of liquidating a certain "Magnum"...
|
|
|
Gigi (1958)
Character: Maitre d'Hotel Maxim's (uncredited)
A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.
|
|
|
|
|
Mélodie en sous-sol (1963)
Character: Grimp's accountant (uncredited)
Charles, fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cell mate, Francis, to assist him in pulling off one final score, a carefully planned assault on the vault of a Cannes casino.
|
|
|
Maigret voit rouge (1963)
Character: Un inspecteur (uncredited)
Gangsters from the United States try to kill a key government witness whose testimony could help land an influential mobster in jail. It's up to detective Maigret to deal with the FBI and a series of underworld figures to save the life of the witness...
|
|
