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La prima donna (1964)
Character: La Pasta
A story of "La Pasta", a renowned prima donna, and her extraordinary rival.
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Abel Gance, hier et demain (1963)
Character: Self
The life and work of Abel Gance as told by himself. Includes extracts from many of his films and considers his contribution to the cinema.
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La Tour de Nesle (1955)
Character: Alice
France, the beginning of the XIV century. Every night, Queen Margaret of Burgundy and her two sisters arrange orgies, to which beautiful nobles are invited. The young men were brought blindfolded, and after a night of love they were killed and their corpses thrown into the river, because the queen was afraid that her husband would learn about her adventures. One of her lovers managed to escape death. He knows the secrets of the queen, knows that she once gave birth to a son from him, claims that he has evidence that Margarita wanted to kill her father and blackmails her.
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Il faut vivre dangereusement (1975)
Character: N/A
Richard is a private detective. He makes a good money from marital infidelity: the deceived husband and wife generously paid him for proof of their infidelity "halves"...
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Les Mouettes (1991)
Character: Belen, la voyante
A small village lies peacefully nestled in the hills beneath the Provence sun... until the arrival of an odd group of vacationers. Who are these gorgeous young women from the big city strolling on the village square under the watchful eye of a chaperone as beautiful as she is authoritarian? Scandal arises when it’s learned these dreamy creatures are none other than the employees of a Marseille brothel come to enjoy the good clean air of the country. All hell breaks loose as the villagers take a stand for or against the presence of these "ladies of pleasure". The mayor is called on to relay women of the moral rules of the region to the women. But the fact remains, they can’t be forced to leave: while they have no intention of plying their trade, no law exists to bring their country retreat to a premature end. Different mentalities are revealed, passions unbridled, love kindled... and doesn’t love always solve everything in the end?
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Charles et Lucie (1979)
Character: Nostradama
An old and poor couple, Charles and Lucie, scrape by working as a concierge and an untalented antique dealer, respectively. But one day, their dreary daily routine is disrupted by the surprising news that they have inherited a luxurious house in the South of France.
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Austerlitz (1960)
Character: Madame Récamier
Napoleon Bonaparte crowns himself emperor and fights the English, Austrians and Russians in 1802.
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Papa les petits bateaux… (1971)
Character: Lady with her Saint-Bernard
In this whimsical French comedy, Cookie (aka Venus de Palma) is a tough, sweet little rich girl, and is rather smart, too. She's smart enough and charming enough to outwit her kidnappers by setting one against the other until they have all killed each other or died trying to prove thier worth to her.
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Polly West est de retour (1993)
Character: Salomé von Jung
Polly West, a very rich American star, has bought the castle of Sainte Apolline, a small village in Provence. As soon as she arrives, the dynamic actress causes trouble among the inhabitants. After having received her in confession, the priest seems to be taken by madness. To add to the turmoil, the country warden and the grocer enter her service. Honorin, the mayor, tries to cope and maintain order. While the people of the village keep asking questions, Polly flies to the rescue of the beautiful Italian girl Clara, who has been raped by the landlord Léonce. Soon, Honotin discovers that Polly is buying up the village's land using a few nominees. He then understands that this woman is not a stranger and that, a few years ago, the villagers chased her away because she was a mother, and these same villagers caused the death of her parents. Polly has returned to seek revenge.
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Birth of a Nation (1997)
Character: Self
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
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