|
|
|
Audrey Hepburn: The Paramount Years (2008)
Character: Self
This piece follows Audrey Hepburn's life from her childhood through her acting career. It explores her background in ballet, her Broadway debut, and her films for Paramount including Roman Holiday, Sabrina, War and Peace, Funny Face, Breakfast at Tiffany's, and Paris When it Sizzles.
|
|
|
A Family Upside Down (1978)
Character: Carol Long
An elderly married couple find that as their physical and mental health deteriorates, they find themselves dependent more and more upon their grown children.
|
|
|
International Airport (1985)
Character: Beverly Gerber
Manager of a large metropolitan airport tries to deal with the stress of his job, and the various characters that work for him.
|
|
|
The Millionaire (1978)
Character: Maggie Haines
Three people's lives are drastically changed when they are suddenly given one million dollars each by an eccentric billionaire in this pilot to a prospective new series which the producers hoped would equal the success of the original one that ran from 1955 to 1960.
|
|
|
|
|
Police Story: Confessions of a Lady Cop (1980)
Character: Gloria Leland
14 year police veteran, Evelyn Carter looks to make it to retirement while experiencing the highs and lows of police work in a male-dominated metropolitan police department.
|
|
|
Return of the Big Cat (1974)
Character: Sophina McClaren (as Patricia Crowley)
A boy, Leroy McClaren, trains a wild dog to hunt the cougar that has been threatening the family.
|
|
|
Return to Fantasy Island (1978)
Character: Lucy Faber
A second feature-length pilot film for the wish-fulfillment series sees six lucky people having their dreams fulfilled on the luxury resort island. Career woman Margo Dean's assistant, Lowell Benson, hopes to romance her; Brian and Lucy Faber want to see the daughter they gave up for adoption; Janet Fleming, who lost her memory on her honeymoon, wants to relive it to cure her amnesia.
|
|
|
Cop on the Beat (1975)
Character: Georgia Cameron
An aging street cop goes after a gang of toughs involved in several robbery-rapes on his beat in this pilot (a spin-off from "Police Story") for the 1975-76 series. The veteran cop concept also was the basis for "The Blue Knight" series at the same time — and that, too, was based on a Joseph Wambaugh creation. Also known as "The Return of Joe Forrester."
|
|
|
The Sky Trap (1979)
Character: N/A
A young man in Arizona, in trying to save his mother’s business, takes off in a sailplane and finds a secret landing strip. He finds that it is being used by drug smugglers, and he works to catch them.
|
|
|
Money from Home (1953)
Character: Autumn Claypool
Herman owes a lot of gambling debts. To pay them off, he promises the mob he'll fix a horse, so that it does not run. He intends to trick his animal-loving cousin Virgil, an apprentice veterinarian, into helping him. Of course, he doesn't tell Virgil what he is really up to. Mistaken identities are assumed, while along the way, Virgil meets a female vet and Herman falls for the owner of the horse.
|
|
|
The Square Jungle (1955)
Character: Julie Walsh
Grocery clerk Eddie Quaid, in danger of losing his father to alcoholism and his girl Julie through lack of career prospects, goes into boxing.
|
|
|
|
|
The Scarface Mob (1959)
Character: Betty Anderson
Story of how a group of incorruptible federal lawmen helped put 1920s' Chicago gangster Al Capone in prison.
|
|
|
To Trap a Spy (1965)
Character: Elaine May Bender Donaldson
The men from U.N.C.L.E. must stop the assassination of an African head of state with the help of a simple housewife.
|
|
|
The Force of Evil (1977)
Character: Maggie Carrington
A murderer on parole victimizes a family against whom he holds a grudge.
|
|
|
Red Garters (1954)
Character: Susana Martinez De La Cruz
A spirited cast kicks up its heels in a lively musical spoof of cowboy films crammed with spur-jangling tunes by Jay Livingstone and Ray Evans and decked out with colorfully stylized, Oscar.-nominated sets. Rosemary Clooney heads up the high-kicking, red-gartered girls of the Red Dog Saloon. They can-can. but she won't-won't unless Jason (Jack Carson) asks her to get hitched. Guy Mitchell and Gene Barry are gun-totin' polecats who think they've got a feud to settle. And Frank Faylen and Buddy Ebsen are among the folks who hope the gunslingers get itchy fingered - so they can hold a town barbecue during the funeral!
|
|
|
Allen in Movieland (1955)
Character: Self
TV goes Hollywood when Steve Allen visits Universal-International to prepare for his upcoming title role in "The Benny Goodman Story."
|
|
|
Hollywood or Bust (1956)
Character: Terry Roberts
The last movie with Jerry Lewis and Dean Martin together, is a satire of the life in Hollywood. Steve Wiley is a deceiver who cheats Malcolm Smith when he wins a car, claiming that he won it too. Trying to steal the car, Steve tells Malcolm that he lives in Hollywood, next to Anita Ekberg's. When Malcom hears that, they both set out for Hollywood and the adventure begins...
|
|
|
Walk the Proud Land (1956)
Character: Mary Dennison
Indian Agent sent to try new approach to peace with Apache based on respect for autonomy rather than submission to Army. Wins over reservation chiefs and the Indian widow given to him as housekeeper. Through use of diplomacy and demonstrations of faith in Apache leaders, reservation is put on the road to autonomy. Conflicts arise between Apache widow and Eastern wife but latter has a lot to learn.
|
|
|
Key Witness (1960)
Character: Ann Morrow
An average Los Angeles citizen witnesses a gang murder when he stops to use a telephone. When he presents himself to the LAPD as the only person willing to identify the culprits, he opens himself up to a campaign of intimidation from the gang involved.
|
|
|
The Wheeler Dealers (1963)
Character: Eloise Cott
Henry J. Tyroon leaves Texas, where his oil wells are drying up, and arrives in New York with a lot of oil money to play with in the stock market. He meets stock analyst Molly Thatcher, who tries to ignore the lavish attention he spends on her but, in the end, she falls for his charm.
|
|
|
Send Me No Flowers (1964)
Character: Marge (uncredited)
When a hypochondriac assumes that he is dying, he makes an elaborate plan to ensure his wife's happiness. However, trouble ensues when she misunderstands his intentions.
|
|
|
The Biscuit Eater (1972)
Character: Mary Lee McNeil
Nothing warms the heart like the story of a boy and his dog. Lonnie (Johnny Whitaker) and Text (George Spell) are two friends determined, against all odds, to turn a misfit hound into a hero. Tennessee farmer and dog trainer Harve McNeil (Earl Holliman) tells his son Lonnie that his dog, Moreover, is a good-for-nothing "biscuit eater."
|
|
|
Steve McQueen: Man on the Edge (1990)
Character: Self (archive footage)
Abandoned by his father, he was a reform school kid with nothing going for him and a giant chip on his shoulder. He joined the Marines but never stayed far from trouble. Then he discovered acting — and the woman who would be with him for most of his meteoric career. He was Steve McQueen, one of Hollywood's highest paid stars — and one of its most difficult, most rebellious and, when he wished, most charming.
|
|
|
61* (2001)
Character: Pat Maris
In 1961, Roger Maris and Mickey Mantle played for the New York Yankees. One, Mantle, was universally loved, while the other, Maris, was universally hated. Both men started off with a bang, and both were nearing Babe Ruth's 60 home run record. Which man would reach it?
|
|
|
Barry Norman in Celebrity City (1982)
Character: Self
Hollywood is still the home of the American Dream - the place where fame and fortune can be achieved overnight. Or so the story goes. For some it does come true. In this status conscious town Barry Norman looks at the attitudes towards success and failure among the famous and not quite so famous.
|
|
|
Forever Female (1953)
Character: Clara Mootz
An aging actress has a hard time admitting she is too old to play the ingenue role anymore.
|
|
|
Menace on the Mountain (1970)
Character: Leah McIver
A period piece about the McIver family trying to protect there home from Civil War deserters. Actor Jodie Foster, then approximately 8, plays Suellen McIver. Actor Mitch Vogel, Jamie, is their protector.
|
|
|
There's Always Tomorrow (1956)
Character: Ann
When a toy manufacturer feels ignored and unappreciated by his wife and children, he begins to rekindle a past love when a former employee comes back into his life.
|
|