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Shooting Clerks (2016)
Character: Moose Jaw Network Interviewer
The biopic of how Kevin Smith bankrolled his $27,000 first film with maxed-out credit cards and became the darling of the Sundance Film Festival when Clerks debuted there in 1994.
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Vulgar (2002)
Character: Old Man
Vulgar is about a man who is a children's clown but has not been getting much luck lately. He lives in a cheap apartment which he can't even afford. Bums are constantly sleeping in his run down car and crashing on his lawn. He has a nagging mother who lives in a nursing home, and his best friend is a moocher. One day he comes up with the idea to become a bachelor clown.
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Clerks III (2022)
Character: Customer
After narrowly surviving a massive heart attack, Randal enlists his old friend Dante to help him make a movie immortalizing their youthful days at the little convenience store that started it all.
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Sex Is... (1993)
Character: Self
Marc Huestis edits interviews with 15 men, including himself, around a set of topics starting with "what is sex?" The men are gay, living in or near San Francisco. They talk about their first sexual experiences, the gay scene in San Francisco in the late 1970s, the pall cast by AIDS, the safe-sex movement, getting into serious relationships, the illness and death of partners, pornography, S/M and pain, race and stereotypes, personal fantasies, and bliss. Huestis has a thesis, that sex is going to be with us, so how best do we embrace it? His 15 subjects, archival footage, clips from porn films, and close-up looks at men loving men flesh out various answers.
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Vito (2011)
Character: Self
In the aftermath of Stonewall, a newly politicized Vito Russo found his voice as a gay activist and critic of LGBTQ+ representation in the media. He went on to write "The Celluloid Closet", the first book to critique Hollywood's portrayals of gays on screen. During the AIDS crisis in the 1980s, Vito became a passionate advocate for justice via the newly formed ACT UP, before his death in 1990.
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Film Hawk (2016)
Character: Self
What do filmmakers as disparate as Kevin Smith, Ed Burns, Rob Epstein, and Barbara Hammer have in common? A secret weapon known as Bob Hawk. As a veteran of the American independent film scene since its inception, the cinephile and consultant has been a regular, cherished presence at film festivals and markets for over three decades. Hawk saw promise in scrappy, independently produced films like Clerks and The Brothers McMullen when no one else even knew to look, and he brought these films to the attention of the Sundance Film Festival, thereby launching multiple careers in the process. An unsung champion of new voices, he has discovered innovative work, nurtured new talents, and brokered relationships with film festivals and critics alike, while staying out of the spotlight—until now. At 75, Bob Hawk looks back on a still-vibrant life in independent film, exploring how the rebellious gay son of a preacher found his calling as a behind-the-scenes film impresario.
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