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Kautschuk (1938)
Character: Lady Betty Mortimer
About how the British broke the Brazilian monopoly on natural rubber. The storyline suggests a complex relation between adventure, military conquest and imperialism.
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Der dunkle Tag (1943)
Character: Henriette Waizenegger
Wolf Burkhardt, who has acquired mining rights in Africa, returns home to get financing for his project. At the same time, he'd like to renew his youthful love for Georgia, but is eventually, and falsely, suspected of fraudulent activities and returns back to Africa. It is only with the passing of five years that he sees his beloved once more. In the interim, she has married a state's prosecutor and they have a daughter.
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Die Brüder Noltenius (1945)
Character: N/A
Wolf Noltenius is a real globetrotter. Early on, this talented young man travelled far and wide, where he earned fame as a construction planner. He moved to Brazil; but one day, homesickness got the best of him. He spontaneously travelled back to his hometown to visit his brother Werner and his family. Wolf and Werner, who both went into the same profession, couldn't be any more different: the one is worldly and an experienced man-about-town; the other a small bourgeois.
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Ein Mädchen geht an Land (1938)
Character: Elfriede
Erna, the daughter of a Hamburg coastal skipper, loses her fiancé to the sea. In her grief, she first flees to relatives, then takes her fate into her own hands and starts working for a shipowner in Blankenese. When she slowly begins to develop feelings for a man again, he turns out to be a marriage swindler. But again she does not give in to despair. In her conciliatory attitude to life, she is able to settle a marital dispute between the shipowner and his wife and finally finds her own happiness in love - through a former friend who is himself a widower. She starts a family with him and the children of his deceased wife.
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Zwei Frauen (1938)
Character: Fräulein Bogner
The famous actress Paula Corvey loves the young racer Werner Bruck. One day, Paula's 18-year old daughter returns unexpectedly to her mother. She was living with her father, Paula's ex-husband, but she's run off to Paula, because daddy wouldn't let her become a hot-to-trot actress like mama. Paula just doesn't know what to do. That she's the mother of a grown up girl is something she desperately wants to hide from Werner (no, honey, I swear: you don't look a day over 17 ... uh huh). So, to cover her little horny tracks, she tells Werner that Eva is her cousin. The plan backfires (ha ha!), when Werner falls for the "cousin". When Werner finally discovers the truth, a conflict develops (duhh!), which can only be solved by Paula finding a man her own age (thank you).
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Fräulein (1939)
Character: Tante Laura
Miss Annemarie Tessmer is a clerk in the house of the manufacturer Herman Schilling and she is indispensable. She is exploited by all the family members and her own life is completely in the background. Herman Schilling wants his daughter Thea merry with the representative for foreign affairs Dr. Richard Rauch. However, after a number of dramatic complications, Richard chooses for the good, selfless and hardworking Annemarie.
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Stimme des Herzens (1942)
Character: Frau Bulthaupt
In a small town in northern Germany at the turn of the century: The wealthy mayor's daughter Felizitas marries the much older owner of a trading house because her childhood friend and lover, an impoverished shipowner's son who has broken off his painting studies, withdraws from her. Although she soon realizes that her decision to marry is a mistake, she initially refuses to follow the voice of her heart until a scandal leads to the lovers' eventual happiness. A conventional melodrama, at least well acted.
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Wildvogel (1943)
Character: Britta von Dermnitz
The engineer Wolff Benningsen (Volker von Collande), a self-assured and über-obnoxious jingo jerk meets the young art student Vika von Demnitz (Leny Marenbach) while climbing in the Alps. One get's the idea that he would like to knock her over the head with a club and drag her to his cave but since this is out of fashion he decides to stalk her and annoy her heavy-handedly into a full submission. Understandingly, she instantly dislikes the lad and tries to shake him off. She succeeds a few times but then starts to suffer from some kind of Stockholm syndrome and falls for him. But that's not enough for him, being an infantile egoist he wants to tame the "wild bird" fully and break every last bit of her own will. It's all hard to believe if you haven't seen it yourself.
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Die beiden Schwestern (1943)
Character: Roma Bahn
Berlin, the end of the 19th Century: The pretty sisters Gabriele and Ulrike Wilkens have both completed their ballet training with honors. But only Gabriele is really dedicated to the art; Ulrike, on the other hand, is more the domestic type. She dreams of having a husband and children. One day, both of them get to know the aspiring composer Andreas Holk. Holk falls madly in love with Gabriele without suspecting, that Ulrike is in love with him! He arranges a prestigious engagement for the sisters at the Berlin Opera, which only Gabriele accepts. Ulrike prefers her modest life. When Count Alversheim courts Gabriele with unbridled energy, a disappointed Holk turns to Ulrike. When Gabriele finally comes to her senses, it is too late: she’s lost Holk to her sister.
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Der Mädchenhirt (1919)
Character: Lusie Hell
"The Girl's Shepherd" - at that time a common name for a pimp. About promiscuity and naivety leading up to complicated situations.
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Unheimliche Geschichten (1932)
Character: Frau des Mörders
A crazed scientist murders his wife, walls her up, then flees. A reporter sets out to track him down. Remake of Unheimliche Geschichten (Richard Oswald, 1919).
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Alles Schwindel (1940)
Character: Adele Heske
After living in the tropics for five years, Peter Asfeld returns to Amsterdam and wants to marry his childhood friend Julia Vermehren. However, his future father-in-law has read in the horoscope that Peter will one day commit a theft and demands that he do so before the wedding. Peter can't get the thought out of his head, and even in his dreams he commits all kinds of crimes. Inspired by so much imagination, he kidnaps Julia, his future wife, the next day. But the horoscope was wrong.
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Frau Luna (1941)
Character: Baronin von Blumenfeld
Berlin's theatre crowd is excited about the new operetta "Frau Luna". But for the head of the city's vice police, who was invited to the dress rehearsal, the costumes for the ladies onstage are a bit too revealing. He demands the show be cancelled as offensive. The president of the Thusneldenbund has taken it upon himself to alert everyone about the growth of immorality in the capital. The theatre director Knopp has come up with an idea to convince these "fine" gentlemen to let the operetta go onstage again: He intends to win over the friendship of the moral police and then nothing will stand in the way of "Frau Luna" once more being performed.
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Moral (1936)
Character: Prinzessin Ottilie
The double standards of a social class, which pontificates with big words what is proper and improper in the world of morality, while in its heart thinks very differently and acts accordingly.
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Kleine Mädchen – große Sorgen (1941)
Character: Frau Müller, Hannes Wirtin
When Dr Hartung (Fritz Odemar) hits Eva (Geraldine Katt) with his car, she decides to make him her "life's mission" and free him of his "unhappy marriage" which he never declares as such. In her way stands only her best friend Ursula (Hannelore Schroth) who happens to be Dr Hartung's daughter and is all but enthusiastic about her friend trying to seduce her father.
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Fritze Bollmann wollte angeln (1943)
Character: Rosalie
Brandenburg an der Havel, 2nd half of the 19th Century: the barber Fritz Bollmann is running his old-fashion barbershop and is well known, while another barber Jean Blank is more modern and haute-couture, who sees him as a huge competitor. When Bollmann wanted to leave to store to go fishing, what he loves, a boy asked for a haircut, but due to his anger he cuts him almost all of his hair. This leads the kids to play a trick upon him and when they through things in the lake in order for Bollmann to fall into the water while fishing, they write a mocking song about him. The song is spread all over the town, much to the hate of Bollmann himself. But he doesn't give up and is off to fight back.
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Das Hochzeitshotel (1944)
Character: Frau Berendt
A group of artists and journalists enjoy a series of romantic entanglements in a country hotel. An author, Vera von Eichberg "of whom no photo exists," has mentioned the hotel in her work, boosting its notoriety. When another female guest arrives, everyone assumes she is the author, despite her repeated assertions to the contrary.
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Mädchen mit Beziehungen (1950)
Character: Miss Kaufmann, secretary
An unemployed engineer who does not want his fiancee to protect him has accidentally insulted his future boss, unknown and for no reason. From this meager idea, a stupidly rolled-out confusion with pop song in a Mexico bar develops.
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Drei Väter um Anna (1939)
Character: Donka
A cabaret singer entrusts her illegitimate daughter to a country doctor but doesn't say which of three friends of his is the father. Rumors are spread and relationships are strained until one man admits the truth.
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0 Uhr 15, Zimmer 9 (1950)
Character: Frau von Rottach
The young hotel manager Leutner runs for study purposes a transmitter in the hotel room of his fiancée Maria. Coincidentally he learns that a gang of counterfeiters want to get rid of a troublesome witness at 12:15 AM. Will Leutner be able to prevent this… and can he trust his fiancée at all? Cheats, swindlers, forgers and murderers are hiding under the mask of honest and reputable hotel guests.
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Der Fall Deruga (1938)
Character: Valeska Durich
The physician Dr. Deruga is suspected of having poisoned his wife out of greed. She died after naming Deruga, poor and in debt, the sole heir in her will. There are a lot of people willing to testify against him in court, including Marta, the dead woman's best friend. Only his niece Mingo believes him to be innocent and goes out on her own to prove it.
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Um neun kommt Harald (1944)
Character: Wirtschafterin Heimendahl
Edith Gedeye, the ward of Consul Schober, wants to meet and stay with Harald, her fiancee. On the morning of her intended departure from the house, the manservant Winkelmann finds the corpse of the consul. Suspicion quickly falls on both Edith and Harald, because the Consul had a fight with Edith about Harald and Harald has been in need of some money for a long time.
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Diesel (1943)
Character: Segelschiff-Passagierin
A German wartime biography of Rudolf Diesel, inventor of the Diesel engine. The movie links the importance of the engine to the war by starting the movie with newsreel clips of German Navy U-boats in action.
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Phantom des grossen Zeltes (1954)
Character: Eine Zirkusbesucherin
Mr. Rossi and Mr. Capelli, co-owners of a successful traveling circus, have a rivalry over the affections of the lovely Dolores. That's all settled after Rossi is mauled to death by a lion. Years later a series of accidents, attacks and mysterious deaths plague the circus.
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Heimatland (1939)
Character: Mathilde Werth
The opera singer Maddalena had been cast out by her family after they learned she was to bear the child of a banker, von Keller, who had seduced and abandoned her. Her return to her native city has her father warn her to remain away, because she is a threat to her family, and her sister Marie's wedding. However, von Keller threatens the reputation of her family with an underhanded banking scheme. He commits suicide, and Maddalena is reconciled with her family.
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Meine Herren Söhne (1945)
Character: Zahnärztin
Landowner Kurt Redwitz lost his wife early and has to raise his two sons Lutz and Lütte, who always like to paint, alone. When Redwitz hires the young pretty Bettina as an educator, everyone is enthusiastic about her. Especially the two boys love them hotly and intimately and from now on even show impeccable behavior. Only the strict housekeeper Mrs. Suhrmöller is jealous and tells Redwitz about the gossip in the village, which says that Bettina only planned to become Redwitz's wife. Redwitz then dismisses Mrs. Suhrmöller. But when Bettina finds out about it, she leaves the property and accepts a job as a social lady in the recreation home "Schloss Sorgenfrei". Now Redwitz slowly realizes what he feels for Bettina, and his sons try everything to bring the father and the educator together.
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Maske in Blau (1943)
Character: Ilona Körössy
Gifted amateur dancer gets her big break on the Berlin Stage in this wartime romantic comedy.
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Annelie (1941)
Character: N/A
On New Year′s Eve 1871 Annelie is born – 15 minutes too late, since her parents had calculated her birth to be exactly at midnight. These 15 minutes will again and again become the girl′s fate.
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Altes Herz wird wieder jung (1943)
Character: Irene Lorenz, seine Frau
All throughout his entire life, Friedrich Wilhelm Hoffmann let his career run roughshod over his personal life. He had no wife, because he was married instead to his chocolate factory. Now he’s old and gray, and his relatives, who are greedily waiting for him to kick the bucket so they can get their hands on his worldly goods, keep their distance from him. Then one day, an astonished Hoffmann is visited by a young woman named Brigitte, who asserts, that she’s his granddaughter. Suddenly, it all comes back to the old man: as a young man, he had a short, but intense, love affair, which he had to end on the insistence of his father.
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La Habanera (1937)
Character: Ebba
While vacationing in Puerto Rico, a young Swedish woman falls in love with and marries a powerful local landowner. Ten years later, their marriage has turned sour; meanwhile, two Swedish doctors have arrived on the island to investigate a mysterious fever.
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Anna und Elisabeth (1933)
Character: Mary Lane
The two main people in the story are Anna, a young girl, who is thought of having the ability to heal people mysteriously. Elisabeth is a young - middle aged aristocratic woman, that is disabled and puts all her hopes in meeting Anna and having her disability heal by her. A strange ambivalent relationship develops between the two women.
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Die Rothschilds (1940)
Character: Junge Dame
Biopic about the Rothschilds, a Jewish family whose members rose to the top of the European banking community during the Napoleonic era.
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Mädchen in Uniform (1958)
Character: Wardrobe Mistress
A new student, Manuela, enters a strict girls' boarding school after her mother’s death, where she finds comfort in a kind teacher, stirring complex emotions within her.
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Von morgens bis mitternachts (1920)
Character: Tochter / Bettlerin / Heilsarmee-Mädchen / Dirne
A cashier in a bank in a small German town is alerted to the power of money by the visit of a rich Italian lady. He embezzles 60,000 Marks and leaves for the capital city, where he attempts to find satisfaction in politics, sport, love and religion.
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