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Les malabars sont au parfum (1966)
Character: Nicole
All sorts of spies are buzzing around Michel, whose cow, Dorothée, produces 200 liters of milk a day thanks to a treatment of his own invention. Dorothée is kidnapped and found. But now everyone disowns her. No matter! Dorothée's productivity will enrich Michel and his wife Nicole, who have opened a rotisserie; milk cocktails are in fashion.
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Des vacances en or (1970)
Character: (uncredited)
Two Parisians and inseparable friends, Alexandre and Philippe, decide to spend their vacations in Palma. Philippe arrives by car, accompanied by his young wife, while the flighty Alexandre has hired a blonde hitchhiker. But what a surprise to find the villa, rented by correspondence, inhabited by strange and worrying occupants... Soon mistaken for secret agents, Philippe and Alexandre embark on extravagant adventures involving a mysterious shipment of gold.
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Gross Paris (1974)
Character: Sophie
Bernard, a journalist, and his friend Jules, a butcher by trade, are both passionate about horse racing.
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La Lucarne magique (1971)
Character: Announcer
This variety show, with its new concept, is presented as a musical comedy. Having formed an orchestra, a group of young people perform in the courtyards of an old Parisian neighborhood, hoping to earn some money. But no one listens to them. All the tenants of the building are glued to their television sets. Only one mysterious man takes an interest in the group and offers them a box of magic matches.
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Les Rois de la comédie (2023)
Character: Self
At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor.
They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are-
are they funny in life? Where is the line between their character in the cinema and their real personality?
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Faites donc plaisir aux amis (1969)
Character: Julie
Jean-Louis, a garage worker and womanizer, asks his friend and boss to reverse roles for a while, to make his brother, who has just arrived from South America, believe he's not only the boss, but also his wife's husband.
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Le Roi des cons (1981)
Character: La psychanalyste
Georges Le Roi lives odd jobs and shares his life between two girlfriends. One day, he falls in love with Sophie and records a message of love. The tape is mistakenly broadcast in the company. In the face of success, Sophie founded the company Tell me about love and spread the messages of Georges, who soon became a sex symbol.
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Le Concierge (1973)
Character: Marie-Agnès Faure
Christophe Merignac, a youngESCP graduate with a law degree but still unemployed, gets a job as a concierge in a luxury building. Using charm and cunning, he makes himself indispensable. He makes a fortune and marries a young, pretty and rich tenant, whom he happily deceives. The conclusion is bittersweet: he's "made it", but he doesn't love anyone. What's more, a young concierge who looks like a brother has just arrived in his building.
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Juliette et Juliette (1974)
Character: Une journaliste
Juliette Vidal is a journalist in Paris who works for the glamorous magazine "Pénélope". Uninspired, she decides to take an interest in the life of a department store saleswoman Juliette Rozenec.
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Le solitaire passe à l'attaque (1966)
Character: Sylvie
A powerful bomb is stolen and is set to explode in a populated area in less than 48 hours, unless French S.S. Agente, Roger Hanin can find and defuse it in time. Larry Anderson.
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