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Il Cristo proibito (1951)
Character: (uncredited)
Freshly released from a Russian POW camp, Italian soldier Raf Vallone tries to discover who betrayed his brother to the Nazis.
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Il piccolo vetraio (1955)
Character: Madre di Piero
A poor fisherman entrusts his children Piero and Nino for money to the Frenchman Neroni who recruits young men to work in his glass factory.
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Lettera napoletana (1954)
Character: Laura Conforto
Warehouseman "Franco" is set up by the son of his boss for robbery and cigarette smuggling. Can he prove his innocence and rescue his relationship with "Anna"?
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Cose da pazzi (1954)
Character: Diamora Guidi
When young Dalia is mistakenly admitted to a mental institution, she is declared sane - but by a truly mad person pretending to be a doctor. The real doctor thinks she is insane - how can she escape this madness?
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Benvenuto Reverendo! (1950)
Character: The woman of the church
A disguised thief talks himself into a countryside class fight immediately after WWII.
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Ladri di biciclette (1948)
Character: Maria
Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.
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L'oro di Napoli (1954)
Character: Carolina Petrillo (segment "Il guappo")
A tribute to Naples, this film presents six episodes: a clown exploited by a gangster, a pizza seller losing her husband’s ring, a child's funeral, a gambler beaten by a kid, a prostitute's unusual wedding, and a "wisdom seller" offering advice.
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Una donna ha ucciso (1952)
Character: Anna Castelli
In 1951, two years after the “scandal” of the Fiamma che non si spegne, Cottafavi got the opportunity to work on a film with a small production company, Novissima Film. With little means, a number of technical and financial problems and working Sundays with the pieces of film given to him bit by bit, Cottafavi shot Una donna ha ucciso, a minor film that marked his comeback to directing. (Gianni Rondolino)
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I falsari (1951)
Character: Lucia
Producers of phony currency become the object of a crackdown by law enforcement agencies.
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Viva il cinema (1953)
Character: Gertrude
Tonino, a young, shy salesman, engaged to his neighbor Pallina, is a cinema enthusiast. He has written a film script and dreams of seeing it made on the big screen.
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Gli zitelloni (1958)
Character: Carmen
Marcello is engaged to Gina, the daughter of the boarding house where he lives, but he is undecided whether to marry her or not.
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Ragazze da marito (1952)
Character: Gina Mazzillo
Oreste is known for his deliberation and caution in handling license forms at his office.But when he needs money to send his 3 girls off to Capri to find rich suitors, he is tempted to take bribes to put a license through more quickly.
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Una donna libera (1954)
Character: Solange
Liana, an architecture graduate, is about to get married until she is confronted with the fact she is sacrificing the rest of her life for a man she barely knows. So begins a series of romantic encounters in which Liana tries to find her freedom and happiness, but which will ultimately lead her to a tragic fate.
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