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Ciao Gulliver (1970)
Character: Evelyne
Story of a man with a double personality, on one side his character is honest and sincere, which makes him appreciate reality and participates with sorrow in the tragedies of our times: his other side is that of a dreamer and he identifies himself with Swift's hero Gulliver.
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La Messe dorée (1975)
Character: Hélène
A middle-aged couple invites a group of youngsters to their luxury villa to introduce them into the rituals and mystery of love and lust.
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Del amor y otras soledades (1969)
Character: María
María belongs to the upper bourgeoisie and has always had everything in life, even a brilliant, educated husband; in short, an intellectual to presume. Alejandro, on the other hand, has been going up day by day, he has grown up with his work, believing in himself -he is an economist- he has fought with all his strength to achieve a higher social level and he has succeeded. He is a professor in the University, executive of a great company, owner, in short, of a beautiful villa in the outskirts. But he is, nevertheless, in the critical age, in the age of taking stock of his past, of justifying himself. And the truth is that, despite his material triumph, he is not happy, there is no reason to be in his participation in society, he is not satisfied with anything. It is, in a word, a step away from his inner failure. In this situation he discovers, in turn, that María accuses him of having dedicated more time to succeed than to love her.
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Manchas de sangre en un coche nuevo (1975)
Character: Eva
Driving home in the brand new Volvo his wealthy wife gave him for his birthday, Ricardo comes upon a smoking, overturned auto with a man and boy trapped inside but, afraid he'd get bloodstains in his new car, he ignores their cries for help and drives away just before the wreck explodes. Soon after, blood begins pooling in his backseat and Ricardo comes to know how Lady Macbeth felt when he can't get the damned spots out no matter how many times he cleans the car...
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1848 (1948)
Character: N/A
The real masterpiece, among these early works by Risi, is certainly 1848 . Made to order for the centenary of the Milan uprising against Austrian rule, the film opens with a group of soldiers apathetically attending the dress rehearsal for a ballet at La Scala. Who knows if Visconti remembered it for the opening of Senso at the Fenice in Venice - when he certainly had in mind a little film directed by Corrado D'Errico in 1941, La Compagnia della teppa , in which a group insurgents use a Rossini premiere at La Scala to launch leaflets against the Napoleonic occupation.
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La colonna infame (1973)
Character: Chiara Mora - la moglie di Giacomo
Historical drama, based upon the novel by Alessandro Manzoni.
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Constel·lació Portabella (2024)
Character: Self (archive footage)
Constel·lació Portabella traces the exciting life of the great Catalan film director and artist Pere Portabella , which traverses the cultural and political history of the country and the last seventy years, letting us be carried away by the passion, the intellect intelligence and curiosity.
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La casa de las palomas (1972)
Character: Alexandra
The widow Alexandra and her schoolgirl daughter Sandra live together in a luxurious villa in Spain. When Fernando, an old love of Alexandra's, appears in town the two rekindle their love affair until Alexandra finds that he is being paid to be the companion of a rich older woman
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Los viajes escolares (1976)
Character: Avelina
After completing his high school studies at the age of twenty-four, Óscar is an immature student, unable to afford alone his return to home during the summer season. Then he manages to convince Carlos, his young math teacher, to accompany him. Already in the family home, Óscar begins to behave in an increasingly unbalanced and irrational way. Meanwhile, his family will endeavor to see him as the reflection of the absent father figure.
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No somos de piedra (1968)
Character: N/A
Lucas, shy and repressed, and sanctimonious Enriqueta are parents of nine children, so he decide to convince her to take the contraceptive pill.
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L'ospite (1971)
Character: Anna / Mélisande / Geneviève
A forty year old woman, who has been in an asylum, goes to live with her brother's family. She proves incapable of adapting herself to family life, takes refuge in the country alone with her memories, and is later returned to the asylum.
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Gli sbandati (1955)
Character: Lucia
A group of rich young intellectuals hiding from the war in rural Italy play at being partisans when some disbanded soldiers and some refugees ask them for shelter in their villa. The young and aristocratic Andrea strikes up a friendship with a peasant girl, Lucia. Then the Germans suddenly appear, looking for the real partisans, and the time comes for serious decisions.
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Roma, ore 11 (1952)
Character: Simona
The story of 5 girls among 200 who answer a wanted ad for a modest secretarial position, which leads to overcrowding in the building and a tragic accident.
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El niño de la luna (1989)
Character: Directora
Adopted by a treacherous semi-scientific cult where extraordinary mental powers are common, extraordinary 12-year-old David begins an archetypal journey across two continents to find his destiny as Child of the Moon.
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Lumière (1976)
Character: Laura
Sarah, an actress nearing her forties, has invited 3 friends to join her for a holiday in Provence. This is the prologue for what happened a year ago in Paris with a man Sarah had long considered a platonic friend. She had just finished a film, had also finished her relationship with the director and was about to receive an award…
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Muerte de un ciclista (1955)
Character: María José de Castro
A couple having an affair strike a bicyclist with their car and do not offer aid out of fear of their relationship being exposed.
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Le Village magique (1955)
Character: Thérèse Miceli
Robert and his fiancée Lucienne were due to go on vacation together to a tented village in Sicily. Robert is forced to postpone his trip and only joins Lucienne a few days later, taking advantage of the departure of a following group. During the train journey, he befriends Thérèse, a young Sicilian living in Paris, who wants to make a pilgrimage to the land of her ancestors. Lucienne is away from the camp when Robert arrives, so he can continue to see Thérèse, and little by little they discover that they love each other. When Lucienne returns, an explanation and reconciliation take place, then Robert changes his mind and, with the vacations over, leaves Lucienne alone to live in Sicily with Thérèse, who wants to stay in her family's homeland.
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Jutrzenka (Un invierno en Mallorca) (1969)
Character: George Sand
The cigar-smoking French writer, George Sand (Lucia Bose) and her lover, the composer-pianist Chopin (Christopher Sandford) have rented a former monastery in Mallorca as a winter retreat. They have even shipped a piano to the site, so that Chopin can continue his work. However, what promised to be a warm, sunny vacation turns sour as the locals disapprove of Sand, the servants are surly and mysterious, and the monastery is cold. She has her revenge, however. She wrote the book A Winter in Mallorca about her miserable winter retreat. This film follows that book closely, with concern for historical accuracy, which did not increase the Spanish filmmakers' popularity with their countrymen.
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Qualcosa striscia nel buio (1971)
Character: Sylvia Forrest
A group of stranded travelers takes refuge in an old abandoned house, only to find out that they are not the only residents of the building.
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Questa è la vita (1954)
Character: Angela Reis, la sposa
A film made up of four episodes: a jar repairer gets trapped in a vat because of his hunch; a young unmarried mother is forced to beg to buy herself a fan; Rosario Chiarchiaro appears before a law court for casting spells; the discomfort of an overtight jacket gives a wedding witness the strength to persuade the bridegroom's reluctant parents to bless his union.
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Sotto il segno dello scorpione (1969)
Character: Glaia
An island has been decimated by a volcanic eruption and the few survivors escape to a nearby island. Led by Rutolo, they know that their new home is equally susceptible to such a catastrophe via its own volcano, but they are unable to convince the current inhabitants of Island #2 to flee with them to a mainland.
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Le Testament d'Orphée (1960)
Character: Une amie d'Orphée(non crédité)
An 18th century poet travels through time in search of divine wisdom. In a mysterious wasteland, he has a series of enigmatic encounters with symbolic phantoms with whom he muses about the nature of art and his own career. Ultimately, the poet strives to achieve his rebirth as a celestial being.
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Accadde al commissariato (1954)
Character: Stefania Giovetti
Everyday all kind of people pass through a Police Station, especially if it is downtown. Today, however, the chief of police has bought his first car and he has decided to test it with his wife going to Ostia. But first a theatrical company sent out of the theatre, last Alfredo Todini arrested while walking wearing a gown and in the mean a series of human cases, ranging from the pathetic to the funny one, get in the way of his wish.
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Camilo sinfónico: vivir así (2019)
Character: Self - Actress (archive footage)
An account of the successful life and work of Spanish singer and actor Camilo Sesto (1946-2019), the portentous, almost miraculous, voice of Spanish pop music for decades, through his own point of view, told during his last interview and in many others, and through the words of those creators whose own work has been strongly influenced both by his art and his magnetic personality.
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La signora senza camelie (1953)
Character: Clara Manni
A Milanese shop assistant becomes an overnight film sensation when fate lands her the leading role in a prominent producer's romantic drama.
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È l'amor che mi rovina (1951)
Character: Clara Montesi
A naive clerk finds himself involved in the theft of a ring containing a dangerous liquid.
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Violanta (1978)
Character: Donna Violanta
A young man raises the dead in a high valley where the power is held by Violanta.
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A propósito de Buñuel (2000)
Character: Self
Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.
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Alfonsina y el mar (One More Time) (2013)
Character: Lucia
An 80-year-old actress returns to the small Chilean town of her youth to fulfill her father's dream of creating a TV channel in a place which has never known television.
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Parigi è sempre Parigi (1951)
Character: Mimi de Angelis
A group of Italian soccer fans arrive in Paris for a match, but most of them go their separate ways to explore the sights, have a bit of an adventure, and maybe even find some romance.
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L'avaro (1990)
Character: Dona Elvira
Misery money-lender Arpagone is looking to arrange three weddings simultaneously - to cut down on costs. One for himself and the others for his two children. Of course he doesn't approve of the choices his son and daughter have made and conspires to arrange more well to do spouses against their will. However, fate will prove itself to be on the side of true love, not of the greedy.
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Ceremonia sangrienta (1973)
Character: Erzebeth Bathory
Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.
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Fellini – satyricon (1969)
Character: La matrona
After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.
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Per le antiche scale (1975)
Character: Francesca
A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to isolate the germ of madness. He is also a very active ladies'man and makes three women benefit from his sexual itch: Francesca the hospital manager's wife, Bianca, his devoted nurse and Carla, a nymphomaniac doctor's wife. His well-ordered universe starts being challenged with the coming of Anna, a trainee psychiatrist, who disapproves of his theory on the origin of madness. Worse, she resists his advances. As Bonaccorsi is more insecure than he looks, what will become of him?
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Metello (1970)
Character: Viola
The story of a young man of the working class, who has grown up practically an orphan due to his father’s repeated jailings for anarchistic activism. Struggling with life in 19th-century Italy, Metello Salani is determined to change his situation for the better - but love, marriage and politics complicate things considerably...
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Daniel Schmid: Le Chat Qui Pense (2010)
Character: (archive footage)
When director Daniel Schmid grew up, his parents ran a hotel in the Alps, and this singular setting was to influence his film. Rather by coincidence, he came to Berlin in the early 1960s and became part of the new German wave. Schmid worked with, among others, Wenders and Fassbinder, for example, as an actor in Wender’s The American Friend. He met Ingrid Caven, who was to play a diva in several of his films. This is a documentation of a part of modern European film history and a good analysis of artistry and how it corresponds to the individual behind the camera. A wealth of archival footage brings us close to many directors and actors in Schmid’s circle. If you’ve never seen a Daniel Schmid film, you are sure to want to after watching this portrait of his life.
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La noche que no acaba (2010)
Character: Self
Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.
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I Vicerè (2007)
Character: Donna Ferdinanda
In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.
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Volevo i pantaloni (1990)
Character: Grazia
Annetta, of Sicilian origins, is annoyed by the different treatments and freedoms reserved for men and women. Because of her rebellious attitude, the girl is locked up in the house of her relatives where she suffers an attempt of violence by her uncle. After returning to her parents, she finally gets married to her beloved Nicola.
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Cronaca di una morte annunciata (1987)
Character: Placida Linero
This suspenseful Italian crime drama is set in a Colombian river town and chronicles the series of events that led up to murder. Based on a novel by distinguished author Gabriel Garcia Marquez, the tale begins in the present as a middle-aged doctor returns to the village after a twenty-year absence to investigate the murder that occurred just before he left.
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Brumal (1988)
Character: Madre de Adriana
Adriana and her mother left Brumal, a strange and remote village, and moved to the city while still a child. Once Adriana's mother dies, she's marked by memories and intense nostalgia for her hometown, and returns to Brumal.
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Le ragazze di Piazza di Spagna (1952)
Character: Marisa Benvenuti
Three gorgeous seamstresses meet on the historic steps of the Piazza de Spagna in Rome to discuss one another's love lives.
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Non c'è pace tra gli ulivi (1950)
Character: Lucia Silvestri
A young shepherd returns home after the Second World War having been held in a prisoner of war camp. He finds that the local landowner has stolen his sheep and his girlfriend. When he also assaults and murders his sister, the shepherd takes revenge.
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Tradita (1954)
Character: Elisabeth Tatabor
Brigitte Bardot stars in this romantic thriller about love and high treason in WWI-era Italy. Matinee idol-turned-filmmaker Mario Bonnard directs this opus.
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Nathalie Granger (1973)
Character: Isabelle Granger
With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.
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Harem Suare (1999)
Character: Safiye Anziana
On the eve of the fall of the Ottoman Empire: in the harem of Sultan Abdulhamit II, the odalisque of Italian origin Safiyè dreams of becoming the sultan's first mistress. To achieve her goal, the girl, aided by the eunuch Nadir, is even willing to kill. But when her dream is finally about to come true, her entire world suddenly collapses: the sultan is exiled, the harem is closed, and the odalisques and eunuchs are abandoned to their fate.
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La controfigura (1971)
Character: Nora Tosatti
A man is shot in an underground car-park by a mysterious bearded man. As he dies he recollects the events that led him to this situation, including adulterous liaisons and jealous envy.
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Cela s'appelle l'aurore (1956)
Character: Clara
A generous doctor is aghast that the population of a small island is being oppressed and mistreated, but is seemingly unable to do anything about it, until the arrival of a young woman and the death of one of his friends prompts him into action.
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Cronaca di un amore (1950)
Character: Paola Molon Fontana
A wealthy, possessive husband's investigation reignites his young wife's past love, leading them to plot against him. As obstacles fall away, their passion faces a new test.
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Arcana (1972)
Character: Mamma
A Sicilian widow earns her living as a clairvoyant, in Milan, but she hasn't got any power at all. Her son instead holds supernatural powers and with the help of his mother he becomes a strong sorcerer. But he fails perhaps to understand the real strength he possesses inside and unbinds uncontrolled forces that lead people that surround him to go mad.
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Nocturno 29 (1969)
Character: Señora (as Lucia Bose)
Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship. — chicago.cervantes.es
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The Picasso Summer (1969)
Character: Guest George explains why he wants to meet Picasso (uncredited)
A San Francisco couple travels to France in search of Pablo Picasso.
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