|
Un épais manteau de sang (1967)
Character: Valerie
Sorenson uses diamond robbery money to buy clinic in Corsica. His accomplice Dyonis has disappeared. Sorenson takes Dyonis' wife Valerie as mistress. Valerie takes coral fisherman Bernard as lover. Dyonis appears, Sorenson hopes Dyonis will kill Bernard. Bernard becomes lover of Sorenson's wife Katia. Bernard is found murdered, Valerie blames Sorenson, who tries to escape with his robbery fortune. He is pursued by Dyonis, who kills him. Dyonis is caught by police at airport. Katia drowns herself in the sea.
|
|
|
La salamandre d'or (1962)
Character: Anne de Guize
In 1525, on the evening of the Battle of Pavia, François 1er was taken prisoner by the armies of Charles-Quint, with the Constable de Bourbon on their side. His mother, regent of the kingdom, commissioned the king's loyal equerry, Antoine de Montpezat, to raise a ransom of two million ecus and send it to Madrid. Despite the treachery of Vandoeuvre, governor of Languedoc and supporter of the connétable de Bourbon, who has his eye on the French throne, Montpezat accomplishes his mission and is reunited with his fiancée, who had almost married the traitor Vandoeuvre.
|
|
|
Auguste (1961)
Character: Françoise
Auguste is about an eponymous bank clerk who finds fame and fortune. Auguste happens to be in the right place at the right time to save young starlet Francine from killing herself -- or more accurately, pretending to kill herself. His supposed heroism hits the news, and before Auguste knows what is happening, a Machiavellian publicist is using him for his own ends. The bank clerk is no fool and soon thinks of a way to come out on top.
|
|
|
Le gigolo (1960)
Character: Gillou
Agathe Perrin, a wealthy widow in her forties, lives with her ailing father in an estate on the shores of Lac du Bourget, not far from Aix-les-Bains. For the past four years, she has been involved in an affair with a twenty-four-year-old artist, Jackie, that is beginning to weigh heavily on her. The frequent visits of a brilliant Aix doctor to the sick old man's bedside have distracted Agathe from her very young lover. She'd like to send him away, but he clings to her desperately, and we witness the drama of this break-up, both feared and rejected by Agathe. Blinded by jealousy, Jackie decides to leave, but not without behaving like a spoiled, insolent child.
|
|
|
Helena y Fernanda (Neurosis) (1970)
Character: Fernanda
Inspired by the French classic Les diaboliques (1955), this psycho-thriller copies that film rather closely. In Barcelona, a couple falls apart and the husband falls in love with his wife's cousin. To hide the former‘s accidental death, the cousin takes her identity. But one evening the husband thinks he recognizes his wife in the street...
|
|
|
Les bricoleurs (1963)
Character: Monica
Edouard and Félix work in a real estate agency. One day, they are threatened with dismissal if they don't manage to sell a very isolated house to an elderly, silver and somewhat unusual Englishwoman. In the house, they discover a corpse. The visit is spent dragging the corpse from room to room, cupboard to chest, so as not to frighten the otherwise impressed buyer. But the corpse disappears. He has to be found before the deed can be signed. The two salesmen become detectives, tracking down the dead man's many female acquaintances. All the seducer's conquests are sifted through, to find the one who left her jewels at the scene of the crime.
|
|
|
Mon amour, mon amour (1967)
Character: Agathe
An architect has an affair with a young woman who aspires to be a pop singer. She ends up pregnant but does not tell her lover about her condition as she contemplates having an abortion.
|
|
|
Un homme à abattre (1967)
Character: Sandra
Barcelona, 1967. Hans Fromm, a German-born architect, lives an well-ordered everyday life. He has become the target of an antifascist death squad though. Indeed their leader, Julius, whose brother was killed by Schmidt, a merciless S.S., believes, without being absolutely certain, that Fromm and Schmidt are the same man. The team, whose other members are Georges, the son of a deportee liquidated by Schmidt craving for action, Raphaël, a mercenary type, Nils, the photographer and Romain, watch Fromm's every move until Julius, convinced at last that the quiet German is their man, gives the green light for the operation. They manage to lure the former Nazi to an old house but Schmidt/Fromm won't let himself be captured so easily...
|
|
|
La Vallée (1972)
Character: Hermine
Viviane, a French Consul's wife, is in New Guinea to find exotic feathers for export to Paris. She encounters four European travelers who are en route to "La Vallée": The Valley, high in the Guinean mountains, is shown on maps as 'obscured by clouds' and is beyond their previous experiences. Viviane joins their trek to find rare feathers and soon becomes entwined in their journey. Their extended stay with the Mapuga tribe brings a denouement between western and indigenous values before their final quest toward the 'Valley of the Gods'.
|
|
|
Joueuse (2009)
Character: Maria
Hélène, a housekeeper at a ritzy hotel in Corsica, is devoted to her family but lacks any passion in her own life. When she sees a handsome couple play a passionate game of chess, she becomes inspired to play herself. Hélène's working-class husband and spoiled daughter are soon bewildered by her obsession with chess. They also grow suspicious of Hélène's close relationship with Dr. Kröger, her eccentric American expat tutor.
|
|
|
La Française et l'Amour (1960)
Character: Ginette (La Virginité)
The seven stages in the life of the modern Frenchwomen are disclosed by seven directors in a witty way: 1 - Childhood, 2 - Adolescence, 3 - Virginity, 4 - Marriage, 5 - Adultery, 6 - Divorce, 7 - The Single Woman.
|
|
|
La Jument verte (1959)
Character: Juliette Haudouin
A green mare makes the fortune of her owner, the horse dealer Haudouin. Shortly after his death, war broke out in 1870. One day, his neighbor Zèphe Maloret denounces Honoré, Haudouin's son, a maverick, to the Prussians. Following this denunciation, their non-commissioned officer enters the Haudouin home and rapes the mother while Honoré is hidden under the bed. The resentment already existing between the Haudouin and Maloret families turns to hatred... A letter recalling the events is lost, which doesn't help matters.
|
|
|
Le Chat et la Souris (1975)
Character: Manuelle
A jaded and charming police inspector is assigned along with his cheerful partner to a case involving the mysterious death and/or suicide of a wealthy entrepreneur. The chief suspect is his enchanting wife who was aware that her husband had a mistress. It is also possible that the dead man may be the victim of a radical terrorist group.
|
|
|
Hardi ! Pardaillan ! (1964)
Character: Bianca Farnese
Set against the troubled period of the Wars of Religion in France, at a time when the three Henries (Henri III, Henri de Guise and Henri de Béarn) vied for the the throne, these new adventures of Pardaillan have the gallant musketeer defend the rightful king Henri III.Jean gives his full to thwart the Duke of Guise's attempts to have the king assassinated. A heartthrob more than ever, Pardaillan will awake serious interest in many a girl, at times becoming their prey like with Bianca Farnese, De Guise's agent.
|
|
|
I fratelli Corsi (1961)
Character: Edith
The Dumas story about Siamese twins separated at birth but who have a strong psychic link.
|
|
|
Le Puits aux trois vérités (1961)
Character: (uncredited)
Laurent is an artist and sometimes con-man. He wanders into the life of Renee one day in her antique shop and tries to seduce her. Before they can leave town on a weekend getaway together, Renee's teenage daughter Daniele quits school and unexpectedly shows up. Laurent and Daniele fall for each other immediately and end up getting married. The film follows the disastrous situation created by the jealous mother and her daughter's immature husband.
|
|
|
Un homme et une femme (1966)
Character: Valérie Duroc
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that each is a widow.
|
|
|
Un monsieur de compagnie (1964)
Character: Louisette
A dedicated layabout (Jean-Pierre Cassel) bounces from relationship to relationship, moving on only when the prospect of employment presents itself.
|
|
|
Le Bon et les Méchants (1976)
Character: Françoise
The film follows the exploits of Jacques, a car-mechanic turned pro-thief, and his Jewish co-conspirator Simon as their robberies, beginning well before the Second World War, take on a political coloration under the occupation.
|
|
|
Si c'était à refaire (1976)
Character: N/A
Imprisoned as an accessory to murder, Catherine gives birth to a son she conceived in prison. Eighteen years later, her sentence served, she is reunited with the boy, Simon, who has remained in an orphanage the entire time. She is accompanied by toothsome prison buddy Sarah, and gradually these people whose lives have been frozen in time "thaw" and get on with the business of living.
|
|
|
Positano (2008)
Character: N/A
Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema".
|
|
|
Les Idoles (1968)
Character: Rosine
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
|
|
|
Le Lit de la Vierge (1969)
Character: N/A
30 year old child enters the new city, riding on a donkey. He says he is the Savior. He has spent no time among men. He is trembling with cold. His clothes are soaked. His mother was overprotective ; his father conspicuously absent. He knows that he must face the mockery, refusal, ignorance and blindness of the men around him. They travel in gangs, in large numbers : soldiers, mercenaries or the like, on majestic, imposing horses. Everything is out of proportion to his thin, bewildered, innocent body ; he is the madman of the new city...
|
|
|
Elle s'en va (2013)
Character: Miss France 1969
Deneuve plays sassy grandmother Bettie who takes to the road after being betrayed by her lover and learning her business is on the verge of bankruptcy on the same day. During a weeklong odyssey across France, she spends time with a grandson she hardly knows and reconnects with her past as former Miss Brittany through a reunion for former beauty queens.
|
|
|
Dragées au poivre (1963)
Character: Une effeuilleuse
Gerard, a young man from a "good family" dreams of becoming an actor. To do this, he follows everywhere his sister Frédérique who is infatuated with cinéma vérité.
|
|
|
La Ronde (1964)
Character: Rose's Friend
In a chain reaction of romantic adventures, various people play musical beds in a remake of Max Ophul's "La Ronde."
|
|
|
Morgan il pirata (1960)
Character: Dona Inez
A Welsh pirate raids up and down the Caribbean, battling the Spanish, the English and other pirates.
|
|
|
Visa de censure n° X (1976)
Character: (uncredited)
Best known for his roles in Belle de jour, Sweet Movie, and many more, Pierre Clementi was also the architect behind a transgressive, high-minded, and disorienting cinema. Like an acid-soaked freefall, Visa de censure n° X is a rush of nudity and color from one of France’s most seductively watchable actors, set to an album's worth of psychedelic prog rock (performed by the Delired Cameleon Family, a group featuring members of French band Clearlight).
|
|
|
Satyricon (1969)
Character: Trifena
A series of bawdy and satirical episodes written during the reign of the emperor Nero and set in imperial Rome. Like the more famous version made by Federico Fellini, an adaptation of Petronius' Satyricon.
|
|
|
La révolution n'est qu'un début. Continuons le combat. (1968)
Character: N/A
Half family photo album, half ciné-tract, the film was shot in Paris during the events of May ‘68 and in Rome where the actor was featuring in the film Partner by Bertolucci. Rediscovered in a basement in 1999, this silent film appears to be one of Clémenti’s most purely beautiful and concentrated works, at times recalling Brakhage and Eisenstein. - MUBI
|
|
|
|
|
Week End (1967)
Character: La Femme du Chef du FLSO (uncredited)
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
|
|
|
Mes nuits sont plus belles que vos jours (1989)
Character: Blanche's mère
Lucas has invented a new computer language but at the same time he has been informed about his strange terminal illness during which he has been gradually losing his memory. Shortly after that he meets Blanche who acts as a medium in a bizarre traveling show. Dying Lucas follows her to the sea resort where they spend together several days and nights.
|
|
