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Pinocchio (1984)
Character: Gina
A lonely wood-carver named Geppetto wishes for a son one night before going to bed. The Blue Fairy comes while he sleeps and partially grants the wish by turning his latest puppet, Pinocchio, into a living marionette. Pinocchio can himself fulfill Geppetto's wish of a real human son if he can prove himself to be a good soul. However, the road to becoming a real boy seems to never end, since his innocence continuously causes a problem, especially when the Evil Gypsy and his two goons want to exploit him. Not to mention, every time that he misbehaves or lies, his nose grows...
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Head (1968)
Character: Belly Dancer (uncredited)
In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.
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Five Easy Pieces (1970)
Character: Palm Apodaca
Robert Dupea spends his days doing various odd jobs, drinking and womanizing until an encounter with his sister makes him revisit his past.
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The Drowning Pool (1975)
Character: Elaine Reavis
Harper is brought to Louisiana to investigate an attempted blackmail scheme. He soon finds out that it involves an old flame of his and her daughter. He eventually finds himself caught in a power struggle between the matriarch of the family and a greedy oil baron, who wants their property. Poor Harper! Things are not as straight-forward as they initially appeared.
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Stay Hungry (1976)
Character: Anita
A dishonest businessman asks rich layabout Craig Blake to help him buy a gym, which will be demolished for a development project in Alabama. But after spending time with weightlifter Joe Santo and gym worker Mary Tate Farnsworth, Craig wants out of the deal. The property negotiations turn ugly, causing a brawl at the gym and a spectacle at a big bodybuilding meet, as Craig learns that it's not easy to turn your back on fair-weather friends.
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The Baby Maker (1970)
Character: Wanda
Tish Gray had a baby and gave it up for adoption. She is contacted by a second childless couple who want her to have the husband's baby because of the wife's inability to have children. She accepts but finds that knowing the parents, and developing a relationship with them for the entire pregnancy complicates the simple arrangement.
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Renaldo and Clara (1978)
Character: Helena
Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Phil Ochs, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.
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Catchfire (1990)
Character: Grace Carelli
A witness to a mob assassination flees for her life from town to town, switching identities, but cannot seem to elude Milo, the chief killer out to get her.
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Kansas City Bomber (1972)
Character: Jackie Burdette
Roller-derby skater K.C. Carr tries to balance her desire for a happy personal life and her dreams of stardom.
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Easy Rider (1969)
Character: Woman in Commune (uncredited)
Wyatt and Billy, two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth.
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The Passover Plot (1976)
Character: A Visionary Woman
Yeshua of Nazareth carefully plans his own crucifixion — and subsequent resurrection — to strengthen his political position against the Roman occupation of Palestine.
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Eureka (1983)
Character: Frieda
After striking it rich on a large gold strike, a prospector retires to the quiet life on a Caribbean island but ends up coping with an alcoholic wife, a headstrong daughter, and Miami mobsters who want to build a casino.
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Shanks (1974)
Character: Mata Hari
Malcolm Shanks is a sad and lonely man, deaf, mute and living with his cruel sister and her husband, who delight in making him miserable. His only pleasure, it seems, is in making and controlling puppets. Thanks to his skill, he is offered a job as a lab assistant to Dr. Walker, who is working on ways to re-animate dead bodies by inserting electrodes at key nerve points and manipulating the bodies as if they were on strings. When the professor suddenly dies one night, Shanks gets the idea to apply their experimental results to a human body, and then to start exacting some revenge.
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