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Les Livreurs (1961)
Character: N/A
These two friendly delivery boys from a Parisian department store not only take their job to heart as much as possible, but also consider themselves responsible for the happiness of the customers they have to deliver to. This leads them successively to help, at the cost of incredible acrobatics, a young couple celebrating the first anniversary of their marriage, to mingle with the clientele of a rather disquieting doctor, to almost perish in an ambush that was of course not intended for them, and to avoid a domestic quarrel.
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Les Parisiennes (1962)
Character: Friend of Ella (segment "Ella") (uncredited)
A film made up of four sketches. In Marc Allégret's Sophie, a naive high-school girl invents a love affair with her mother's lover. But it's a guitarist with whom she falls in love. In Françoise, by Claude Barma, a young woman returning to France after living in the United States has an affair with her best friend's lover. In Antonia, by Michel Boisrond, a middle-aged woman tries to convince her ex-lover that she still has many assets to seduce. In Ella, by Jacques Poitrenaud, a Pigalle dancer meets a man in a cab.
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Adieu l'ami (1968)
Character: Martha
After serving together in the French Foreign Legion, a mercenary and a doctor leave the service and go their separate ways. Later, they are reunited and become involved with a caper involving millions in a high-security safe. The two men become locked in during a holiday weekend as they attempt to crack the safe's combination.
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Le Passager de la pluie (1970)
Character: Madeleine Legauff
Melancolie Mau is a lonely woman on the French seaside who falls victim to a horrific rape, but she manages to turn the tables and kill her attacker. She chooses not to tell anyone and dumps the body, but it comes back to haunt her when a U.S. colonel arrives, mysteriously armed with full knowledge about her ordeal. However, he seems to have his own agenda, and it may concern Melancolie's absent husband.
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Les belles au bois dormantes (1970)
Character: Irène
Isabell runs a nursing home for wealthy women who are trying to detox from their various obsessions. Her lover, Serge Belaiev, a petty gangster, has pulled off a big hit but his partners have denounced him to the police in order to appropriate his share of the loot. Isabelle takes him in and hides him in an attic of this strange house. In love with Isabelle, Philippe Lansac, the owner of the place, decides to close the castle...
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Cet obscur objet du désir (1977)
Character: Manolita
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
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Le Fantôme de la liberté (1974)
Character: Françoise
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
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La Voie lactée (1969)
Character: Madame Garnier
Two men, part tramp, part pilgrim, are on their way from France to Santiago de Compostela in Spain. On their way, they meet a vast assortment of characters—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.
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La Course du lièvre à travers les champs (1972)
Character: N/A
Young pilot Tony Cardot goes on the run after inadvertently crashing his plane into a group of Gypsy children. He reaches Montreal and crosses paths with American gangster Charley Ellis, who forces him to join in his gang's latest scheme.
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La Soupe aux poulets (1963)
Character: Boss of the restaurant
The fiancée of a gangster who has been shot by the police takes an entire police station hostage, armed with a revolver and a bottle of nitroglycerine...
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Avec la peau des autres (1966)
Character: Ingrid Kern
A French secret agent gets a license to kill when he is sent to Vienna to plug a security leak in this routine spy saga. He is caught in the crossfire of international enemy agents trying to eliminate the French.
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À belles dents (1966)
Character: N/A
An orphaned young woman goes to Paris looking for work and love. Working as an au-pair, she is discovered by a fashion photographer and becomes a model. She falls in love with an architect but leaves him to marry a rich man.
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Tendre voyou (1966)
Character: Josette
Tony Maréchal is a professional seducer. Having conquered countless women, proclaims that there is none that can resist his charm. To prove this makes a difficult challenge: to seduce baroness Minna von Strasshofer.
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Angélique, marquise des anges (1964)
Character: N/A
In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.
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Les vécés étaient fermés de l'intérieur (1976)
Character: Mme Piazzorossicelli
A bus conductor gets dressed for work in the morning, goes to the toilet, where he is killed by a bomb. The Commissioner and his fat, bumbling assistant, Inspector Charbonnier are put on the case. After interviewing friends, wives, colleagues, and spying on strangers who might be connected, our heroes trace the assassin down to a mental institution where, it seems, the murder victim has been an inmate for the last three years...
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Le Charme discret de la bourgeoisie (1972)
Character: (uncredited)
In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.
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