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Les livreurs (1961)
Character: N/A
These two friendly delivery boys from a Parisian department store not only take their job to heart as much as possible, but also consider themselves responsible for the happiness of the customers they have to deliver to. This leads them successively to help, at the cost of incredible acrobatics, a young couple celebrating the first anniversary of their marriage, to mingle with the clientele of a rather disquieting doctor, to almost perish in an ambush that was of course not intended for them, and to avoid a domestic quarrel.
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La Citadelle du silence (1937)
Character: Catherine
During the students ' rebellion against Nicholas the Second in Russia, Viana tries to kill the governor but it's her lover who is arrested and sent to a sinister fortress : hence the title. To help the prisoner,Vania marries the officer who commands the place. There the convicts have really a bad time, but Vania manages to communicate with her dear captive. But beware of informers.
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La Belle Image (1951)
Character: Annette, the maid
One day, Raoul Cérusier realizes with amazement that his face has changed. With the exception of an old uncle, no one, not even his wife, recognizes him. From an ordinary, rather ugly man, he has become a charming young man on whom the prettiest girls turn, including his wife whom he seduces. Fortunately, he regains his old face in time and Madame Cérusier, losing a lover, finds her husband again.
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Zoé (1954)
Character: N/A
Barbara Laage essays the title role in Zoe. Our heroine's adventures begin when she catches the eye of a big-city playboy named Arthur (Michel Auclair), who is attracted not only to Zoe's beauty, but by her insistence upon telling nothing but the whole truth. This trait causes no end of comic complications when Zoe moves into the palatial home of Arthur's family. The limit comes when Zoe botches a big business deal formulated by Arthur's not-altogether-honest father (Louis Seigner). Zoe is based on a stage farce by Jean Marsan.
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La Belle que voilà (1950)
Character: Maid (uncredited)
Melodrama of two struggling artists whose love for each other is thwarted.She has some success as a ballerina despite being wounded by him in a fit of jealousy. His career as a sculptor is stymied when he is arrested.
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Hôtel du Paradis (1986)
Character: Caretaker
A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.
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La passante (1951)
Character: The telephone operator
A woman who has a terrible secret to conceal takes refuge on a barge.
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Ainsi finit la nuit (1949)
Character: Jeannette
In the train that takes her back home, Catheine Beryl meets concert pianist André Fuger, a childhood friend of her husband's. The musician is both good-looking and seductive and Catherine soon falls for his charms. The two young people spend the evening and the following night together. The next day, a lost powder compact gives the affair away. At a loss, Catherine runs away from her husband but she has an accident. When she regains consciousness in her hospital bed, Catherine finds Georges, her husband, by her side, pretending nothing has happened.
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Dégustation Maison (1978)
Character: N/A
Sophie Tatischeff's short film set in the small town of Sainte-Sévère-sur-Indre, three decades after its use in her father's film 'Jour de Fête'. The conversation from a typical village bar is transplanted to a patisserie with particularly tempting tartlets: 'No reason for us not to have another' says one habitué; 'no more for me thanks,' says another. 'A shortbread at this time of day?' asks the woman behind the counter.
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Le Briseur de chaînes (1941)
Character: Estelle
Antoine Mouret, an authoritarian restaurateur, is the head of a large family where, for reasons of interest, people only marry cousins. But some have other plans, Marcus especially when he meets a passing circus girl.
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Souvenirs perdus (1950)
Character: Solange, l'épicière
Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.
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L'Affaire du courrier de Lyon (1937)
Character: The daughter Sauton
A courier carrying a large sum of money intended for Bonaparte's army is attacked. A miscarriage of justice will lead an innocent person to the guillotine.
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Scandale (1948)
Character: N/A
A young woman who inherits her uncle's nightclub, invents a gangster husband in order to gain respect.
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Ce n'est pas moi (1941)
Character: Geneviève
Cambo, a banker, has been in trouble since a certain Parizot has tried to extort stocks from him. Following the advice of his friend Quincampoix, Cambo decides to trade places with Bardac, a painter, who happens to be his lookalike. Bardac slips into Cambo's shoes with delight although he does not really live up to his task. But Cambo, who manages to ruin Parizot, makes a 100% profit on the situation. There are of course some misunderstandings when one man is mistaken for the other, notably as concerns Lulu and Geneviève, respectively Bardac's and Cambo's sweethearts, but things finally return to their initial state.
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Défense de savoir (1973)
Character: N/A
When a woman is accused of murder, the investigation slowly reveals numerous political connections. Laubret, the court-appointed defense lawyer, does everything in his power to expose the truth.
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Le glaive et la balance (1963)
Character: Une dame du jury
Three young men are suspected of kidnapping and murdering a little boy. Most likely, two of them are really involved, but one is not. All of their pasts are questionable, riddled with violence and controversy. Neither the police nor the court can decide how to solve that puzzle.
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A Time for Loving (1972)
Character: The Concierge
The story of an apartment in Paris and the various people that occupy it over the years.
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Quai de Grenelle (1950)
Character: La caissière (uncredited)
Jean-Louis forgets to use the pedestrian crossing;Who could have believed then where it would lead the unfortunate guy to?
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L'empire de la nuit (1962)
Character: N/A
Usually cast as secret agent/private eye Lemmy Caution, Eddie Constantine plays "Eddie" in The Empire of Night. This time, Constantine is a cabaret singer at odds with a criminal gang. When the villains try to take over every nightclub in town for their own nefarious purposes, Eddie sings a new tune with his fists. The story takes several unexpected turns, but Constantine remains in charge throughout.
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Une belle fille comme moi (1972)
Character: Isobel
Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He chooses Camille Bliss as his subject of study and begins to visit her in prison for interviews. Camille became acquainted with trouble at a young age and justifies her actions by "fate-bets." She is currently in prison for allegedly murdering one of her lovers. As she tells Stanislas of her life and love affairs, his interest in her grows to more than just professional. Can he resist her charm?
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La Dame dans l'auto avec des lunettes et un fusil (1970)
Character: L'épicière du village
Dany Longo is red-haired, beautiful, disturbed, passionate--and nearsighted. As she speeds through the south of France in a purloined Thunderbird on an errand for her employer and his wife, no one, including Dany herself, knows where she is headed--or why she is going there.
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Agence Matrimoniale (1952)
Character: The ticket seller
Noël is a bachelor who inherits a matrimonial agency. After contemplating selling it, he chooses to manage it.
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Marche à l'ombre (1984)
Character: La retraitée
Two friends, one a musician the other constantly depressed wander around Greece and France till they get to Paris without a penny to their name. Here they spend nights in the underground, and squat in houses with the African immigrants. One day they both fall in love with Mathilde a blond dancer and follow her to New York.
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La Belle Américaine (1961)
Character: Mme Zoutin
Marcel, a simple-minded factory worker, is tricked into buying a high-priced American convertable car by a widow determined not to let it fall into the hands of her late husband's secretary/secret lover. Once in pocession of the car, Marcel only encounters one bad luck episode after another with the excessive gasoline consumtion, his wife trying to sell it to make ammends meet, getting into traffic jams, accidently riding into a car wash with the top down, and more.
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The Day of the Jackal (1973)
Character: Paris Apartment Concierge
An international assassin known as ‘The Jackal’ is employed by disgruntled French generals to kill President Charles de Gaulle, with a dedicated gendarme on the assassin’s trail.
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Le drapeau noir flotte sur la marmite (1971)
Character: N/A
Victor, grocer and tyrannical boss, never stops telling his family about his seafaring past, although they never believe him. When his nephew wins a model-boat contest and is commissioned to build a full-scale boat, Victor tries to make his mark.
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Hélène (1936)
Character: N/A
Helene is based on Helene Wilfur, a novel by Vicki (Grand Hotel) Baum. Madeleine Renaud essays the title role, a young medical student in love with aspiring musician Pierre Regnier (Jean-Lous Barrault). Pierre's father, a noted surgeon, puts pressure on his son to give up music in favor of medicine. Unable to withstand his father's remonstrations, Pierre kills himself, prompting the grieving Madeleine to forget all about romance and dedicate her life to the cause of healing others. Wilfur avoids the usual soap-opera goo by offering realistic performances and credible dialogue (the English-language subtitles were composed by erudite film critic Herman G. Weinberg).
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La Dentellière (1977)
Character: N/A
Pomme is a meek and mild French beautician whose life takes a fateful turn during a vacation to Normandy. She becomes the lover of middle-class literature-student François. The relationship sours when François takes her home to meet his parents, thanks in no small part to their differing social backgrounds.
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À nous deux (1979)
Character: Zézette
Françoise has gone into business seducing men whose wives want to divorce them, and who need incriminating evidence against them. In addition, she has a little blackmail operation going on on the side with politicians who can't afford a scandal. She got started on this business after she was raped, and hasn't looked back since. Now the police are on her trail, and she avails herself of the services of a couple who make a profession of hiding wanted criminals. At the hideout, she meets Simon, a second-generation mobster. As the police close in, Françoise and Simon go on the run together, pulling off occasional heists for operating money. Before long, they have also fallen in love.
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Carambolages (1963)
Character: Madame Brossard
Paul Martin is the subservient brown-nosing youngster who needs quick advancement up the hierarchy to pay for the modern lifestyle he is buying on credit. Seeing that marrying his immediate superior's daughter will not get him the results he wants, he begins plotting the demise of the head of the company. The company itself specializes in holiday travel and unscrupulously brutalizes its customers for maximum profit, spending more thought on publicity gimmicks than customer service...
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La Fiancée du pirate (1969)
Character: Rose
Treated as an outcast and exploited by the villagers of a small town, a young woman liberates herself through sex, which she uses as a tool of economic gain and an instrument of revenge against those who have wronged her.
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Sans laisser d'adresse (1951)
Character: La cliente de la voyante (non créditée)
A woman in Paris hires a taxi driver to locate her ex-lover, father to her newborn child, who left her without leaving an address.
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Peur sur la ville (1975)
Character: La concierge
A serial-killer frightens Paris by phoning young ladies at night, telling them insults about their lives. Minos, as he calls himself, wants to prevent the world from free women and he targets at first these ones. Commissaire Letellier is given the investigation and he has hard work with the maniac.
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American Dreamer (1984)
Character: Embassy Guest #2
American housewife Cathy Palmer loses her memory on a trip to Paris after being hit by a car. She wakes up in the hospital believing she's the fictional international spy, Rebecca Ryan.
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Le Journal d'une femme de chambre (1964)
Character: Rose
Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.
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Préparez vos mouchoirs (1978)
Character: L'ouvreuse du théâtre
Solange is seriously depressed, and her kindhearted husband, Raoul, makes it his mission to cure her doldrums. After many failed attempts to cheer her up, Raoul hits upon a possible solution: find his wife a lover. Unfortunately, his choice, Stéphane, proves to be just as ineffectual in restoring her flagging spirits. In the end, the gorgeous Solange finds her own, highly problematic tonic to her troubles in the form of a 13-year-old boy.
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Quai des Orfèvres (1947)
Character: Mrs. Beauvoir
Paris, France, December 1946. Jenny Lamour, an ambitious cabaret singer, and Maurice, her extremely jealous pianist husband, become involved in the thorough investigation of the murder of a shady businessman, led by Antoine, a peculiar and methodical police inspector.
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Les Chemins de Katmandou (1969)
Character: N/A
A rebellious socially-conscious man travels to Nepal to find his dead-beat dad. There, he meets Jane, a beautiful hippie girl hooked on drugs. He's forced to steal artefacts for his father's slimy employer to earn money to help Jane.
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