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L'India vista da Rossellini (1959)
Character: Himself
Series of programs broadcast on RAI TV in Italy showing footage shot by Roberto Rossellini in India. Rossellini stayed in India for almost 9 months, refusing to look at famous monuments and rather preferring to take a non-exotic view of India, by looking at lives of common persons. The Indian stay of Roberto led to two works, a documentary film India – Matri Bhumi (1959) and a TV mini-series India vista da Rossellini (India seen by Rossellini, 1959) broadcasted on Italian RAI channel.
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La balena di Rossellini (2010)
Character: Himself
La Balena di Rossellini origins from one of the most beautiful Roberto Rossellini's dreams, an exemplary project for his autorial path. The film conceived, but never realized, by Rossellini took shape in his notes after a trip to Chile conducted in May of 1971, a trip made to conduct an interview-portrait of Salvador Allende, then actually carried out by the director of "Rome, Open City". October 28, 1971: Rossellini, back from Santiago, Chile, reads a newspaper reports of a beached whale on the Pacific coast near a poor village inhabited by fishermen. From this simple news comes a film script for a fable about wealth and poverty. A film whose shooting Rossellini would have been entrusted to the young student Claudio Bondì, just graduated from the Experimental Center of Cinematography.
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Isabella Rossellini - Aus dem Leben eines Schmetterlings (2010)
Character: Self (archive footage)
She is one of the icons of our time: Isabella Rossellini, award-winning actress, supermodel, experimental filmmaker, feminist. She was married to Martin Scorsese and was in a relationship with David Lynch for many years. The star talks about successes and fears.
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Io sono Anna Magnani (1980)
Character: Self (archive footage)
Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.
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Rossellini visto da Rossellini (1993)
Character: Self (archive footage)
Made up almost entirely of archival interviews with Italian film director Roberto Rossellini (with audio interviews playing over various behind-the-scene bits and archival footage) the director recalls his early life, how he got into film, his political beliefs and how they were formed.
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Kort möte med familjen Rossellini (1953)
Character: Self
Commissioned by a Swedish newspaper, this news-reel like short on the life of the famous Swedish actress is a kind of ‘at home with Ingrid Bergman’ reportage, depicting her at work and spending time with her children. Kort möte med familjen Rossellini happened to be made during the production of Journey to Italy in Naples and on Capri, thereby providing us with a unique record from the making of this legendary film.
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Incontri 1969 - Roberto Rossellini: i segreti di un mito (1969)
Character: Himself
An hour with Roberto Rossellini. Interviewed by Gregoretti, the director of Paisà and Europa 51 retraces his life, his work, his relationship with the young critics of the Cahiers du Cinéma who would become the authors of the French New Wave, but also talks about his participation in the May '68 events in Paris. Passing from one theme to another emerges the thought of one of the key figures of the last century and not only in the cinematographic field, a lucid and passionate vision, typical of Rossellini, which combines science, conscience and knowledge and an obstinate faith in the capacities of Man.
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Morceaux de Cannes (2021)
Character: N/A
We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.
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Cinéma et Réalité (1967)
Character: Self
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.
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Addo' sta Rossellini? (1997)
Character: Self (archive footage)
A film about Alfonso, who was the protagonist of the third episode of Paisà (the street urchin who steals the American soldier's shoes). A reflection on neorealism, filmed with Michele Schiavino and Maria Paola Fadda, third special Sony video prize at the Locarno Film Festival.
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Rossellini and the City (2009)
Character: Self (archive footage)
Mark Shiel is the author of “Italian Neorealism: Rebuilding the Cinematic City.” In this 2009 video essay, he discusses Roberto Rossellini’s depiction of the urban settings in Rome Open City, Paisan and Germany Year Zero.
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The Treasure of His Youth: The Photographs of Paolo Di Paolo (2021)
Character: Self - Filmmaker (archive footage)
The life of the legendary Italian photojournalist Paolo Di Paolo through his photographs, which capture the essence of a fascinating and turbulent Italy, the one inhabited by Anna Magnani and Pier Paolo Pasolini, a country that no longer exists.
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Grierson (1973)
Character: Self
A portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision. Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term 'documentary film'.
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De droomproducenten (1984)
Character: Self
Documentary exploring why Belgian television doesn't invest more money in Belgian cinema as is the case in e.g. the netherlands.
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Jag är Ingrid (2015)
Character: Self (archive footage)
A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.
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The Rossellinis (2021)
Character: Self (archive footage)
A laid-back journey in search of one of the world’s most fascinating families, observed and examined from within its most intimate relationships, where the truth and depth of a memoir meet the ironic tone of an indie comedy.
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The War of the Volcanoes (2012)
Character: Self (archive footage)
In 1948, a fan letter arrived for director Roberto Rossellini from Ingrid Bergman, one of Hollywood’s biggest stars; after a meeting in New York, Rossellini invited Bergman to Italy to work on a project. Meanwhile, Anna Magnani, one of Italy’s biggest stars and Rossellini’s longtime lover, was furious. When the Rossellini/Bergman project was announced as a tale set on Stromboli, one of the volcanic Aeolian Islands, Magnani quickly set up her own Aeolian project, financed by Hollywood, to be called Volcano. Italy’s tabloids simply went wild: the prospect of these two great divas battling it out with rival productions was breathlessly followed, especially as it became clear that the Rossellini/Bergman relationship was more than professional. Francesco Patierno has created an engrossing, revealing and highly entertaining chronicle of this cinematic battle royal.
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Intervista a Salvatore Allende (1973)
Character: Self - Interviewer
An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.
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Monsieur Fabre (1951)
Character: (uncredited)
It centres on the life of the entomologist Jean-Henri Fabre and his total devotion to studying insect behavior, travelling from Avignon to Paris, from Paris to his death in Sérignan. He is honoured by the French president Raymond Poincaré and his patience, obstinacy and knowledge are also recognised by Napoleon III, the publisher Charles Delagrave and the philosopher John Stuart Mill. They reach their climax in his book, Souvenirs entomologiques.
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Il generale Della Rovere (1959)
Character: Man in Gestapo office (uncredited)
In WWII-Italy, the Gestapo blackmails a con man to impersonate a dead partisan commander in order to extract information from his fellow inmates.
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Ingrid Bergman Remembered (1996)
Character: Self (archive footage)
Her name conjures up beauty, grace, talent and style. One of the greatest actresses of her time, she is best remembered for a natural and vulnerable persona which was so genuine and alluring. Her cinematic contributions produced such classics as "Casablanca," "Gaslight" and "Anastasia." But Ingrid's story goes deeper than the triumphs of her movie career.
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Birth of a Nation (1997)
Character: Self
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
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ORG (1979)
Character: Self (archive footage)
Explores the complex relationship between the spirit, body, and mind. The film is a nightmare with closed eyes because it counts among the most terrible moments of my life, my second exile, which lasted a very long time. Inspired by an ancient Hindu legend.
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